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Les 5000 roses

Description: Recording of Michel Frigon's Les 5000 roses. This moment is part of an impressionist suite for flute, percussion, and tape inspired by St.Exupéry's 'The Little Prince'. This movement evokes the journey of the Little Prince through the sands and rocks to a road that leads to men. Arrived in the middle of a rose garden, he realizes that his rose is no longer unique in the world and lying in the grass, he cried.
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Date: 1995
Duration: 1 minute 57 seconds
Creator: Frigon, Miranda, 1980-

6th day

Description: Recording of Agnieszka Waligorska's 6th day. This work is for electronics, voice, pre-recorded manipluated sound, and saxophone.
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Date: 1994
Duration: 12 minutes 37 seconds
Creator: Waligórska, Agnieszka

A

Description: Recording of Maria Francesca Ancarola Saavedra's A. The single source is the voice, which is processed in different ways. The devices used for this work were essentially the SPX YAMAHA 900 and the LEXICON. This piece utilizes many techniques of sound manipulation, using only one sound source and processing to produce new sounds.
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Date: unknown
Duration: 8 minutes 27 seconds
Creator: Saavedra Ancarola, Francesca Maria

N.A.M.A.: "booty" don't walk

Description: Recording of Harry-Ed Roland's N.A.M.A.: "booty" don't walk. The composer dedicates this work to the memory of Michael Schleiter. The inspiration behind this piece is the experience of the composer living as a person of color and continuing to deal with inequality everywhere he goes. The work is about "creating inequality and its seemingly intrinsic hypocrisy and irrational fears".
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Date: 1999
Duration: 8 minutes 42 seconds
Creator: Roland, Harry-Ed

Aarhus

Description: Recording of Mario Mary's Aarhus. This is a work for violin and tape and explores the relationship between the two. This work was dedicated to violinist Bodil Rorbech.
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Date: 2000
Duration: 10 minutes 43 seconds
Creator: Mary, Mario Marcelo, 1961-

Abandoned Lake in Maine

Description: Recording of Mara Helmuth's Abandoned Lake in Maine. This work's compositional process uses technology to return the listener closer to nature, and into new relationships with nature. The composer's software, instruments, and algorithmic programs were used to create much of the material. The sources for this piece are recorded sounds of the loon in its environment and a naturalist's voice. This work uses field recordings of Maine.
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Date: 1997
Duration: 12 minutes 05 seconds
Creator: Helmuth, Mara

Aboji

Description: Recording of Tae Hong Park's Aboji. This work is a companion piece to "Omoni", both works being composed originally for two channel playback and subsequently for eight channels. The sound samples used in this composition are mostly speech, environmental, synthesized, and processed sounds that were a result of numerous interviews with various individuals.
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Date: 2001
Duration: 1 hour 27 minutes 28 seconds
Creator: Park, Tae Hong, 1969-

Abominable A

Description: Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps,… more
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Date: 1978/1980
Duration: 27 minutes
Creator: Ceccarelli, Luigi

About Howard Johnson/Affirmative

Description: Recording of Joshua Fried's About Howard Johnson/Affirmative. This work uses MIDI in unusual ways. Sound modules become a silent controller of analog gates, and continuous controllers manipulate digital processors in real time. When channel gates are triggered at an even rate, one obtains the well-known strobe effect of slowing down, stopping or even reversing the apparent motion of a rotating object. As trigger cycle and loop cycle move out of phase, bits of sound seem to wander from speaker … more
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Date: 1993
Duration: 6 minutes 02 seconds
Creator: Fried, Joshua

Abracadabra

Description: Recording of Edmund Cionek's Abracadabra.
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Date: 1976
Duration: 3 minutes 30 seconds
Creator: Cionek, Edmund

Abrasch

Description: Recording of Cornelis Tazelaar's Abrasch. This piece is made entirely with the Granular system's output as a sound source, but is not a pure granular piece due to the program used to make it.
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Date: 1990
Duration: 11 minutes 43 seconds
Creator: Tazelaar, Kees, 1962-

Abrazos

Description: Recording of Daniel Almada Abrazos. For cello, double bass, and electronics.
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Date: 1993
Duration: 12 minutes 45 seconds
Creator: Almada, Daniel Alejandro, 1964

ABS Track sion

Description: Recording of José R. Sosaya Wekselman's ABS Track sion.
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Date: 1995
Duration: 3 minutes 16 seconds
Creator: Sosaya Wekselman, José R.

Absorption

Description: Recording of Jongwoo Yim's Absorption. This work includes instrumental sounds as well as electronic sounds (both from tape and live electronics). The clarinet line is a spotlight and eventually gets pulled into the harmonies of the other parts.
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Date: 1997/1998
Duration: 9 minutes 32 seconds
Creator: Yim, Jongwoo

Abstract n° X

Description: Recording of Peter De Moncey-Conegliano's Abstract n° X. The composer describes this work as an abstract mindscape based on a distantly experienced reality. The basic materials are sounds the composer recorded in China.
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Date: 2001/2003
Duration: 11 minutes 50 seconds
Creator: De Moncey-Conegliano, Peter, 1948-

Abstracts

Description: Recording of Jonty Harrison's Abstracts. This work includes 2 recordings. One of which is simply the produced electroacoustic tape on its own. The other is a live performance of the tape along with the University of Birmingham Symphony Orchestra performing on top of it. The composer's goal was for the tape to create musical continuity while the live performers abstract upon it in varying ways.
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Date: 1998
Duration: 33 minutes 32 seconds
Creator: Harrison, Jonty, 1952-

Accessus

Description: Recording of Fabián Esteban Luna's Accessus. This work represents the search for equilibrium and includes an implicit metaphor of the sea to act as a symbol for the search. This work was created by sampling sources and diverse synthesis.
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Date: 2002
Duration: 8 minutes 02 seconds
Creator: Luna, Fabián Esteban

Accidents two: Sound projections

Description: Recording of Larry Austin's Accidents two: Sound projections. For piano and computer music. This work extends and substances the original compositional and real-time performance approach from an earlier work. There is an open form, invoking highly evolved improvisational formats and extends the musico-technical resources from the live electronics piece towards hypermedia and subsumes the actual sounds from the original work.
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Date: 1992
Duration: 14 minutes 37 seconds
Creator: Austin, Larry

Les Accords d'Helsinki

Description: Recording of Trevor Wishart's Les Accords d'Helsinki for tape.
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Date: 1980
Duration: 2 minutes 08 seconds
Creator: Wishart, Trevor

Les accords d'Helsinki

Description: Recording of Steve McCaffrey and François Dufrêne's Les accords d'Helsinki. These pieces are part of a suite for electronics. Sound materials include vocalizations and spoken text.
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Date: 1980
Duration: 20 minutes 31 seconds
Creator: McCaffery, Steve & Dufrêne, François, 1930-1982

Acéré

Description: Recording of Alain Basso's Acéré. The intention was to create a piece about war. Different object sounds were recorded in the studio, to have a wider palette of percussion sounds. The idea is that these percussions gradually change. As in the repetition of a 'kata', a movement sequence in martial arts, the concentration becomes more intense and the sounds increasingly sharp, by playing on the harmonics they contain. To give a feeling of space to this movement, transformed soundscapes create an … more
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Date: 1991
Duration: 9 minutes 58 seconds
Creator: Basso, Alain

Acetone

Description: Recording of Alain Basso's Acetone. It was created essentially from sounds representative of landscapes and festivities in Haute-Savoie, this piece explores the limits of the possibilities of sound mutation. The idea is to exaggerate certain acoustic characteristics, to better control the expressiveness of these sound objects, but without losing their original nature. Thus, the listener is projected into a lyrical world, while measuring the gap that separates him from real sources that can ofte… more
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Date: 1994
Duration: 11 minutes 57 seconds
Creator: Basso, Alain

Acousmaclarine

Description: Recording of Jean-Louis Poliart's Acousmaclarine. This work consists of two recordings: one of the electronic tape only, the other of the electronic tape and bass clarinet performance on top. This work is a counterpart to the 1980's piece "Contrephase" and has an opposite approach to the relationship between the electroacoustic montage and clarinetist.
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Date: 1998/1999
Duration: 25 minutes 58 seconds
Creator: Poliart, Jean-Louis

Acousmatek

Description: Recording of Didier Simione's Acousmatek. This is a work about the distribution of U.S.T. over time and across different spaces and includes 3 parts: 1. deep space, 2. near space, 3. return to the initial space. The composer attempts to prioritize the emotional aspect over the intellectual aspect of the music.
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Date: 2005
Duration: 8 minutes 48 seconds
Creator: Simione, Didier
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