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An Analysis of Two Dimensional Printed Elements Within Three Dimensional Structures

Description: I believe the frame or housing of a printed image plays an integral role in the context of the work. It functions as a vehicle for possible interpretation. It should respond to and complement the concept of the central image. The image presented in a vessel or reliquary format should instill a meditative or religious response.
Date: May 1994
Creator: Hubner, Lynne J.
Partner: UNT Libraries
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Art and Self-Awareness: A Personal Investigation

Description: This paper describes the artist's conception of their scientific knowledge and spiritual beliefs, and the juxtaposition of the two in a single awareness. Michael Muller discusses the use of printmaking, drawing, and photo mechanical processes to represent this awareness through visual imagery, and includes photographs of the works.
Date: May 1994
Creator: Muller, Michael
Partner: UNT Libraries
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Diverse Works

Description: The goal of the work was to infect traditional ideas of beauty and authority with late Twentieth-Century culture and to thereby create an artifact that would reflect the multiplicity of our culture. My work, to date, has dealt with single works of a consistent media combining two and three-dimensional elements. I proposed to add to the complexity of my stated goal through a more varied use of medium; audio, photography, lighting, paint on canvas, reprocessed found objects as well as materials w… more
Date: August 1994
Creator: Allen, Joseph Hugh
Partner: UNT Libraries
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The Execution of Woodcut Prints Utilizing Photographs as Source Material

Description: The purpose of this study was to investigate the personal success of using photographs as source material for woodcuts or other relief prints, and to determine how my selectivity, editing, and execution would enhance the content of these works. I proposed to create a body of woodcuts whose subject matter would be based on photographs dealing with the scenes and legends of Texas.
Date: August 1994
Creator: Hagard, Ernestine
Partner: UNT Libraries
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An Exploration of the Visual Impact of Symmetry, Texture, and Multicultural Imagery on the Chalice

Description: The emotional and psychological reaction to a chalice is determined in part by the visual impact of the vessel. The goal of this problem has been to explore the visual impact of contemporary techniques and traditional materials, combined with multi-cultural imagery on the perception of the vessel as a chalice.
Date: May 1994
Creator: Siewert, Paul A. II
Partner: UNT Libraries
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Imagery and Form

Description: This paper discusses the integration of imagery and form in the author's works, wheel thrown pottery intended to make an individualized statement. Steven L. Phillips discusses the process of making these forms and the imagery they contain, drawing connections to philosophical concepts.
Date: May 1994
Creator: Phillips, Steven L.
Partner: UNT Libraries
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Living Walls: The Integration of Clay and Architecture

Description: Although clay has been used throughout history as an embellishment of architectural structures, clay elements have usually remained subordinate to existing architectural forms. Three-dimensional ceramic modules which divided an existing space, altered or obscured architectural forms, and intersected with or penetrated established planes provided a greater interaction between clay and architecture. I explored the use of clay as an integral three-dimensional element which interacted with an archi… more
Date: May 1994
Creator: Gray, Douglas E.
Partner: UNT Libraries
open access

me

Description: Artist Daniel Pope at 2024 MFA Exhibition, entitled "Parapolitical Aesthetics" in the Cora Stafford Gallery, South, UNT Art Building,1201 W Mulberry St, Denton, TX from April 17 to April 21, 2024. Parapolitical Aesthetics is an exhibition that presents a critical exploration of contemporary society through various mediums, challenging traditional art practices and highlighting the pervasive influence of screen-based media and parapolitical power structures.
Date: 1994
Creator: Pope, Daniel
Partner: UNT College of Visual Arts + Design
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Methods and Meditations upon Portraiture: Inside Out

Description: In this proposed study, I had hoped to discover new strategies to develop imagery. I also wanted to know if using strategies in my work that expressed the psyche of myself, would work to express the psyche of other people. By using new and old strategies, I wanted to see not only if the outside face of people in photographs could be misread but if the inside face of people could be expressed.
Date: December 1994
Creator: Lee-Miller, Peggy
Partner: UNT Libraries
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Ordering Chaos: The Integration of Form and Surface Through a Combination of Chance and Design

Description: The purpose of this research was to develop a body of work which exhibited unity between form and surface, but which relied upon a combination of deliberate intent (specific form, glaze, firing temperature, etc.) and the occurrence of random accident to achieve this unity. The project dealt with the integration of altered wheel-thrown and hand-built organic clay forms with a variety of surface treatments. The firing/glazing techniques chosen (which included cone 9 reduction firing, raku firing,… more
Date: May 1994
Creator: Rhudy, Dannon
Partner: UNT Libraries
open access

Personal and Universal Imagery: Prehistory and the Future

Description: I wished to explore ways to introduce my futuristic symbols in my work that have a relevant universality, support a primordial mysticism, and maintain a personal spirituality. This would be achieved by utilizing imagery with both contemporary and futuristic connotations. This type of imagery would require specific sculptural techniques more refined than was previously present in my work. The sculpture would consist of solitary, tensely postured, monumental figures composed according to a classi… more
Date: August 1994
Creator: Askew, Daniel
Partner: UNT Libraries
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I Quit Believing

Description: I has been almost four years since this change of perception from "belief" to "disbelief." Looking back I can say this shift can be characterized as "belief" standing for an idea of art which requires it to represent a singular closed reading, while "disbelief" stands for a realization of an art which corresponds more with the complexities of social interaction and produces work with an array of possible readings. Or more simply stated, "belief" requires the desire to destabilize meaning. Or ev… more
Date: August 1994
Creator: Young, Kevin
Partner: UNT Libraries
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A Visual Study of Folk Art Death Imagery Used During the Day of the Dead Celebration in Mexico

Description: This paper discusses the author's work creating five collagraph prints based on imagery used during the Mexican Day of the Dead celebration and the process of making these prints. Eduardo J. Garcia discusses how heritage impacted these works and explores the meaning behind the folk art imagery.
Date: December 1994
Creator: Garcia, Eduardo J.
Partner: UNT Libraries
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