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Concerto for clarinet and clarinets

Description: Recording of JoAnn Kuchera-Morin's Concerto for clarinets and clarinets. This work is a single movement work for clarinet and computer-generated tape and exhibits a traditional concerto structure with the computer resembling the orchestra. The computer generated portion is made up of instruments designed from sampled clarinets tones which are cross-synthesized with string like instruments. The hybrid instruments include extended clarinets technique and legato clarinet ones.
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Date: 1991
Duration: 8 minutes 19 seconds
Creator: Kuchera-Morin, JoAnn, 1953-

Concerto in D

Description: Recording of Daniel Oppenheim's Concerto in D. This work is for a concerto for violin and electronics.
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Date: 1991
Duration: 21 minutes 46 seconds
Creator: Oppenheim, Daniel V., 1954-

A Consistencia da prata/estudo

Description: Recording of Rodrigo Cicchelli Velloso's A Consistencia da prata/estudo. This piece use traditional electro-acoustic techniques to create such dynamic effects.
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Date: 1991
Duration: 7 minutes 18 seconds
Creator: Velloso, Rodrigo Cicchelli

Le Contre-Ciel

Description: Dedicated to René Daumal Electroacoustic piece in three movements of non-Euclidean inspiration from the poetic work of René Daumal, "Le Contre-Ciel" (Ed. Gallimard)
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Date: 1991
Duration: 17 minutes 08 seconds
Creator: Dutriaux, Stéphane, 1916-

Courant statique

Description: Recording of Nicolas Verin Courant statique. The time of the work is devoted to an exploration of several paths linking two extremes of sound matter: balance, held almost immobile; and movement of volatile particles. Several other masses are added, creating a heaviness, an expectation, gradually generating tension, until the breaking point where they explode in a flash, in a shower of sparks, which will soon be extinguished. This piece was created using electronic technique.
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Date: 1991
Duration: 9 minutes 53 seconds
Creator: Vérin, Nicolas

Los dados eternos

Description: Recording of Rajmil Fischman's Los dados eternos. This is a piece for oboe, tape and real-time processing. The instrumental part includes a range of extended techniques such as multiphonics, sucking the reed, singing and playing, etc. In addition, sounds coming out from the oboe are processed during performance by two effects units, serving as a further extension of the capabilities of the instrument. This processing also creates a middle ground in which concrete sounds contained in the tape me… more
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Date: 1991
Duration: 23 minutes 36 seconds
Creator: Fischman, Rajmil, 1956-

Days of dreams: yester yesr faded

Description: Recording of Adrian Carr's, Days of Dreams: yester yesr faded. This piece uses sampled instrumental sounds and the piano part is performed live using digital effects of delay and reverb.
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Date: 1991
Duration: 8 minutes 05 seconds
Creator: Carr, Adrian

Dithirambe

Description: Recording of Masahiro Miwa's Dithirambe. This work is for voice and electronics. This work explores just how much the composer could use electronic processing to alter the sound of the voice. The piece introduces the unprocessed voice and slowly begins to add different effects including: pitch alteration, reverberation, speed, and sound placement.
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Date: 1991
Duration: 16 minutes 37 seconds
Creator: Miwa, Masahiro

Divertimento for Dalle

Description: My work is dedicated to the memory of Uncle Dalle, who died last year. Uncle Dalle, whose real name was Carl Gustav Wahlqvist, was my father's best friend, already from his earliest childhood. Uncle Dalle was born in Stockholm in the house next to ours where my father and I both were born. Then a day came when he also became one of my dear friends, especially after the death of my father. Uncle Dalle was a wonderful and cheerful person, he was extremely gifted in society and was always passiona… more
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Date: 1991
Duration: 15 minutes 04 seconds
Creator: Bodin, Lars-Gunnar, 1935-

Do it again

Description: Recording of Thomas Bjelkeborn's, Do it again. The compositional work uses breaking dried out tree branches, which are heavily processed with electronic techniques. This sound file has been transformed over and over and with sound mutation and has been split in various sounding directions. This piece uses transformations which are similar to partly human gestures controlling the changes. The resulting sound files were cut, spliced and mixed in a canonic form where the original sound file length… more
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Date: 1991
Duration: 10 minutes 32 seconds
Creator: Bjelkeborn, Thomas
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