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Närheter

Description: Recording of Åke Parmerud's Närheter. The title of the piece is a plural form of the word "closeness," which is rather untranslatable. The piece is a text-sound-composition, and was commissioned by the Swedish Radio. A large part of the piece is inspired by various sleep and dream manifestations. The text was written by the Swedish author Ella Hillbäck. Throughout the piece, even without knowing the meaning of the words, I believe one can feel the different "scenes" taking place. The first part… more
Date: 1978
Duration: 19 minutes 44 seconds
Creator: Parmerud, Åke

Narheter

Description: Recording of Ake Parmerud's Narheter. The title of the piece is a plural form of the word "closeness" which is rather untranslatable. The piece is a text-sound-composition and was commissioned by the Sverige Radio. A large part of the piece is mainly derived from various sleeping and dreaming events. The text is written by the Swedish author Ella Hillbeck, The first part of the piece is an "Ultimate story of Creation", at the same time implying the first phase of sleeping "half-conscious". The … more
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Date: 1978
Duration: 19 minutes 44 seconds
Creator: Parmerud, Åke, 1953-

I Never Knew You Cared

Description: Recording of Paul Berg's I Never Knew You Cared. 1. I Never Knew You Cared was programmed in PILE, a language for sound synthesis, and executed on a PDP-15 computer at the Institute of Sonology, Utrecht. The program for I Never Knew You Cared can be considered a description of the piece as well as the rules for producing it. When the program is started on the computer, the piece follows in real-time, without any further intervention or manipulation. The synthesis technique is an adaptation of H… more
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Date: 1978
Duration: 13 minutes 03 seconds
Creator: Berg, Paul (Composer)
transcript

I Never Knew You Cared

Description: Recording of Paul Berg's I Never Knew You Cared. This piece Cared was programmed in PILE, a language for sound synthesis, and executed on a PDP-15 computer at the Institute of Sonology, Utrecht. The program for I Never Knew You Cared can be considered a description of the piece as well as the rules for producing it. When the program is started on the computer, the piece follows in real-time, without any further intervention or manipulation. The synthesis technique is an adaptation of Hohn Chowi… more
Date: 1978
Duration: 13 minutes 03 seconds
Creator: Berg, Paul

Night flower

Description: Recording of John Winiarz's Night flower performed by Le Duo Classique de Montréal: Davis Joachum and Eric Wilner. The title refers to a desert plant called a "night-blooming cactus," which blooms in the dark and dies at the first light of dawn. This is not a piece of program music; rather, it is an evocation of the atmosphere suggested by the images of the desert, night and beauty. The sound material used comes from electronic sources, natural and instrumental, processed mainly by lilting and … more
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Date: 1978/1979
Duration: 14 minutes 34 seconds
Creator: Winiarz, John, 1952-

Night-Night Flower

Description: Recording of John Winiarz's Night-Night Flower. This title refers to a desert plant called "Night-blooming cereus," a plant that blooms in the dark, the flower dying at the first light of dawn. It is not, however, a program music, but rather an evocation of the atmosphere stemming from electronic sources, natural and instrumental, processed mainly by filtering and modulation rings. The tape was made at the Electronic Music Studio of McGill University in Montreal.
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Date: 1978
Duration: 10 minutes 32 seconds
Creator: Winiarz, John

Night-Night Flower

Description: Recording of John Winiarz's Night-Night Flower, this title makes reference to a plant of the desert called "Night-blooming cereus," a plant that flowers in darkness, The flower dies at dawn. It is not, however, a program music, but rather an evocation of the atmosphere suggested by the images of the desert, the night, and beauty. The materials used come from electronic, natural, and instrumental sources, treated throughout by filters and ring modulation. The tape was realized at the Studio of E… more
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Date: 1978
Duration: 10 minutes 32 seconds
Creator: Winiarz, John, 1952-

Odds and Ends

Description: Recording of Krzysztof Knittel's Odds and Ends. The sound material was made in the computer music studio at the State University of New York at Buffalo in 1978. Later these sounds were mixed in the Experimental Studio of Polish Radio in Warsaw. The premiere performance took place at the Warsaw Autumn Festival in the Warsaw Academy of Music on September 19, 1978.
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Date: 1978
Duration: 10 minutes 58 seconds
Creator: Knittel, Krzysztof

Out off...

Description: Recording of Alcides Lanza's Out Off... A solo tape piece realized at the EMS, McGill University. It is a re-elaboration of unused portions of penetrations I, The Cement Jungle Suite, rehearsal sounds from eidesis III and electronic sounds created with the Moog and Synthi AKS synthesizers. The piece refers to primitive forces at play, from the jungle sounds to the city jungle; from the primeval memories to the magnetic forces at play in the galaxies. All the 'human' sounds heard are below the l… more
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Date: 1978
Duration: 16 minutes 17 seconds
Creator: Lanza, Alcides

Pair/Impair

Description: Recording of Jonty Harrison's Pair/Impair. Pair (even): the balance between opposites (left/right, high/low, dry/resonant); equilibrium; the concept of stasis. Impair (odd): the contradictions of Pair; the element of imbalance, which carries us out of stasis; the dynamic concept.
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Date: 1978
Duration: 12 minutes 02 seconds
Creator: Harrison, Jonty

Pair/Impair

Description: Recording of Jonty Harrison's Pair/Impair.
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Date: 1978
Duration: 12 minutes 02 seconds
Creator: Harrison, Jonty, 1952-

Panta rhei

Description: Recording of Jürgen Bräuninger's Panta Rhei. This piece is connected for one female dancer who is connected to a synthesizer via a cable ("Umbilical cord"). "Panta Rhei" ("everything flows") refers to the Greek myth of the Three Fates (Clotho, Lachesis and Atropos). The cable represents the string of life which the performer can not escape. This dependency forces her to react to the sound events with reach her through the cable.
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Date: 1978/1979
Duration: 11 minutes 40 seconds
Creator: Bräuninger, Jürgen, 1956-

Partial Distances

Description: Recording of James Dashow's Partial Distances. It is the last purely analog electronic work Dashow composed. There are a few sounds in this piece generated by computer but significantly transformed and altered by analog techniques of one kind or another, such as dynamic filtering, delay line processing, extreme velocity manipulations, etc. The piece was made by the old tape cut and splice method, mixing and re-mixing pairs of ReVoxes onto a third one, and avoiding tape hiss with the newly inven… more
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Date: 1978/1979
Duration: 16 minutes 09 seconds
Creator: Dashow, James, 1944-

Les Paysages en Dehors de la Terre

Description: Recording of Yvan Stekely's Les Paysages en Dehors de la Terre. The sound material in this work consists of three layers: violin and percussion sounds, synthetic sounds, manipulated sounds / reverse play-backs, speed changes. The composition has a two-way, stereo structure. The movements contrast with each other.
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Date: 1978
Duration: 11 minutes 24 seconds
Creator: Stekely, Yvan
transcript

Les paysages en dehors de la terre

Description: Recording of Yvan Szekely's Les paysages en dehors de la terre. “Les paysages en dehors de la terre” was written in 1978. The sound material of this work consists of three layers: a) the sounds of the violin and percussion b) the synthetic sounds c) the manipulated sounds / playbacks to countdown, changes in speed. The composition has a two-way, stereophonic structure. The movements contrast with each other.
Date: 1978
Duration: 11 minutes 24 seconds
Creator: Szekely, Yvan

Portrait

Description: Recording of Andrew Bentley's Portrait. This work, composed for 3 groups of singers and tape, explores a range of vocal sounds stretching back from the musically familiar and traditional type of vocal production, known as "singing", through voiced and unvoiced sound production of several kings towards an abstract sound palette made possible by interactive combinations of electronic and vocal sounds heard from the tape. Because of the new significance which words take on when "set to music" in a… more
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Date: 1978
Duration: 9 minutes 09 seconds
Creator: Bentley, Andrew

Portrait

Description: Recording of Andrew Bentley's Portrait. This work composed for 3 groups of singers and tape, explores a range of vocal sounds stretching back from the musically familiar and traditional type of vocal production, know as "singing", through voiced and unvoiced sound production towards an abstract sound palette made possible by interactive combinations of electronic and vocal sounds heard from the tape. Because of the new significance which words take on when set to music in a traditional way. The… more
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Date: 1978
Duration: 9 minutes 09 seconds
Creator: Bentley, Andrew

Psalm 90.10

Description: Recording of Tamas Ungvary's Psalm 90.10.
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Date: 1978
Duration: 24 minutes 21 seconds
Creator: Ungvary, Tamas, 1936-

Rapid eye movement

Description: Recording of Roger Doyle's Rapid eye movement. The title refers to the type of sleep called "Rapid Eye Movement" or REM, which is dream sleep. During REM sleep, the muscles of the eyes move as though the dreamer were watching something. Structurally, the work is conceived in the same way as Déjà vu occurs in life. There are 30 or 40 instances of mysterious familiarities of the same sounds placed in totally different contexts. Like the human cell, any extract from the composition will reveal the… more
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Date: 1978/1980
Duration: 14 minutes 25 seconds
Creator: Doyle, Roger

Le rêve d'Eurydice

Description: Recording of Józef Rychlik's Le rêve d'Eurydice. The sound material comes from two sources: the human voice (of the Polish singer, Olga Szwajgier) and the Moog-Synthesizer 35. These two worlds of expression are met here in various situations, composing indeed a musical action that one can interpret in two ways: 1. Above all, as a pure music 2. And also, like an Eurydice scene: "she wants to sing like Orpheus and ... She has the hope that we have succeeded.”
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Date: 1978
Duration: 8 minutes 44 seconds
Creator: Rychlik, Józef

Le Rêve d'Eurydice

Description: Recording of Jozef Rychlik's Le Rêve d'Eurydice. The sound material comes from two sources: the human voice (from the Polish singer, Olga Szwajgier) and the moog-synthesizer 35. These two worlds of expression meet here in the various situations, in effect composing a musical action that can be interpreted in two ways: Above all, like pure music, and also, like a scene from Euridice: "she wants to sing like orphé and ... She hopes that we have succeeded ..."
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Date: 1978
Duration: 8 minutes 44 seconds
Creator: Rychlik, Józef, 1946-
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