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Description
This concertino was commissioned by Belgrade Radio and was also composed in Belgrade and is dedicated to Paul Pignon. The saxophone part at the beginning of the piece is composed quite precisely which means that we have to play everything as if it's written down. Later the sound material becomes only half sketched in note which will mean that the performer will have to rhythm, phrase and modulate dynamically. In the end there is only a text program, which is necessary, what can happen eventually and what is forbidden. With the help of which the performer must achieve a freely …
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This concertino was commissioned by Belgrade Radio and was also composed in Belgrade and is dedicated to Paul Pignon. The saxophone part at the beginning of the piece is composed quite precisely which means that we have to play everything as if it's written down. Later the sound material becomes only half sketched in note which will mean that the performer will have to rhythm, phrase and modulate dynamically. In the end there is only a text program, which is necessary, what can happen eventually and what is forbidden. With the help of which the performer must achieve a freely improvised rhythm and virtuosity. The sound material that on the tape an electronic accompaniment was produced with 10 oscillators and 45 clarinet sounds, its various groups at once together were modulated in different ways with many electronic means.
This recording is part of the following collection of related materials.
Mnemothèque Internationale des Arts Electroacoustiques
Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.