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[Nat Adderly Lecture, February 28, 1984: Part 1]

Description: Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.
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Date: February 28, 1984
Duration: 1 hour 19 minutes 58 seconds
Creator: Adderley, Nat, 1931-2000
Item Type: Refine your search to only Sound
transcript

[Nat Adderly Lecture, February 28, 1984: Part 2]

Description: Jazz Lecture Series presentation by Nat Adderly on February 28, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Nat Adderley, interspersed with questions from the audience.
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Date: February 28, 1984
Duration: 1 hour 14 minutes 10 seconds
Creator: Adderley, Nat, 1931-2000
Item Type: Refine your search to only Sound
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[Nat Hentoff Lecture, February 21, 1984: Parts 1 and 2]

Description: Jazz Lecture Series presentation by Nat Hentoff on February 21, 1984 at 9:30AM at the UNT College of Music. Includes lecture by Nat Hentoff, interspersed with questions from the audience.
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Date: February 21, 1984
Duration: 1 hour 26 minutes 02 seconds
Creator: Hentoff, Nat
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[Nat Hentoff Lecture, February 21, 1984: Parts 3 and 4]

Description: Jazz Lecture Series presentation by Nat Hentoff on February 21, 1984 at 2:00PM at the UNT College of Music. Includes lecture by Nat Hentoff, interspersed with questions from the audience.
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Date: February 21, 1984
Duration: 1 hour 40 minutes 12 seconds
Creator: Hentoff, Nat
Item Type: Refine your search to only Sound

Obertura y Albanzas

Description: These two sections, each separately, are part of the work composed for a ballet called "Song of Creation", based on the link of St. Francis of Assisi. The first part (opening) depicts St Francis of Assisi, sitting alone, sick in the dark. The second part (Prayers) is based on Psalm 141 "Lord, take my soul out of this prison, so that I pray ... Make every cell of my body reach you ...".
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Date: 1984
Duration: 15 minutes 42 seconds
Creator: Serra, Luis María (1942- )
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Los ojos de mis sueños

Description: Los ojos de mis sueños is a work composed in the studios of IPEM, which resulted in my encounter with man-machine. I set my anguish and impatience there, based on the line: What the eyes of my brilliant dreams is beyond death. The pain and the impatience of the synthesizer are of equal importance in the composition.
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Date: 1984
Duration: 5 minutes 07 seconds
Creator: Luzuriaga, Diego 1955-
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A pocketful of posies

Description: Recording of Jonathan Berger's "A pocketful of posies." The title refers to the Black Death of the 14th century, a time when people dealt with impending doom in much the same way as people do today. It was premiered at Stanford University in March 1984.
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Date: 1984
Duration: 9 minutes 21 seconds
Creator: Berger, Jonathan, 1954-
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Points

Description: Points was realized on a VAX 11/750 computer at EMS in Stockholm. Most of the source material was generated with a program called Chant. This program is especially designed for synthesis of the human voice, and developed at IRCAM in Paris, by among others like Xavier Roder. The material has then been processed and structured with a set of different "processing-programs".
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Date: [1984..1986]
Duration: 16 minutes 16 seconds
Creator: Lindwall, Christer, 1950-
Item Type: Refine your search to only Sound

Possible Orchestras (At the 21 st Harmonic)

Description: Recording of John Celona's Possible Orchestras (At the 21 st Harmonic). The sound material for this composition was produced using several FM synthesis techniques. When listening to the piece, high regions of formants are obtained when compared to the frequencies at which the fundamentals are placed. Periodic vibrato is used to modify pitches across the entire width of the harmonic spectrum.
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Date: 1984
Duration: 1 hour 21 minutes 35 seconds
Creator: Celona, John, 1947-
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Pot Pourri

Description: Recording of Alain Thibault and Marcelle Deschenes's "Pot Pourri," a reduced version of the multimedia work OPERAaaAAH.
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Date: 1984
Duration: 25 minutes 17 seconds
Creator: Thibault, Alain, 1956- & Deschênes, Marcelle, 1939-
Item Type: Refine your search to only Sound

Presagio

Description: Recording of Roberto Morales-Manzana's Presagio. The piece is a story about a strong tropical storm in the Tehuantepec Oaxaca region; while the storm is occurring, non-optimistic images arise from the spectator. Instrumentation includes two analog synthesizers (a harp 2600 and a korg 2100), voice and flute, which have been processed live through both synthesizers in addition to an analog pitch follower. Mercedes Benet did the voice and reading. Roberto Morales-Manzana did the flute and electron… more
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Date: 1984
Duration: 16 minutes 52 seconds
Creator: Morales-Manzanares, Roberto, 1958-
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Promenade dans un espace insolite

Description: This piece was made at the Montgets in the summer of 1980 or 81 with simple production means, 3 Revox tape recorders, a pair of scissors and a small 4/2 mixer. It relies on sound recordings made during a weekend spent with the Théâtre du Rafeau du Mans (French Tanguy, Laurence Châble ...). In particular, I used a recording made during the descent and the rope climb at the bottom of a former wheat silo where we had a picnic and played some music. The piece uses this material by metaphorising it … more
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Date: 1984
Duration: 17 minutes 45 seconds
Creator: Cahen, Roland 1958-
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A Quiet Disturbance

Description: This piece for magnetic tape is - from several points of view - a confrontation of various worlds. First of all, on the music-technical level: the production process. The means of the classic studio, the manual aspect of the work on one side, the generation of basic sound materials on the other side. In addition, the piece is a confrontation of concrete sounds and electronic sounds.The complex spectrum of the human voice is used in this case as a "plastic algorithm" of great flexibility and con… more
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Date: 1984
Duration: 14 minutes 25 seconds
Creator: Beyls, P. (Peter), 1950-
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Race

Description: The inspiration for this piece came from running my first marathon in Montreal (Sept. '84). The work is meant to portray what it is like to run a marathon. First, the crowds at the start, and then when you eventually start the thousands of people around you (there were 11,000 runners in the race I ran in!). Eventually you begin to drift into a trance-like state where you just keep up your pace and become aware of some of the detail and rhythms in your body. Although more distance is travelled i… more
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Date: 1984
Duration: 5 minutes 55 seconds
Creator: Green, James
Item Type: Refine your search to only Sound
transcript

[Ron Carter Lecture, April 17, 1984: Part 1]

Description: Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 9:30AM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.
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Date: April 17, 1984
Duration: 1 hour 18 minutes 43 seconds
Creator: Carter, Ron, 1937-
Item Type: Refine your search to only Sound
transcript

[Ron Carter Lecture, April 17, 1984: Part 2]

Description: Recording of a Jazz Lecture Series presentation by Ron Carter on April 17, 1984 at 2:00PM at the UNT College of Music. Includes lecture and performance by Ron Carter, bass, interspersed with questions from the audience.
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Date: April 17, 1984
Duration: 1 hour 5 minutes
Creator: Carter, Ron, 1937-
Item Type: Refine your search to only Sound

Rond'Eau

Description: Rond'eau's compositional process is dominated by two main areas. The first is the use of circular and rotary movement, both in terms of space and form. At the spatial level, the most important model of this piece is its attempt to grasp the problem of the representation of movement by means of two dimensions: stereophony. Although composed specifically for a multi-track broadcast (a system that broadly broadens the space capabilities in two or three dimensions of the stereo band), attempts have… more
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Date: [1984,1985]
Duration: 13 minutes 13 seconds
Creator: Lewis, Andrew, 1963-
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Sables

Description: Piece for amplified spruce and magnetic stripe in 3 movements: * Sands (3 mn) * The Pope (5 mn) * Revelations (7 mn) Order of the group of Experimental Music of Marseille.
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Date: 1984
Duration: 15 minutes 12 seconds
Creator: Yvanez, Roland
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A Sea Inside Myself

Description: The sea is always moving, waving and roaring, fast or slow. Sometimes green or blue, dark or light, warm or cold. In the same way my mind is constantly in commotion. In my head, in my ears, inside myself. I tried to reflect these thoughts in this composition. The basic material is a recording of several percussion sounds, which are modulated electronically by a synthesizer, a Publison Harmonizer and a EMT 251 digital reverb system. The last one is a splendid machine for special effects, which … more
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Date: 1984
Duration: 10 minutes 43 seconds
Creator: Eisma, Will, 1929-
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Selected Blend 84

Description: Recording of Peter Plompen's Selected Blend 84.
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Date: 1984
Duration: 12 minutes 54 seconds
Creator: Plompen, Peter, 1944-
Item Type: Refine your search to only Sound
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