UNT Music Library - 164 Matching Results

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[Jim Hall Lecture, April 29 1986: Parts 3 and 4]

Description: Jazz Lecture Series presentation by Jim Hall on April 29, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Jim Hall, guitar, interspersed with questions from the audience.
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Date: April 29, 1986
Duration: 1 hour 33 minutes 46 seconds
Creator: Hall, Jim, 1930-
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[John Patitucci Lecture, March 22, 1988: Parts 1 and 2]

Description: Jazz Lecture Series presentation by John Patitucci on March 22, 1988 at 9:30AM at the UNT College of Music. Includes lecture and performance by John Patitucci, bass, interspersed with questions from the audience.
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Date: March 22, 1986
Duration: 1 hour 43 minutes
Creator: Patitucci, John
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[John Patitucci Lecture, March 22, 1988: Parts 3 and 4]

Description: Jazz Lecture Series presentation by John Patitucci on March 22, 1988 at 2:00PM at the UNT College of Music. Includes lecture and performance by John Patitucci, bass, interspersed with questions from the audience.
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Date: March 22, 1986
Duration: 1 hour 30 minutes 25 seconds
Creator: Patitucci, John
Item Type: Refine your search to only Sound
transcript

[Jon Faddis Lecture, March 25, 1986: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Jon Faddis on March 25, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Jon Faddis, trumpet, interspersed with questions from the audience.
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Date: March 25, 1986
Duration: 1 hour 22 minutes 51 seconds
Creator: Faddis, Jon
Item Type: Refine your search to only Sound
transcript

[Jon Faddis Lecture, March 25, 1986: Parts 3 and 4]

Description: Jazz Lecture Series presentation by Jon Faddis on March 25, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Jon Faddis, trumpet, interspersed with questions from the audience.
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Date: March 25, 1986
Duration: 1 hour 33 minutes 58 seconds
Creator: Faddis, Jon
Item Type: Refine your search to only Sound

Journeys

Description: Recording of Samuel Headrick's Journeys.
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Date: 1986
Duration: 10 minutes 11 seconds
Creator: Headrick, Samuel, 1952-
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Kolom

Description: Recording of Ton Bruynèl's "Kolom".
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Date: [1986,1987]
Duration: 11 minutes 42 seconds
Creator: Bruynèl, Ton
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Kräftig und Bewegt

Description: This is a concrete piece made in 1986. The sound materials in opposition are a "crash" hard, metallic and a serious white noise. However all sounds derive from the same source which is the recording of a train. The ways of recording and the sound world alone, can be seen as a cordial greeting to the financiers of electronic music.
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Date: 1986
Duration: 5 minutes 38 seconds
Creator: Hiidenkari, Petri, 1957-
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Lag

Description: "Lag" is built with a material that is both concrete and synthesized, where electronic sounds play an impersonal, imitative role while the concrete material, consisting of various short musical excerpts that have a great significance for me, is deeply processed. and thus an electronic appearance. Gradually, during the piece, which has the shape of an inverted arc, these functions are so altered that in the end the relation is opposite. Order of the Swedish Radio, composed in 1986, this music i… more
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Date: 1986
Duration: 12 minutes 56 seconds
Creator: Blomqvist, Anders, 1956-
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Landschaft

Description: I developed the entire music from a piano improvisation by F. Gulda, which was recorded for this purpose. I did not use any other material than ours, by the sound chemistry of the electronic transformation, I formed many figures (gestalten): full of colors, voices, bells, instruments, wind and rain, no sounds without name etc ... From all its components, I built something like a landscape that can be used as an immediate acoustic environment. "Landscape" is mostly abstract, however, with a smal… more
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Date: 1986
Duration: 34 minutes 16 seconds
Creator: Rabl, Günther, 1953-
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Left to his own devices (To Milton Babbitt at 80)

Description: Recording of Eric Chasalow's Left to his own devices (To Milton Babbitt at 80). In this work, the composer combined archival interviews with Milton Babbitt with a virtual RCA synthesizer. This music draws on quotations from Babbitt’s instrumental music performed by the sounds of the RCA. The text composited of phrases that Milton has spoken many times over the years. The composer has tried to intensify these phrases by building a dramatic, musical structure both from them and around them.
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Date: 1986
Duration: 5 minutes 57 seconds
Creator: Chasalow, Eric, 1955-
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Litanéa

Description: "Litanéa" is an anagram of Electroacoustic Litanies. An exaggerated desire for possession of articulated sound material (down to the microscopic level) is not without the risk of developing a rational, even scientific, mind. In music, this exaggeration leads to a state of mind that may dry up in his desire for absolute possession of the material. A certain part of the periodicity must be left to the music (which does not belong to the composer) otherwise the sound can not exist. Litanies are of… more
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Date: 1986
Duration: 18 minutes 14 seconds
Creator: Kupper, Léo, 1935-
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Litany for the Dead

Description: Litany for the Dead is a composition comprised only of vocal sounds - 2 female and 2 male voices. 1 male speaks a traditional Hebrew prayer that dissolves into the female reading of a traditional Christian Prayer both extensively processed. These provide a kind of harmony (ostinato) for the other voices reading and singing (with vocalise). 3 poems taken from the 14 haiku poems series called Litany for the Dead by Nick Virgilis, poet & author. The poems chosen as they appear in the music are: 1.… more
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Date: [1986,1987]
Duration: 11 minutes 34 seconds
Creator: Brunner, George, 1951-
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Et Lydar

Description: Twelve months of electronic music by Gunner Moller Pedersen. And Lydar is a concept, an imaginary unity. Theoretically, we can define a year of sound as the distance that the sound travels over a year: 60 x 60 x 24 x 365 x 0.34KM = 10 722 240 KM. That's about 28 times the distance between the Earth and the Moon, but less than the light or other electronic waves that would do in 35.74 seconds. Sound is physically associated with Earth and Humanity, but its oscillations of the Universe, and it ma… more
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Date: 1986?
Duration: 2 hours 11 minutes 02 seconds
Creator: Pedersen, Gunnar Møller, 1943-
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M

Description: I worked with Marilyn Monroe's voice as sound material, with the idea that it would be fun to write a "happy piece". It turned out to be not as easy as I'd hoped. The desperateness of Marilyn Monroe came through. There were a lot of levels of dealing with that material and working out that piece, most are by now too hard to describe, but perhaps the most important were the memories; the movie "M" by Fritz Lang, Andy Warhol's "Marilyn" series, and Charles Dodge's "Any resemblance is purely Coinc… more
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Date: 1986
Duration: 16 minutes 09 seconds
Creator: Wolman, Amnon, 1955-
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I'm zentrum ohne worte septett mit live elektronik

Description: The business language of communication is the starting point of my septet. The language is broken down here in their smallest elements. By this there is not a semantic relation, but a phonetic plain which has come into being. The singer uses vowels, diphthongs, later consonants. The parts become more and more full of noise and have only heard the explosive consonants. At the same time, the electronics continually envelope the part, and after the time of the greatest modulation.
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Date: 1986
Duration: 13 minutes 43 seconds
Creator: Banasik, Christian
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Matrechka

Description: This piece, similar to Matrechka, the nest of russian dolls from which the title originates, takes in the form of an unveiling, a journey where reality, of a certain form, gives place to another reality. It uses the theme, dear to surrealists, that art should never mistaken for the object it represents; thus, in a painting entitled L'air et la chanson (The tune and the song), René Magritte writes, under what seems to be: Ceci n'est pas une pipe (This is not a pipe). Thus waves, breaths, even mu… more
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Date: 1986
Duration: 14 minutes
Creator: Normandeau, Robert, 1955-
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La mer de lumière

Description: Recording of Wes Richard Wraggett's La mer de lumière.
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Date: 1986
Duration: 20 minutes 25 seconds
Creator: Wright, Wes Richard, 1953-
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Mixte

Description: Mixte (1982) is a pedagogical piece that is part of the Melange collection (volume 2) published by Heugel: the purpose of this collection is to introduce the flutist student to contemporary game modes, and especially to the game. of "mixed" rooms where the instrumentalist dialogues with the digital sound recorded on a tape or other recording medium. Thus, the flute part avoids the acute register of the instrument: but it resorts to flatterzünge, sounds noises, percussion keys and licks. The col… more
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Date: 1986
Duration: 10 minutes 36 seconds
Creator: Risset, Jean-Claude
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A Momentary Dialogues

Description: Recording of Simo Lazarov's A Momentary Dialogues for instrument and computer. This piece was created for the occasion of Mathematical Conference in Prague, Czech Republic.
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Date: 1986
Duration: 7 minutes 11 seconds
Creator: Lazarov, Simo, 1948-
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Musique pour Clarinette Basse et Bande

Description: This piece was written in 1986, commissioned by the International Conference of Digital Music (ICMC) in 1986 and written for Harry Sparnaay. The tape was created at CEMAMU in Paris using the UPIC system. The mixing of the tape was done at Stichting Klankscap. The sound material for the tape was limited in such a way that one approaches the confines of what one can normally associate with acoustic instruments in order to obtain a parity relation between the tape and the bass clarinet. In the sam… more
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Date: 1986
Duration: 10 minutes 36 seconds
Creator: Lippe, Cort, 1953-
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Naturale Condizione del Moto

Description: This composition is built on the axiom that at the basis of the musical invention there are not only the sounds of tempered height and harmonic timbre but also the complex sounds, and especially those constituted by inharmonic spectra. The spectral complexity is the reference characteristic on which all the relationships of internal relationship to this piece are constructed, granting a clear preference, even on a purely aesthetic level, to the most harsh and dissonant multifonical sounds. The … more
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Date: 1986
Duration: 14 minutes 34 seconds
Creator: Ceccarelli, Luigi
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No User-Servicable Parts Inside

Description: This piece is performed entirely in real-time from a classic clavier-type keyboard, and vocally. There are not pre-recorded tapes or interactive systems involved. The composer is the sole performer.
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Date: [1986,1987]
Duration: 11 minutes 56 seconds
Creator: Taylor, Joseph, 1951-
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