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Thetis et Pelée; tragédie en musique

Description: Pascal Collasse was one of the few opera composers able to secure successful performances in the years following Lully’s death. Collasse then went on to supply the music for the entire opera, Thétis et Pélée, which was premiered at the Paris Opéra on 11 January 1689. Thétis remained popular throughout Collasse’s lifetime, in spite of its rather weak plot. Owing to its success is primarily the music, including a significant storm scene in Act II. This departure from the Lullian tradition is … more
Date: 1716
Creator: Collasse, Pascal, 1649-1709 & Fontenelle, M. de (Bernard Le Bovier), 1657-1757
Partner: UNT Music Library

Thomas and Sally

Description: 1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral in two acts by Thomas Augustine Arne to a libretto by Isaac Bickerstaff; London, Covent Garden, 28 November 1760. Thomas and Sally can claim to be the first all-sung English comic opera. It is noteworthy as well for the introduction of clarinets into the orchestra (Grove Music Online).
Date: 1782
Creator: Arne, Thomas Augustine, 1710-1778 & Bickerstaff, Isaac, 1735-1812
Partner: UNT Music Library

Three Cantatas

Description: It is upon this set of three Italianate cantatas - "Martillo," "Thyrsis and Neptune" and "Amymone" that Hayden's reputation mainly rests. The second and third works include unspecified obbligato instruments. Content is printed only on the recto of each leaf. The bass line contains no figuration.
Date: 1717
Creator: Hayden, George, d. 1722?
Partner: UNT Music Library

Titon Et L'Aurore

Description: This three-act opera (Monsigny's Op. 8) is dedicated to Monseigneur le Prince de Soubise and was premiered at L'Academie Royalle de Musique on 9 January 1753. This full score opens with a letter of dedication from the composer to his patron and closes with a document describing royal publishing privilege.
Date: 1753
Creator: Mondonville, Jean Joseph Cassanea de, 1711-1772
Partner: UNT Music Library

Tom Jones; comedie lyrique en trois actes

Description: Philidor’s Tom Jones is representative of the continental interest in English literature. Henry Fielding’s homonymous novel served as the foundation for Philidor’s opera, but Philidor pared down the story quite a bit, especially downplaying Tom’s philandering ways. Many secondary characters and situations were also cut, a common technique that librettists employ when adapting prose writings to the stage. Thus, a central plot unfolds in a manner that the audience can follow, and the length re… more
Date: 1766
Creator: Philidor, F. D. (François Danican), 1726-1795; Poinsinet, Antoine Alexandre Henri, 1735-1769; Davesne, Bertin, 1714-1742 & Fielding, Henry, 1707-1754
Partner: UNT Music Library
open access

Le tonnelier

Description: Libretto of the comic opera "Le tonnelier" (The cooper) by Nicolas-Médard Audinot in collaboration with Antoine-François Quétant. The music of this one-act opera is a pasticcio of works by Gossec and other contemporaneous composers. Typical of the genre, the opera contains a variety of musical forms (airs, romance, vaudeville, and recitatives) and the dialogues are interspersed with additional airs, possibly using popular tunes. This copy includes (on pp. 52 and 54-56) notated melodies of air… more
Date: 1765
Creator: Audinot, Nicolas Médard, 1732-1801. & Quétant, Antoine-François, 1733-1823.
Partner: UNT Music Library
open access

Tractatus de musica

Description: The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also dem… more
Date: 1875
Creator: Tinctoris, Johannes, d. 1511.
Partner: UNT Music Library

Le triomphe de l'amour

Description: Le Triomphe de l'Amour, a ballet de cour created by composer Jean-Baptiste Lully and librettists Isaac de Benserade and Philippe Quinault, was danced for the first time at Saint-Germain-en-Laye on January 21, 1681. Several setbacks, including the illness of the dauphin and the reluctance of court ladies to attend the ballet, postponed its premiere for nearly three months. Benserade, one of the creators of the ballet de cour, was drawn out of retirement to create verses in celebration of the dau… more
Date: 1681~
Creator: Lully, Jean Baptiste, 1632-1687
Partner: UNT Music Library
open access

Le triomphe de l'amour

Description: Libretto of the ballet "Le triomphe de l'amour" written by Philippe Quinault in collaboration with Isaac de Benserade. It is divided in two parts. The first, contais the prologue and the ballet entrances (i.e., entrées); the second part contains flattering comments and instructions directed to the noble people participating in the ballet. Each of the entrées that comprise "Le Triomphe de l'Amour" reveal aspects of love triumphant. The theater represents a magnificently ornate place wher… more
Date: 1681
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library

Le triomphe de l'amour : ballet royal

Description: Le Triomphe de l'Amour, a ballet de cour created by composer Jean-Baptiste Lully and librettists Isaac de Benserade and Philippe Quinault, was danced for the first time at Saint-Germain-en-Laye on January 21, 1681. Several setbacks, including the illness of the dauphin and the reluctance of court ladies to attend the ballet, postponed its premiere for nearly three months. Benserade, one of the creators of the ballet de cour, was drawn out of retirement to create verses in celebration of the dau… more
Date: 1681
Creator: Lully, Jean Baptiste, 1632-1687; Benserade, Isaac de, 1613-1691 & Quinault, Philippe, 1635-1688
Partner: UNT Music Library

Le triomphe des sens

Description: This opera (ballet héroique) is comprised of five acts with a prologue. It was premiered on 29 May 1732 at L'accademie Royale de Musique in Paris. This score opens with a letter of dedication from the composer "A Son Altesse Serenissime Monseigneur Le Prince de Dombes." Next, Mouret includes two tables of contents: one of the dances (Airs de Simphonie) and the other, of the arias (Airs à Chanter). The following pages lists other publications by Mouret including prices and where these items may … more
Date: 1732
Creator: Mouret, Jean-Joseph, 1682-1738
Partner: UNT Music Library

Le trompeur trompe, ou, La rencontre imprevue. Opera-comique en un acte. Represente pour la premiere fois sur le Theatre de la Foire S. Germain, le 18 fevrier 1754.

Description: In the mid-eighteenth century, comic opera librettos served a dual purpose, as evinced by the libretto to Vadé ’s Trompeur trompé (1754). Although the primary function of the publication was to allow audience members to follow along with the text of the opera, solo airs were printed in the back of the book. Not all the melodies are included, but those printed in the libretto enhance our understanding of an opera the music of which was never published as a comprehensive musical score.
Date: 1754
Creator: Vade, M. (Jean Joseph), 1719-1757.
Partner: UNT Music Library

Valses brillantes

Description: This is a digital copy of "Valses brillantes" by Leopold von Meyer. This piece was issued as the third of four pieces published under the title "Repertoire de Léopold de Meyer." The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. "Valses brillan… more
Date: 184X
Creator: Meyer, Leopold von, 1816-1883.
Partner: UNT Music Library

Variations sur un thême de Semiramis de Rossini, op.37

Description: This is a digital copy of "Variations sur un thême de Semiramis de Rossini, op.37" by Leopold von Meyer. The Austrian composer and pianist von Meyer, had a successful performance career in Russia, eastern Europe and Vienna and also achieved success in London and Paris. He visited the United States on October 1845 and his histrionic performance style and bravura showpieces were received with wide acclaim. This piece was dedicate to madame d'Obrescoff. Variations sur un thême de Semiramis de R… more
Date: 184X
Creator: Meyer, Leopold von, 1816-1883
Partner: UNT Music Library

VII sonates pour le pianoforte

Description: This volume contains Mozart's piano sonatas in A major (K. 331), F major (K. 332), B-flat major (K. 333), D major (K. 284), A minor (K. 310), and D major (K. 311). It is a later issue of an 1810 edition, with a new plate number added.
Date: 1825~
Creator: Mozart, Wolfgang Amadeus, 1756-1791
Partner: UNT Music Library

Vocal Melody Book IV

Description: This collection of songs from the pantomime "Harlequin Sorcerer" and the play "The Oracle" are scored for various voice types with obbligato instruments and basso continuo (with figured bass). A "Mrs. Cibber" is credited prominently on the title page. Some songs also have alternate parts for the solo line (conflating obbligato and vocal parts) for German flute (sometimes simply designated as "Flute").
Date: 1752
Creator: Arne, Thomas Augustine, 1710-1778
Partner: UNT Music Library

Le voyage de Cythere

Description: This secular cantata for soprano and basso continuo features obbligato flute and violin. The introductory letter addresses not a royal patron but a commercial one - the women that would sing this cantata.
Date: 1727
Creator: Villeneuve, Alexandre de, 1677-1756
Partner: UNT Music Library

XII solos for a violin

Description: This English edition of Corelli's Op. 5 sonata for violin and continuo is, aside from an engraving of the composer and the title page, printed on both the recto and verso sides of the leaves. The bass line contains figures. A note by the publisher states: "These Solos are Printed from a curious Edition Publish'd at Rome by the Author."
Date: 1740~
Creator: Corelli, Arcangelo, 1653-1713
Partner: UNT Music Library
open access

Zephire et Flore

Description: This is a digital reproduction of the 1688 libretto of the opera "Zephire et Flore" by Michel Du Boullay. The music of the opera is attributed to Louis and Jean-Louis Lully, sons of Jean-Baptiste Lully. It was performed for the first time on March 22, 1688 at the Palais Royale in Paris.
Date: 1688
Creator: Duboullay, Michel
Partner: UNT Music Library

Zéphire et Flore; opéra en musique

Description: Zephire et Flore, the only opera attributed to Louis and Jean-Louis Lully, sons of Jean-Baptiste Lully, sets a libretto by Michel Du Boullay based on episodes from Greek mythology. It was performed for the first time 22 March 1688 at the Palais Royale in Paris. There is no record of a court performance, and it was revived only once, in June of 1715, with revisions by Destouches. We know of no modern performances, nor recordings of the opera in whole or in part.
Date: 1688
Creator: Lully, Louis de, 1664-1734 & Duboullay, Michel
Partner: UNT Music Library
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