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open access

The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou

Description: This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.
Date: 2016
Creator: Thompson, Shana
Partner: UNT College of Visual Arts + Design
open access

Geography, Archaeology, Art History: A Case Study for a Multidisciplinary Approach to Mapping Architectural Heritage

Description: This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
Date: 2009
Creator: McCarty, Kim; Gregory, Britteny & Abel, Mickey S.
Partner: UNT College of Visual Arts + Design
open access

Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy

Description: This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
Date: August 1, 2018
Creator: Way, Jennifer
Partner: UNT College of Visual Arts + Design
open access

Analysis of the sculpture No Solid Form Can Contain You using Gloria Anzaldúa's Theory of Nepantla

Description: This research project studies ways that space shapes identity by examining a contemporary sculpture using a multicultural theory. The author focuses on analyzing the role of physical space in the construction of cultural identity across time by studying Mariana Castillo-Deball’s No Solid Form Can Contain You (2010) through Gloria Anzaldua’s Nepantilism theory.
Date: May 5, 2020
Creator: López Gutiérrez, Nansy Lizbeth
Partner: UNT College of Visual Arts + Design
open access

The Fresco Paintings of San Baudelio

Description: Paper argues that the two distinct styles of fresco paintings of San Baudelio de Berlanga in central Spain were the result of the artist responding to the differing religious needs of the receiving communities, rather than the result of being painted in different periods.
Date: 2005
Creator: Garnett, Rachael
Partner: UNT Libraries
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