Aqua Mater

One of 4,756 items in the series: MISAME available on this site.
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Description

Recording of Marco Pedrazzi's Aqua Mater. Composed in Milan in 1998. The composer speaks of water as the symbol (and maybe not the only symbol) of the matrix and of the dynamic of life; the water of the existences. The water is the place where there is birth and death, and it is the place of the beginning where all possibilities have to be realized and all the thigs must go back. In ancient cultures, the sea on our planet and the celestial sea set upon us were always described as deriving from the same nature. The water can be … continued below

Physical Description

1 sound recording (8 min., 41 sec.)

Creation Information

Pedrazzi, Marco, 1959- 1998.

Context

This audio recording is part of the collection entitled: Mnemothèque Internationale des Arts Electroacoustiques and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. More information about this recording can be viewed below.

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UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

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Titles

  • Main Title: Aqua Mater
  • Series Title: MISAME

Description

Recording of Marco Pedrazzi's Aqua Mater. Composed in Milan in 1998. The composer speaks of water as the symbol (and maybe not the only symbol) of the matrix and of the dynamic of life; the water of the existences. The water is the place where there is birth and death, and it is the place of the beginning where all possibilities have to be realized and all the thigs must go back. In ancient cultures, the sea on our planet and the celestial sea set upon us were always described as deriving from the same nature. The water can be understood as the place of the creation of all souls, with all beings (men, gods, animals etc.) descending from it. To pass the sea means a spiritual initiation, a passage from one being's condition to another one. This work is an homage to this. The work has been composed over a year using huge complex dynamic sounds events, paraharmonic synthesis, and vocal research. The sound events have been generated using complex partials, harmonic shifted and formants synthesis. The parts of this work have been written and synthesized with CSound, edited and processed with Soundhack and Digidesign software. Languages: CSound. Programs: Digidesign Sound Designer II, ProTools 4, composer's own program, Soundhack. Computers: Apple Macintosh IIci, Apple PowerPC 8100/110 with Audiomedia II. Tape machines: Sony 670 DAT, Sony D7 DAT. Mixer: Roland M160. Stereo 16bits 44.1Khz

Physical Description

1 sound recording (8 min., 41 sec.)

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Collections

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Mnemothèque Internationale des Arts Electroacoustiques

Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.

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Creation Date

  • 1998

Added to The UNT Digital Library

  • April 26, 2023, 8:59 p.m.

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Pedrazzi, Marco, 1959-. Aqua Mater, audio recording, 1998; Bourges, France. (https://digital.library.unt.edu/ark:/67531/metadc2099968/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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