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Sandcastle

Description: Recording of William Schottstaedt's Sandcastle. This was composed between January and February 1978 on the PDP-10 digital computer at Stanford University's Artificial Intelligence Center. All sounds were created using non-linear synthesis techniques, mainly frequency modulation and Waveshaping.
Date: 1978
Duration: 9 minutes 31 seconds
Creator: Schottstaedt, Bill, 1951-

Scents

Description: Recording of Bengt Emil Johnson's Scents. Gyran Rydberg transformed the rhythms of language, using different percussion instruments. Eugeniusz Rudnik gave it a careful and sensitive interpretation in the Polish Radio Experimental Studio.
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Date: 1978
Duration: 7 minutes 14 seconds
Creator: Johnson, Bengt Emil, 1936-2010

Schwebungen

Description: Recording of Frank Michael Beyer's Schwebungen. The interference of sounds produces gentle and undulating movements that do not escape attentive hearing. In the moments of coincidence (nodes) of this interference, a "bell" sound pushes the beginning of a new color.
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Date: 1978
Duration: 7 minutes 02 seconds
Creator: Beyer, Frank Michael

Schwebungen

Description: Recording of Frank Michaël Beyer's Schwebungen. The interference of sounds produces smooth, undulating movements that do not escape close hearing. In the moments of coincidence (knots) of this interference, a "bell" sound prompts the beginning of a new color.
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Date: 1978
Duration: 7 minutes 02 seconds
Creator: Beyer, Frank Michael

Sequence in Blue

Description: Recording of Rolf Enstrom's Sequence in Blue. The Swedish Radio corporation made the piece on request. The first part of the piece was originally made to fit a sequence of blue infrared pictures (dark blue night-images, hence the name). The composer continued working with the music in order to give it a life of its own without pictures). The different parts are visions of different "imaginary landscapes" or moods.
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Date: 1978
Duration: 9 minutes 08 seconds
Creator: Enström, Rolf, 1951-
transcript

Sequence in Blue

Description: Recording of Rolf Enström's Sequence in Blue. The Swedish Radiocorporation made the piece on request. The first part of the piece was originally made to fit a sequence of blue infrared pictures (dark blue night images, hence the name). Enström continued working with the music in order to give it a life of its own without pictures. The different parts are visions of different "imaginary landscapes" or moods.
Date: 1978
Duration: 9 minutes 08 seconds
Creator: Enström, Rolf

...the serpent-snapping eye

Description: Recording of Roger Reynolds's ...the serpent-snapping eye. “…the serpent-snapping eye” is for trumpet, percussion, piano and 4-channel sound. It explores the ways in which instrumental sonority can be watched by and blend with synthesized sound. All of the synthesized sounds belong to one of 3 classes of timbres. Each class, in turn, is based on a particular aspect of trumpet sonority, both as it appears to the ear and as it is revealed by the spectral analysis. The Stanford Digital Synthesiz… more
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Date: 1978
Duration: 21 minutes 36 seconds
Creator: Reynolds, Roger

The Serpent Snapping Eye

Description: Recording of Roger Reynolds's The Serpent Snapping Eye for trumpet, percussion, piano, and 4-channel sound. It explores the ways in which instrumental sonority can be matched by and blend with synthesized sound. All of the synthesized sounds belong to three classes of timbres. Each class in turn is based on a particular aspect of trumpet sonority, both as it appears to the ear and as it is revealed by spectral analysis. The Stanford Digital Synthesizer allowed the use of multiple complex freque… more
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Date: 1978
Duration: 21 minutes 36 seconds
Creator: Reynolds, Roger, 1934-

Simple Ceremony

Description: Recording of Reynold Weidenaar's Simple Ceremony. The program used in this piece is entitled AM1. It allows the user to transform one amplitude-modulated signal (double sideband without carrier) into another. Each AM wave is created by multiplying tow-sampled waveforms (carrier and modulating wave) together.
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Date: 1978
Duration: 8 minutes 26 seconds
Creator: Weidenaar, Reynold, 1945-
transcript

Simple Ceremony

Description: Recording of Reynold Weidenaar's Simple Ceremony. The program used in this piece is entitled AM1. It allows the user to transform one amplitude-modulated signal (double sideband without carrier) into another. Each AM wave is created by multiplying tow-sampled waveforms (carrier and modulating wave) together.
Date: 1978
Duration: 8 minutes 26 seconds
Creator: Weidenaar, Reynold

Six fantaiseies on a poem by Thomas Campion

Description: Recording of Paul Lansky's "Six fantasies on a poem by Thomas Campion" performed by Hannah Mackey. It is a suite of computer synthesized studies of the reading of the poem "Sweet-cheeked Laura" by Thomas Campion. In this work, Lansky takes a single text, which was then read by his wife and frequent collaborator Hannah Mackay, and subjected it to a variety of aural manipulations. Each of the studies attempts to explicate different implicit musical aspects of the sound of speech. The effect of th… more
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Date: 1978/1979
Duration: 22 minutes 20 seconds
Creator: Lansky, Paul, 1944-

Six meditations

Description: Recording of Andrzej Dutkiewicz's Six Meditations for electronic sound and piano performed by Dutkiewicz, piano. The electronic sounds are based on the sound material of the piano (mainly non-conventional sounds) that are electronically transformed by use of filters. Realized in the Polish Radio Experimental Studio in Warsaw.
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Date: 1978
Duration: 20 minutes 50 seconds
Creator: Dutkiewicz, Andrzej, 1942-

A Sky of Cloudness Sulphur

Description: Recording of Morton Subotnik's A Sky of Cloudness Sulphur. It is a purely electronic work commissioned by the loudspeaker company JB Lansing for the inauguration of a new factory in Los Angeles, California. The piece is in its original form, a work for 8 channels with 4 speakers installed at the top and 4 at the bottom. The concert version is a 4-channel reduction of the original in quadraphonic. The title refers to the butterfly, Cloudness Sulfur. This work uses the life of the butterfly as a … more
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Date: 1978/1979
Duration: 1 hour 17 minutes 35 seconds
Creator: Subotnick, Morton

Skymning

Description: Recording of Ross Harris's Skymning. Skymning is a beautiful Swedish work meaning 'twilight'. The work was written during a period of study in Stockholm last year during which the northern winter descended, producing fantastic displays of rich but fading light each day. The work expresses the feelings that this distant and slow transformation produced in me; in some ways I felt disorientated and alone. - Ross Harris, composer
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Date: 1978
Duration: 8 minutes
Creator: Harris, Ross, 1945-

Skymning

Description: Recording of Ross Harris's Skymning. Skymning is a beautiful Swedish work meaning 'twilight'. The work was written during a period of study in Stockholm last year during which the northern winter descended producing fantastic displays of rich but fading light each day.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1978
Duration: 8 minutes
Creator: Harris, Ross, 1945-

Sonett

Description: Recording of Daniel Chorzempa's Sonett.
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Date: 1978
Duration: 13 minutes 44 seconds
Creator: Chorzempa, Daniel, 1944-

Still Life

Description: Recording of Arthur Kreiger's Still Life. Still Life was realized at the Columbia-Princeton Electronic Music Center where it was completed in the Summer of 1978. Considerable care has gone into the construction of the instrument designs and into more general concerns for phrase, color, and texture. The work also explores extremes in dynamic levels. The title, Still Life, was suggested from an extended quiet passage whose character is predominantly one of stasis.
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Date: 1978
Duration: 6 minutes 14 seconds
Creator: Kreiger, Arthur, 1945-

Still Life

Description: Recording of Arthur Kreiger's Still Life. "Still Life" was realized at the Columbia-Princeton Electronic Music Center where it was completed in the summer of 1978. Considerable care has gone into the construction of instrument designs and into more general concerns for phrase, color, and texture. The work also explores extremes in dynamic levels. The title, Still Life, was suggested from an extended quiet passage whose character is predominantly one of stasis.
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Date: 1978
Duration: 6 minutes 14 seconds
Creator: Kreiger, Arthur

Studio per due sorgenti

Description: Recording of Francesco Galante's "Studio per die sorgenti" ("Study for Two Sources"). The musical form is a comtinuum and the music is a passage from a low to high complexity of sound materials, of the shape of textures and the succession of the events in the acceleration of time. It was realized in the electronic music studios at the Experimental Music Center in Rome in 1978.
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Date: 1978
Duration: 7 minutes 07 seconds
Creator: Galante, Francesco

Study

Description: Recording of Milos Petrovic's Study.
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Date: 1978
Duration: 8 minutes 46 seconds
Creator: Petrović, Miloš
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