UNT Music Library - 2,815 Matching Results

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Antigue outline

Description: Recording of Vladimir Nikolayev's Antigue outline. For violin and electronics.
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Date: 1995
Duration: 13 minutes 37 seconds
Creator: Nikolayev, Vladimir
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…Anywhere far

Description: Recording of Jürgen Bräuninger and Ulrich Süsse's ...Anywhere far.
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Date: 1991
Duration: 15 minutes 42 seconds
Creator: Bräuninger, Jürgen & Süsse, Ulrich
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Apocalypse was postponed due to lack of interest

Description: Recording of Juan Carlos Pampin's Apocalypse was postponed due to lack of interest. The title refers to an idea about the state of the art within the 19th century. Algorithms written with the COMMON LISP language controlled the rhythms and production of synthesis sounds to create different textures and densities. Sound generation techniques include: Karplus-Strong Modeled Attack, Additive Synthesis Generated Body and Filtered Noise Drop. The structure of the work is that of a continuous transfo… more
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Date: 1994
Duration: 8 minutes 48 seconds
Creator: Pampin, Juan
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Apparent horizon

Description: Recording of Maggi Payne's Apparent horizon. This was an attempt to convey an aural impression of the sensations. Sound sources consisted of transmissions from/through space and were from Space Shuttle and Apollo missions, satellite transmissions, and shortwave radio broadcasts. Often the composer chose sections that were full of static and distortion - signals which were reaching unintelligibility. There are Morse Code "crickets" at Bryce Canyon and static "rain" at the Canyonlands. Processing… more
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Date: 1992
Duration: 11 minutes 56 seconds
Creator: Payne, Maggi
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Après les grands tours

Description: Recording of Johannes Goebel's Après les grands tours. This piece is a reference to tours that have crossed the Alps with the use of walking sounds and spoken word taken from "Germania" by P. Cornelius Tacitus.
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Date: 1993
Duration: 10 minutes 54 seconds
Creator: Goebel, Johannes, 1949-
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April fool

Description: Recording of Petri Kuljuntausta's April fool. For electronics and pre-recorded sound.
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Date: 1997
Duration: 28 minutes 38 seconds
Creator: Kuljuntausta, Petri
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Aqua Mater

Description: Recording of Marco Pedrazzi's Aqua Mater. Composed in Milan in 1998. The composer speaks of water as the symbol (and maybe not the only symbol) of the matrix and of the dynamic of life; the water of the existences. The water is the place where there is birth and death, and it is the place of the beginning where all possibilities have to be realized and all the thigs must go back. In ancient cultures, the sea on our planet and the celestial sea set upon us were always described as deriving from … more
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Date: 1998
Duration: 8 minutes 42 seconds
Creator: Pedrazzi, Marco, 1959-
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Aqua Sapientiae/Angelus Domini

Description: Recording of Alessandro Cipriani's Aqua Sapientiae/Angelus Domini. This is the 5.00 short tape version. For electronics, pre-recorded sound, and manipulated voice and Gregorian chant.
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Date: 1996/1997
Duration: 1 hour 28 minutes 26 seconds
Creator: Cipriani, Alessandro, 1959-
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Aquaera 1

Description: Recording of Stephan Dunkelman's Aquaera 1. This work has been separated into 8 tracks that come together in unison to create the piece as a whole, exploring sonic elements from the real world. The work was commissioned by empreintes DIGITALes. The composer gives special thanks to Phil Billen, Annette Vande Gorne, and Marie-Jeanne Wyckmans.
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Date: 1996
Duration: 27 minutes 07 seconds
Creator: Dunkelman, Stephan, 1956-
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Aquapolis

Description: Recording of Lou Mallozzi's Aquapolis. The sound material is language and ambient recordings. The text is written in English, and has been translated into German and Venetian Italian. There are aquatic sounds, body sounds, and sounds of physical labor. Conceptually, the piece is based on a fictional trans-historical walk through an aquatic city, loosely based on Venice. The piece is in four sections: Preamble, 2000 Years Ago, 200 Years Ago, and This Year.
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Date: 1997
Duration: 28 minutes 54 seconds
Creator: Mallozzi, Lou, 1957-
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Aquarius

Description: Recording of Anne Scarlett Harris' Aquarius. This work mixes the world of the "great outdoors" and the multifarious sounds of indoor life, using sound materials from different sources of water. The composer states that this piece reflects not only the fluid side of nature, but is also a tribute to the time it was written.
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Date: 1999
Duration: 8 minutes 10 seconds
Creator: Scarlett Harris, Anne
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Aracne

Description: Recording of Luigi Ceccarelli's Aracne. This work is based off of a text by Guido Barbieri and was written as a radio play. This piece was produced and created in Rome at the CRM - Centro Ricerche Musicali and at Edison Studio. It was staged for the first time at the Roman Aquarium in June 1996.
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Date: 1996
Duration: 12 minutes 39 seconds
Creator: Ceccarelli, Luigi
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Aram Nal

Description: Recording of Emmanuel Madan's Aram Nal. Aram Nal is a popular Punjabi expression meaning "restfully, peacefully, without hurting". The piece is the product of two contrasting inspirations: firstly, the sound of Balinese Gamelan Gong Kebyar, and the passage between contrasting spaces. The crescendo throughout the piece is the form.
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Date: 1992
Duration: 11 minutes 43 seconds
Creator: Madan, Emmanuel
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Aranea

Description: Recording of Rudolf Ruzicka's Aranea. This composition was inspired by the comparison of the spider and the possibilities of the world wide web. The title is Latin for "cobweb" and gives tribute to this concept. The work attempts to express both the characteristics of a spider and the typical features of the modern era amplified by the Internet.
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Date: 1999
Duration: 13 minutes 13 seconds
Creator: Růžička, Rudolf, 1941-
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Les arborescences du givre

Description: Recording of Jacques Tremblay's Les arborescences du givre. For flute and electronics.
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Date: 1995
Duration: 22 minutes 07 seconds
Creator: Tremblay, Jacques, 1962-
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L'arbre égayé

Description: Recording of Ragnar Grippe's L'arbre égayé. The title, "L'arbre égayé," refers to "the cut tree," but the composer does stress that it also means "the reviving tree." This reference to a cut tree is intentional as a tie-in and homage to the composer's experience (20 years prior to the composition of this piece) at Groupe de Recherches Musicales de l'ORTF in Paris under the direction of Pierre Schaeffer. As Grippe explains: "This piece - without any overambitious zeals - is a hommage to the scho… more
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Date: 1992
Duration: 13 minutes 31 seconds
Creator: Grippe, Ragnar, 1951-
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Arcades

Description: Recording of Lelio Camilleri's Arcades. This work is for electronic and pre-recorded manipulated sound. This work uses traditional electronic technique to change the sound characteristics of pre-recorded sound and use of musical space and movement, accompanied by electronically produced track.
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Date: 1994
Duration: 10 minutes 44 seconds
Creator: Camilleri, Lelio
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Arcane 11

Description: The different sound materials of the work come from commercial synthesizers (DX7 / D50). The SAMI (Computer Assisted Music Support System), developed by Bernard Donzel-Gargand and Adrien Lefevre (IRCAM), allowed me to create this music. This instrument offers various access commands such as: - joy-sticks, - photocells, - pedals, who can each, according to our imagination, drive real-time music parameters (change of timbre, velocity, frequency according to modes, ranges, series, tempo, speed et… more
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Date: 1990
Duration: 10 minutes 19 seconds
Creator: Donzel-Gargand, Bernard, 1945-
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Archée

Description: Recording of Patrick Lenfant's Archée. The main material in this work is fire, an "electonic" fire made from exclusively analog wave generators. The second material is "time" and is an essential part of the work. This piece belongs to a collection of works the composer calls his "electronic sound paintings" which consist of pieces that suggest to the listener an image of the chosen model by stylizing it using electronic sources.
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Date: 1994
Duration: 12 minutes 06 seconds
Creator: Lenfant, Patrick
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L'Archer coupe l'air en deux

Description: Recording of Ragnar Grippe's L'Archer coupe l'air en deux. All the material was composed by the composer. The sound include soprano voice, voice, logs, water, toys, cello, piano, and radio waves. The technique used is very much based on the composers experiences from French Groupe de Recherches Musicales. MIDI sounds were made with a digital performer, sound on sound tools II, and manipulated with Turbo Synth SC.
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Date: 1994
Duration: 14 minutes 10 seconds
Creator: Grippe, Ragnar, 1951-
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Arco Voltaico

Description: Recording of Teodoro Pedro Cromberg's Arco Voltaico. This is a work for electronics that was created for cellist, Andrea Espinzo. In this piece the cello has been integrated into the electroacoustic mix. Four improvised performances of the cello were taken by the analogical recorder and then used to create different mixtures for the final product.
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Date: 1995
Duration: 7 minutes 23 seconds
Creator: Cromberg, Teodoro, 1955-
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Les arcs boutants

Description: Recording of Ragnar Grippe's Les arcs boutants. This work used synthetic sound to create a minimal soundscape, along with incorporating traditional electro-acoustic technique to enhance music space and movement.
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Date: 1995
Duration: 2 minutes 45 seconds
Creator: Grippe, Ragnar, 1951-
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Arcturus

Description: Recording of Satoshi Sumitani's Arcturus.
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Date: 1990/1991
Duration: 16 minutes 45 seconds
Creator: Sumitani, Satoshi, 1932-
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Arghanum V

Description: Recording of Alcides Lanza's Arghanum V. Arghanum (Gk. organon), Arabic name for the byzantine organ. The composer, himself originally from Argentina, has based some harmonic, melodic and gestural aspects of the work on a few notes of a very popular Argentinian tango [El Monito, by Julio de Caro]. The work also includes natural sounds sampled via an AKAI S900.
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Date: 1996
Duration: 13 minutes 36 seconds
Creator: Lanza, Alcides
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