UNT Music Library - 75 Matching Results

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Natural Images

Description: Recording of Hugh Davies's Natural Images. This is the first of two compositions related to the sounds of the animal kingdom (two more are planned), and it was originally composed for a dance group. The different sections of the piece evoke but do not exactly imitate various sound-worlds from nature.
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Date: 1976
Duration: 9 minutes 23 seconds
Creator: Davies, Hugh, 1943-2005
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La nature morte

Description: Recording of Ryszard Klisowski's La nature morte. This piece was composed for either tuba and tape or tape only. It was realized in 1976 at the Institute for Electroacoustic and Experimental Music, University of Music and Dramatic Arts in Vienna, Austria.
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Date: 1976
Duration: 7 minutes 47 seconds
Creator: Klisowski, Ryszard
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Phases - Events

Description: Recording of Enström's Phases - Events
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Date: 1976
Duration: 12 minutes 35 seconds
Creator: Enström, Rolf, 1951-
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Prélude Pour Fête Foraine Et Synthétiseur

Description: Recording of Jean Piche's Prélude Pour Fête Foraine Et Synthétiseur. This piece is an exploration of the acoustic structure of a popular party. The environmental sections of the work come from a binaural recording of a party crowd gathered for the annual Carnival parade in the city of Quebec. The moments preserved are those preceding the arrival of the parade. The core of the piece was done in the studio with a MOOG synthesizer, using the temporal structure of the environment as a medium. In a … more
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Date: 1976
Duration: 18 minutes 18 seconds
Creator: Piché, Jean, 1951-
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transcript

Prélude pour fête foraine et synthétiseur

Description: Recording of Jean Piché's Prélude pour fête foraine et synthétiseur. This piece is an exploration of the acoustic structure of a popular festival. The environmental sections of the work come from a binaural recording of a celebratory crowd gathered for the annual parade, Carnival of Quebec City. The moments preserved are those preceding the arrival of the parade. The core of the piece was made in the studio with a MOOG synthesizer, using the temporal structure of the environment as a support. T… more
Date: 1976
Duration: 18 minutes 18 seconds
Creator: Piché, Jean
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De Profundis

Description: Recording of Joseph Dorfman's De Profundis.
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Date: 1976
Duration: 7 minutes 34 seconds
Creator: Dorfman, Joseph
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Rondo (Bevor Ariadne kommt)

Description: Recording of Georg Katzer's Rondo (Bevor Ariadne kommt). This piece incorporates the dramatic use of sound materials such as noises, instrumental and synthesized sounds. These materials were treated in the style of a classic rondo with three themes that were then interwoven for compositional purposes. The contrasting central part consists of an assembly of sounds. At the end of the work, there appears a recitation of a child related to the title and the subject.
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Date: 1976
Duration: 9 minutes 45 seconds
Creator: Katzer, Georg, 1935-
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Samarkandko

Description: Recording of Peter Tod Lewis's Samarkandko. This piece is a linear construction on five highly contrasted sources. The affective associations of the materials may suggest a dramatic scenario which, though ambiguous, contradictory, subjective, guided the order on event presentations and their manner of juxtaposition. One evolved theory of the work had precisely to do with the use of extreme, and perhaps at first seemingly unrelated, contrast that such materials can, with care and sensitivity, wo… more
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Date: 1976
Duration: 16 minutes 05 seconds
Creator: Lewis, Peter Tod
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Satumaisema

Description: Recording of Marja Vesterinen's Satumaisema ("Fairy-tale Landscape") performed by Marja Vesterinen. The piece begins with an image of empty space with strange unknown planets passing over the observer. A raw chord, formed from the interval of the third and produced with the aid of amplitude modulation, symbolizes the friction against the outer atmosphere as the traveler reaches the vicinity of the fairy-tale planet. From beneath the layer of misty clouds is revealed a beautiful land of sweetnes… more
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Date: 1976
Duration: 8 minutes 55 seconds
Creator: Vesterinen, Marjaana
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Sicher sein...

Description: Recording of Max E. Keller's Sicher sein... This piece confronts newspaper articles on the subject of redundancies, read by the orator, with the advertising slogan "Sicher sein, Bankverein."
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Date: 1976
Duration: 23 minutes 29 seconds
Creator: Keller, Max E., 1947-
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Sintering

Description: Recording of Tony Van Campen's Sintering.
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Date: 1976/1977
Duration: 47 minutes 39 seconds
Creator: Campen, Tony van, 1951-
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Spheres

Description: Recording of Maggi Payne's Spheres. Composed using the Moog synthesizer, this four channel electronic piece deals with spatial displacement via carefully controlled phase, pitch, and location relationships.
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Date: 1976
Duration: 30 minutes 06 seconds
Creator: Payne, Maggi
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Studie I

Description: Recording of Jeffery Bossin's Studie I. The composer's first electronic work, composed in 1975. It represents a study in the development and structuring of material derived from three phonemes.
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Date: 1976
Duration: 6 minutes 16 seconds
Creator: Bossin, Jeffery
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Studie I

Description: Recording of Jeff Bossin's Studie I. The composer's first electronic work, composed in 1975. It represents a study in the development and structuring of material derived from three phonemes.
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Date: 1976
Duration: 6 minutes 16 seconds
Creator: Bossin, Jeff
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Timbral-Orchestral

Description: Recording of John Anthony Celona's Timbral-Orchestral.
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Date: 1976
Duration: 51 minutes 14 seconds
Creator: Celona, John, 1947-
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Transparencies

Description: Recording of Maggi Payne's Transparencies. Composed using the Moog synthesizer, this four channel electronic piece deals with spatial displacement via carefully controlled phase, pitch, and location relationships. Synchronized slide projections frequently accompany performances of this work. The title derives from the projection of transparencies (slides) of oscilloscope images and from the transparency/delicacy of the sounds used in the piece.
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Date: 1976
Duration: 31 minutes 56 seconds
Creator: Payne, Maggi
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Treesway Solo

Description: Recording of Lief Brush's Treesway Solo. The only coloration that was employed in early sound handling was through equalization, balancing and combining mix-downs. Structure-wise, the piece centers around spaces in spaces, scale and proportion and the composer's soundworks effect an awareness of the psychological effects of sounds, for instance, from trees and wind transformation via the composer's windribbon. The basic groundwork includes several recyclings of the TerraInstruments including t… more
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Date: 1976
Duration: 2 minutes 15 seconds
Creator: Brush, Leif
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Treesway Solo

Description: Recording of Leif Brush's Treesway Solo. “After an intense period of analog familiarization with the range and enormity of available sounds extraterrestrial and in nature, I tried the only techniques then available to me, tape manipulation and speaker placements. The only coloration that I employed in early sound handling was through equalization, balancing and combining mix-downs. I have always monitored from nearly neutral sensors, and my interest has been in trading, configuring and juxtapo… more
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Date: 1976
Duration: 2 minutes 15 seconds
Creator: Brush, Leif
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Tutti frutti

Description: Recording of Rodolfo Caesar's Tutt frutti.
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Date: 1976
Duration: 18 minutes 20 seconds
Creator: Caesar, Rodolfo
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Variax

Description: Recording of Luciano Menini's Variax. The composer used bands of 4 "saw tooth" frequencies by acting in a bumpy way on variable-bandwidth filters controlled by sequencers. He utilized the ARP 2500 Synthesizer, a Revox A77 recording device, and a mixer.
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Date: 1976
Duration: 9 minutes 01 second
Creator: Menini, Luciano
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Vertical Prelude

Description: Recording of Takehito Shimazu's Vertical Prelude. The material of this work consists of instrument sounds, violin, bassoon, clarinet, etc. and voices: man, woman, oscillators and concrete sounds. The tones appear mainly in the highest and lowest registers of instruments or voices in this work. This work was produced in the studio of Shimazu and that of the TAT in September 1976.
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Date: 1976
Duration: 1 hour 29 minutes 23 seconds
Creator: Shimazu, Takehito, 1949-
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