UNT Music Library - 296 Matching Results

Search Results

prev Results: 289 - 296

Vox II

Description: Recording of Jorge Luis Sad's Vox II. The composer used some sound from a former piece "VOX". The basic intention of this piece was continuing the exploration of sound materials and gestures of ethnic and "art" music. The sounds are present in small fragmental groups. Samples were taken from rock singers (Robert Plant and Peter Gabriel) percussion instruments from Bali and then processed using music software developed at CCRMA (SMS and CLM) on a NeXt Computer, and an AI Korg processor.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994/1995
Duration: 27 minutes 45 seconds
Creator: Sad, Jorge Luis
Item Type: Refine your search to only Sound

Vozes Dentro

Description: Recording of Victor Lazzarini's Vozes Dentro. This work is made up of three movement: Cidade Irreal, O Moinho dos Cantos, Vozes Dentro. Vozes Dentro is a trilogy, which examines different aspects human voices sounds. The first piece is a study of different types of textures, which are transformed into vocal-like sounds.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994/1996
Duration: 15 minutes 26 seconds
Creator: Lazzarini, Victor, 1969-
Item Type: Refine your search to only Sound

Les Vusions

Description: Recording of Ulrich Süsse's Les Vusions. Rabelais' ideologies and visions are musically represented in this piece. This is done by building structures and walking away from them. The structures are taken from the sound (preferably from a precise vocal) and the continuation of the language of Rabelais. There is the use of everyday normal objects, but the technique of electronic transformation demonstrate direction and transition.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 10 minutes 37 seconds
Creator: Süsse, Ulrich
Item Type: Refine your search to only Sound

Wave break

Description: Recording of John Deusenberry's Wave break. Sonic events in WaveBreak are nearly devoid of any steady-state; each event evolves continuously toward the next, the outcome remaining uncertain until the event has already passed. This concentration upon the unfolding of individual sounds results in a kind of monody, although at some points more than one soundstream is presented. While it is not always obvious to the ear, many of the events in the piece are themselves constructed from hundreds of ra… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 4 minutes 42 seconds
Creator: Duesenberry, John, 1950-
Item Type: Refine your search to only Sound

Wedge. Music for two audio tracks

Description: Recording of René Uijlenhoet's Wedge. Music for two audio tracks. The composer describes this piece as being about sounds that wrench other sounds loose as well as frantically racing sounds or stationary sound planes. The piece was inspired by the rhythms and loops in Pierre Schaeffer and Pierre Henry's early Musique Concrète montages. Wedge was created with synthetic sounds from a variety of sources, as well as a pair of distorted bass clarinets and a manipulated cymbal.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 10 minutes 31 seconds
Creator: Uijlenhoet, René, 1961-
Item Type: Refine your search to only Sound

Where is the green parrot?

Description: Recording of Peter Cusack's Where is the green parrot? For guitar and pre-recorded processed sound.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 24 minutes 49 seconds
Creator: Cusack, Peter
Item Type: Refine your search to only Sound

Women in black

Description: Recording of George Skip Brunner's Women in black. For electronics, manipulated voice, and violin.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994/1997
Duration: 13 minutes 10 seconds
Creator: Brunner, George Skip, 1951-
Item Type: Refine your search to only Sound

〇✕△☐

Description: Recording of Takehito Shimazu's 〇✕△☐. For this composition, the composer produced a special computer program written in C and Assembler computer languages. The purpose of this program was to create sequential data as a means of reflecting, defining, and executing the form of the piece. The composer chose to include a randomizing element in this program in order to more closely simulate human performance of the material performed by the computer element. In terms of form, this piece consists of … more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1994
Duration: 13 minutes 30 seconds
Creator: Shimazu, Takehito, 1949-
Item Type: Refine your search to only Sound
Back to Top of Screen