UNT Music Library - 98 Matching Results

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Adieu petit prince

Description: Recording of Ton Bruynèl's radio composition on the theme of "Le Petit Prince" by Antoine de Saint-Exupéry, "Adieu petit prince." The text of the composition is partly taken from a critical analysis of the children's book entitled "Fantaisie et mystique dans le Petit Prince" by Yves le Hir. The piece was commissioned by the Netherlands Broadcasting Foundation.
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Date: 1982
Duration: 19 minutes 04 seconds
Creator: Bruynèl, Ton
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Alterego per percussioni solo e nastro

Description: Recording of Iván Patachich's Alterego per percussioni solo e nastro. This piece wants to use the possibilities of electroacoustic modulation in the field of percussion instruments. The score of the composition consists of four parts noted in a traditional way. The second, third and fourth parts are transformed by electroacoustic means, the first part remains without any modulation. The piece consists of short sections. During these sections, free rhythms alternate. The composition has a bridge… more
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Date: 1982
Duration: 10 minutes 09 seconds
Creator: Patachich, Iván
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Alterego per Percussioni Solo e Nastro

Description: Recording of Iván Patachich's Alterego per Percussioni Solo e Nastro. This piece wants to use the possibilities of electroacoustic modulation in the field of percussion instruments. The score of the composition consists of four parts noted in a traditional way. The second, third and fourth part are transformed by electroacoustic means, the first part remains without any modulation. The room is made up of short sections. During these sections, free rhythms alternate. The composition has a bridge… more
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Date: 1982
Duration: 10 minutes 09 seconds
Creator: Patachich, Iván
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Alternances

Description: Recording of Patrick Lenfant's Alternances. Alternances explores a different aspect of other synthesizer pieces that I have previously composed. The synthesizer is used here as a generator of as varied an electronic material as possible. This material and its temporal articulation, instead of being definitively fixed on a magnetic support, will evolve according to the instrumentalist. Indeed, this one has two control pedals, piloting the synthesizer and allowing it to make coincide its playing … more
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Date: 1982
Duration: 13 minutes 03 seconds
Creator: Lenfant, Patrick
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...and even the stone would cry

Description: The composition is a meditative work based on the cantability of basic instrumental materials - fragments of melodic and harmonic structures of a cello part - transformed by the vocoder, the digital sound processor, the equalizer and so on. It clearly shows the author's desire to establish a relationship between these "thematic materials" ostentatious timpani and dynamising structures synthetically created.
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Date: 1982
Duration: 8 minutes 14 seconds
Creator: Kubička, Víťazoslav, 1953-
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Anna's Magic Garden

Description: Recording of Trevor Wishart's Anna's Magic Garden. It is an impressionist work that attempts to recreate the agitation of the world from the view of a three-year-old child. The voice is that of his daughter, Anne Ruth. The piece contains sounds both concrete and synthesized. Recorded over five weeks in the studios of San José State University and University of Texas, Austin.
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Date: 1982
Duration: 10 minutes 01 second
Creator: Wishart, Trevor
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Aya

Description: A recording of Chiaki Takatsuki's Aya. Waves of electronic sound twisted like threads are twisted little by little. First, a dynamic scene, making use of the revolving sound image. At the end, space of tranquility. A gyrating sound was made from the original circuit, based on two controlled amplifiers (voltage). One can find a circular sound not a circumference but in front of or behind the audience.
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Date: 1982
Duration: 47 minutes 08 seconds
Creator: Takatsuki, Chiaki
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transcript

[Bob Brookmeyer Lecture, March 2, 1982: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Bob Brookmeyer on March 2, 1982 at 9:30AM at the UNT College of Music. The lecture is interspersed with examples, questions and answers.
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Date: March 2, 1982
Duration: 1 hour 26 minutes 47 seconds
Creator: Brookmeyer, Bob, 1929-
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transcript

[Bob Brookmeyer Lecture, March 3, 1982: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Bob Brookmeyer on March 2, 1982, 12:30PM at the UNT College of Music. The lecture is interspersed with examples, questions and answers.
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Date: March 2, 1982
Duration: 1 hour 27 minutes 14 seconds
Creator: Brookmeyer, Bob, 1929-
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Brown Autumn

Description: Recording of Ake Andersson's Brown Autumn.
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Date: 1982
Duration: 5 minutes 58 seconds
Creator: Andersson, Ake
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Brown Rice

Description: This piece was composed in 1982 with a Buchla 200 analog system and with a multi-track mix to produce a basic texture. A byte of curly bands with soprano voices was assembled and subsequently played by the computer using a keyboard. This gave linear and pointillistic contrasts with the harsh sounds electronically.
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Date: 1982
Duration: 9 minutes 02 seconds
Creator: Otto, Peter, 1951-
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Charon's gift

Description: Recording of Tera De Marez Oyen's Charon's gift. For piano and tape.
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Date: 1982
Duration: 13 minutes 55 seconds
Creator: De Marez Oyen, Tera
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Circulos Fosforescentes en fondo negro

Description: Recording of Ricardo Mandolini's "Circulos Fosforescentes en fondo negro" ("Phosphorescent circles on a black background). The piece results from a numerical ideology of probability and determination because of the program used to create it. The title refers to the number of quadraphonic space moves that occur in the piece. It was composed in 1982 at Studio EMS in Stockholm, Sweden. The piece received a Honorary Mention from the Electroacoustic Music Festival Luigi Russolo in Varese, Italy in 1… more
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Date: 1982
Duration: 8 minutes 47 seconds
Creator: Mandolini, Ricardo
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Clair de lune artificiel

Description: Recording of Floris van Manen's "Clair de lune artificiel" ("Artificial moonlight"). It is music of silence, space and time. The transparency of the texture could be associated with the monochrome blue color. Van Manen used a hybrid system to create the piece, using a combination of analog and digital techniques. It consists of three superimposed layers, each having a number of resonance points in the sound spectrum whose total energy remains equal, but which continually change place and intens… more
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Date: 1982
Duration: 8 minutes 03 seconds
Creator: Manen, Floris van
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transcript

[Clark Terry Lecture, April 20, 1982: Part 1]

Description: Recording of a Jazz Lecture Series presentation by Clark Terry on April 20, 1982 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Clark Terry, trumpet, interspersed with questions from the audience.
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Date: April 20, 1982
Duration: 1 hour 11 minutes 07 seconds
Creator: Clark, Terry
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transcript

[Clark Terry Lecture, April 20, 1982: Part 2]

Description: Recording of a Jazz Lecture Series presentation by Clark Terry on April 20, 1982 at 12:30PM at the UNT College of Music. It includes a lecture and performance by Clark Terry, trumpet, interspersed with questions from the audience.
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Date: April 20, 1982
Duration: 1 hour 14 minutes 40 seconds
Creator: Clark, Terry
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Clepsydre

Description: Clepsydra is part of this vast acousmatic fresco made of steps forward and back on the first works. Composed in this last idea, this piece is the second movement of the 1st Grimoire of the "acoustic illusion", not created until tonight, devoted to the element water. The 2nd Grimoire (1982) was born before the complete creation of the 1st Grimoire. The first purification of the material therefore took place before the shaping of the initial material. However, thanks to the evolution of the exper… more
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Date: 1982
Duration: 14 minutes 05 seconds
Creator: Favre, Marc 1954-
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Concertino pour Saxophone Soprano

Description: This concertino was commissioned by Belgrade Radio and was also composed in Belgrade and is dedicated to Paul Pignon. The saxophone part at the beginning of the piece is composed quite precisely which means that we have to play everything as if it's written down. Later the sound material becomes only half sketched in note which will mean that the performer will have to rhythm, phrase and modulate dynamically. In the end there is only a text program, which is necessary, what can happen eventuall… more
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Date: 1982
Duration: 9 minutes 15 seconds
Creator: Pongrácz, Zoltán
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Conversations

Description: Recording of Werner Kaegi's Conversations: Partie 1: In Memoriam.
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Date: 1982
Duration: 12 minutes 02 seconds
Creator: Kaegi, Werner
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Coversations

Description: Recording of Werner Kaegi's Conversations: Partie 3: Vers d'autres jeux.
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Date: 1982
Duration: 15 minutes 31 seconds
Creator: Kaegi, Werner
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transcript

[Dizzy Gillespie Lecture, March 30, 1982]

Description: Jazz Lecture Series presentation by Dizzy Gillespie on March 30, 1982, 9:30AM at the UNT College of Music. Includes lecture and performance by Dizzy Gillespie, trumpet, interspersed with questions from the audience.
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Date: March 30, 1982
Duration: 58 minutes 54 seconds
Creator: Gillespie, Dizzy, 1917-1993
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DM VS Metal

Description: Recording of Alain Marchal's DM VS Metal. This piece is divided into 3 long parts of 4, 6 and a half and a half minute(s), connected without silence. It brings together percussion elements from different species, played and worked in time: a) a series of objects that do not belong to the violin making (plates, tubes, metal plates), b) a Jazz drums, c) metal instruments from groups a- and b- played and manipulated in the studio at the same time. This first part starts ppp and quickly reaches fff… more
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Date: 1982
Duration: 11 minutes 12 seconds
Creator: Marchal, Alain
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The electric sinfonia

Description: Recording of Barton Mac Lean's The Electric Sinfonia. Sound Sources come from a string orchestra and the music for a chamber piano. The basic instrument used is the "FCMI." The expressive range of the ideas of the piece are important, raising the range from an extremely violence to an obsessive beauty. The duality of character is the thread of all the work.
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Date: 1982
Duration: 9 minutes 16 seconds
Creator: McLean, Barton, 1938-
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