UNT Music Library - 2,815 Matching Results

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Les amants tragiques de Sarajevo

Description: Recording of Jean-Louis Poliart's Les amants tragiques de Sarajevo. The composer was tragically inspired by the war in Sarajevo, specifically the banality in the news coverage of the "tragic lovers of Sarajevo". The composer describes this work as programmatic music with death creeping into the soundtrack along with warrior sounds and moments of sweetness, meditation, and ending with a funeral march.
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Date: 1993
Duration: 8 minutes 02 seconds
Creator: Poliart, Jean-Louis
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Amarcord - Chilhood (l'enfance)

Description: Recording of Bor Turel's Amarcord - Chilhood (l'enfance). This piece is the third movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 11 minutes 55 seconds
Creator: Turel, Bor
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Amarcord - Dreams (les rêves)

Description: Recording of Bor Turel's Amarcord - Dreams (les rêves). This piece is the second movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 10 minutes 18 seconds
Creator: Turel, Bor
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Amarcord - Golden age (l'age d'or)

Description: Recording of Bor Turel's Amarcord - Golden age (l'age d'or). This piece is the first movement of the work "Amarcord" that the composer describes as a trilogy of sonorous memories. This work was conceived as a combination of electronic, electroacoustic, and ambient instrumental recordings that were all produced in the years from 1976 to 1996.
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Date: 1996/1997
Duration: 11 minutes 35 seconds
Creator: Turel, Bor
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Ambidecst

Description: Recording of Antonio Ferreira's Ambidecst. This composition is based on rhythmic cells produced using several contrasting concrete and synthetic sound objects. Several episodes are assembled between them in order to create abrupt feelings of running and escaping. This composition was made using Csound, Cecilia and Metasynth and was globally mixed for Ambisonics UHJ stereo compatible. Final mixing and mastering done in Protools LE.
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Date: 1999
Duration: 9 minutes 57 seconds
Creator: Ferreira, António, 1963-
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American Jingo

Description: Recording of Christopher Penrose's American Jingo.
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Date: 1998
Duration: 19 minutes 09 seconds
Creator: Penrose, Christopher, 1967-
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American miniatures

Description: Recording of David Jaffé's American Miniatures. This piece features voice, percussion, mandolin, electronics, and various acoustic instruments.
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Date: 1992
Duration: 19 minutes 32 seconds
Creator: Jaffé, David
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American Triptych

Description: Recording of Trevor Wishart's American Triptych. The composer describes the aim of this work as to "recreate and transform the voices of well-known public figures in order to comment on them or their social context".
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Date: 1999
Duration: 15 minutes 12 seconds
Creator: Wishart, Trevor
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Amour énorme

Description: Recording of Robert Grassi's Amour énorme. Grassi was responsible for the samples used in the recording. He used an FM synthesizer, tms sampler, and a SPX-1000 effect processor.
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Date: March 2, 1991
Duration: 12 minutes 16 seconds
Creator: Grassi, Robert
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Analysis and fantasy on jumping

Description: Recording of David Alarcón's Analysis and fantasy on jumping. For electronics and pre-recorded sound.
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Date: 1997
Duration: 12 minutes 20 seconds
Creator: Alarcón, David
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Anch'io Sono Pittore

Description: Frequently, the motivations that push the composer to write a work are absolutely extramusical. Regarding this, the appetite to compose was aroused in me by the impression that produced me reading the sentence: "And I too am a painter" attributed to Corrège, who would have pronounced it in front of Raphael's 'Sainte Cécile' in Bologna.
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Date: 1990
Duration: 8 minutes 33 seconds
Creator: Polonio, Eduardo, 1941-
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Anchorings / Arrows

Description: Recording Jens Heldman and Erik Mikael's Anchorings / Arrows. This piece is based upon recording made from traditional instruments: clarinet, saxophones, cello, violin, trumpet, trombone, guitar, flute, and a mezzo-soprano voice. The sounds have all been subjected to different forms of computer transformations made with the VAX-11/750 at EMS and the AudioFrame Workstation at Diem.
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Date: 1992
Duration: 13 minutes 15 seconds
Creator: Hedman, Jens, 1962- & Karlsson, Erik Mikael, 1967-
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…And by his suggestion…

Description: Recording of Adrian Moore's ...And by his suggestion... This work uses traditional electronic technique to create futuristic sounding synthetically built sounds, along with manipulated voice.
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Date: 1992/1993
Duration: 9 minutes 51 seconds
Creator: Moore, Adrian, 1969-
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Angel

Description: Recording of Jean-Louis Belmonte's Angel. This work uses traditional electronic techniques to change pre-recorded sounds to create a soundscape. The metallic ring sound is a continuous sound throughout the work, therefore the listener becomes familiar and begins to draw attention to the sounds changing outside of this familiar sound. Yet, there are still moments with the attention is brought back tot he metallic sound and a brand new collection of sounds and environment is introduced.
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Date: 1996
Duration: 3 minutes 52 seconds
Creator: Belmonte, Jean-Louis
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Angustia

Description: Recording of Jean-Christophe Banaszak's Angustia. This work puts emphasis on the relation of space and the composer states that most of the piece has been processed in 3D, putting much of the sound in the background while only a sound resembling a slamming door remains in the foreground.
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Date: 1999
Duration: 4 minutes 36 seconds
Creator: Banaszak, Jean Christophe
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Anima (suite n°2)

Description: Recording of Michael Rosas Cobian's Anima (suite n°2).
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Date: 1995
Duration: 18 minutes 37 seconds
Creator: Rosas Cobian, Michael, 1953-
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Aniox

Description: Recording of Daping Qin's Aniox. A fantasy surrounding the theme of animal voices, Aniox is an exploration of the musique concrete bridge between music and noise. Four animal voices are treated as instruments: sad cock, cheerful dogs, innocent birds and angry lions. The main role is played by the roster. The work falls into two sections. The first section develops from the statement of the rooster's plaintive whine to an innocent birdsong and gradually changes to a deep sigh. After a brief paus… more
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Date: 1996
Duration: 8 minutes 28 seconds
Creator: Qin, Daping, 1957-
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Annazone

Description: "Annazone" (Anna area), analogue concept of proximity with Amazon (Brazil equatorial forest). The singer is of Brazilian origin. During early childhood, the singer was especially impressed by the songs and cries of the birds and insects of the Brazilian forest. This sound world is entangled on several levels (vegetation, smells, noise, light, humidity in constant variation with the hours of the day and the night.) It is astonishing how much the human being is first able listen carefully to the … more
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Date: 1991
Duration: 9 minutes 29 seconds
Creator: Kupper, Léo, 1935-
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Añoranza de lo Dionisíaco

Description: Teodoro Pedro Cromberg's Añoranza de lo Dionisíaco. The title references to the importance of sensorial experience (dionis’aco) in concrete music creation, opposite to the microcomposition in the land of sonora synthesis, that is more rational (apol’neo). In this way, both working modes are contraposed all over the piece, though clearly limited sections with short silences or for the clear identity of different sonorous-musical materials. The last section highlights the characteristic motives… more
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Date: 1996
Duration: 8 minutes 23 seconds
Creator: Cromberg, Teodoro, 1955-
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The answer which the court gives

Description: Recording of Christopher Rolfe's The answer which the court give you. The two sections here were excerpted from a longer work for piano and tape. The text material is drawn from documentary recordings of oral arguments before the U. S. Supreme Court, and processed by various resonant synthesis techniques (Karplus- Strong, convolution). The piece sonically depicts that public speakers are fundamentally creating music.
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Date: 1996
Duration: 25 minutes 06 seconds
Creator: Rolfe, Christopher, 1962-2021
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Antigone: Musique

Description: "Antigone: Musique" was designed to accompany an amateur production of the Cocteau piece. Whose convoluted intervals evoke me the sweet-mean smile of the dark forces that slumber in us. The vocal enchantments the actors themselves, which allows to lengthen the actors during the representation thus creating (at least I hope!) interesting ambiguities...
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Date: 1991
Duration: 10 minutes 42 seconds
Creator: Olsson, Justice, 1949-
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Antiguas Preguntas

Description: This work is inspired on some pre-Columbian conceptions: man submitted to the forces of a giving universe, yet one that is demanding at the same time. In such a situation, man understands that all security is an illusion, and needs some kind of ritual in order to reconcile the opposites, and to restore the equilibrium of the cosmos. These trusts are not only protected at different levels of the musical structure of the piece, they also orient the criteria employed in the construction of sounds,… more
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Date: 1991
Duration: 8 minutes 51 seconds
Creator: Lluán, Claudio, 1957-
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Antiguas Preguntas ( Ancient Questions)

Description: Recording of Claudio Lluan Antiguas Preguntas ( Ancient Questions). This piece is for female voice, eight instrumental groups, and electronic chat. The piece is based on a fragment of a quencha hymn from which only the text has come down to us. The poem, is organized in questions, which describe the scheme of the Incas' cosmos.
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Date: 1992
Duration: 12 minutes 27 seconds
Creator: Lluán, Claudio, 1957-
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