Search Results

open access

Adapting Reproduction Knowledge and Photomechanical Techniques to Serigraphy for Non-Commercial Purposes

Description: This problem is involved with attempting to answer two basic questions: (a) Can I, a commercial artist, expand and develop as an artist through screen printing and make valid aesthetic statements unrelated to client and/or product? and (b) Can knowledge of reproduction methods and photo-mechanical techniques be successfully utilized in screen printing for non-commercial purposes? Extensive notes in the form of a journal were maintained as work on the project progressed. These notes, combined wi… more
Date: December 1976
Creator: Adkins, Margie J.
Partner: UNT Libraries
open access

Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media

Description: This is a method in which designs as a whole are not pre-planned or pre-arranged, but are developed by applying layers of color. This is an additive method for obvious reasons, and it is subtractive because shapes can be covered with opaque paint or very intense stain. Transparent layers of color applied over existing colors cause hue changes, and the process creates subtleties resulting from one color showing through another.
Date: August 1974
Creator: Gilbert, Richard W.
Partner: UNT Libraries
open access

Altering the Muzak Situation

Description: The project involved producing a group (16) of audio-visual installations that successfully displayed and exposed various Muzak situations. The following questions, relating to individual pieces, were of concern: 1. What is the basic intent of each installation or piece? 2. Does the piece communicate the intent of the artist? 3. Which installations or pieces will adapt to any space? 4. What visual documentation is necessary to preserve the idea?
Date: December 1979
Creator: Finch, Carl Wayne
Partner: UNT Libraries
open access

The Amalgamation of Three-Dimensional and Two-Dimensional Processes

Description: Although drawing had offered me many avenues for image exploration and mark making, it lacked the actual physical relief surface that was a natural part of the printmaking plate process (i.e., intaglio plates or relief surfaces). Sculpture allowed the images and marks to be realized dimensionally in the round; therefore, the images became objects.
Date: August 1992
Creator: Gentry, Larry Allen
Partner: UNT Libraries
open access

An Analysis of an Environmental Performance with the use of Light and Projected Photographic Imagery

Description: The primary objective of this creative project was to create an environmental performance through the use of light as the principal medium. Most of the photographic imagery had been completed. The remaining task involved creating an effective and workable system to integrate the projected imagery with the neon light placements. Each system, illustrated in the figures, attempted to create a different approach in using the light mediums.
Date: May 1983
Creator: Aaboe, Richard David
Partner: UNT Libraries
open access

Analysis of Imagery Concerning Body and Landscape

Description: The primary purpose of this study was to investigate how imagery evolved in my work, in dealing with the relationship between body and landscape and the relationship between image and abstraction. Five paintings were created for the investigation of the evolution in my imagery. A journal of notes was kept concerning each piece while in progress and immediately following its completion. The analyzing method was a visual analysis of the structure and content, as well as the process through which … more
Date: May 1985
Creator: Juergens, Sharon
Partner: UNT Libraries
open access

An Analysis of Retained Two Dimensional Elements in a Three Dimensional Sculptural Format

Description: The object of this problem in lieu of thesis has been the exploration and identification of the retained two dimensional design idiom in the sculptural format of my work. (By this, I am referring to the lateral, planar quality which often continues as part of my designs.)
Date: December 1991
Creator: Trimble, H. Carl III
Partner: UNT Libraries
open access

An Analysis of Space and an Investigation Into the Nature of the Block-Out Process in My Current Work

Description: The purpose of the creative project was to investigate the relationship of figure to ground in a series of paintings in order to better understand how I perceive the space in my work and to analyze the block-out process. Questions regarding the figure/ground relationship are as follow: 1. What is figure, what is ground and what is ambiguous as I see it? 2. What effects do overlapping, shape size, color and value have upon the figure/ground relationship? The portion of the investigation concerni… more
Date: May 1978
Creator: Werner, Lois Wetzel
Partner: UNT Libraries
open access

An Analysis of Spontaneous and Premeditated Working Methods

Description: For my problem, I proposed to document and analyze the relationships of the spontaneous and premeditated approaches in my work. The pieces that I began during the Spring and Summer 1979 were to be my primary sources of data. Two means were used to document these works and my approaches to them. I photographed the pieces as they progressed up to and including the finished product, and a sketchbook-diary was used to compile ideas and responses.
Date: May 1980
Creator: Lowrey, Nancy K.
Partner: UNT Libraries
open access

An Analysis of Verticality and Architectural Reference in the Presentation of Figurative Sculpture

Description: The purpose of this study was to analyze the physical issues of verticality and architectural reference in the presentation of my figurative sculpture and to determine how these issues affect me as viewer. In this analysis, the term architectural reference refers to the fundamental structural elements historically associated with architecture, such as column, pylon, pilaster, pyramid, elevated platform, and bilateral symmetry. The term does not address broader architectural concepts such as spa… more
Date: May 1990
Creator: Pavlovsky, Micheal D.
Partner: UNT Libraries
open access

Anxiety

Description: In summary my main three objectives are as follows: 1. To create large black and white photographic murals of isolated facial expressions with written phrases beneath each image. 2. To explore my capability to magnify and reinforce a strong emotional feeling through the large images. 3. To discover if the written phrases strengthen and support the photographic image.
Date: August 1980
Creator: Sturdivant, Max L.
Partner: UNT Libraries
open access

Art by the Yard: Exploring Narrative Drawings

Description: I am interested, both from a personal standpoint and from a cultural perspective, in pursuing the meaning of thes eimages singly and as they combine with others. In turn, the results, I hope, will lead to the discovery of more images for my image encyclopedia. After this introduction subsequent chapters will explore my reasons for the combinations of images I choose and will place the finished drawings in their contemporary art context. My goal will be to note the changing meanings of the objec… more
Date: May 1990
Creator: Sale, Thomas Fancher
Partner: UNT Libraries
open access

The Artbook: A Synthesis of Literary and Visual Imagery

Description: In order to more fully explore this problem and to uncover important aspects of my work and work processes, I posed these questions to be answered after the completion of the five books: 1. In what ways am I able to synthesize the traditional concerns of the literary and visual image into an Artbook format? 2. To what extent am I able to develop this synthesis into an aesthetically valid and personally satisfying expression of my own artistic philosophy? 3. In what ways does this development re… more
Date: August 1980
Creator: Gaddie, Melinda A.
Partner: UNT Libraries
open access

The Artist's Book as an Alternative to the Gallery Installation

Description: I examined and evaluated three sets of gallery installations and related handmade books. The following questions were considered foremost: 1) Visually, how different from and how similar to the gallery installations are the books? 2) What verbal elements are adapted from the installations to the books? 3) How does the difference in format (that is, the books) alter or affect the content and meaning of the installations?
Date: May 1981
Creator: Bush, M. Rowena
Partner: UNT Libraries
open access

Bernhardt/Campbell: A Collaboration

Description: The idea for this creative project evolved as the result of communication between myself and Cathie Bernhardt during the first half of 1977. Both of us had been dealing with similar concepts such as reliquary-like containers and the objects contained within them. We also had a congruent approach concerning the use of materials and the manner in which they can be fabricated. These two things resulted in a mutual respect for each other's forms and imagery. We, therefore, decided to explore and co… more
Date: August 1980
Creator: Campbell, Frank M.
Partner: UNT Libraries
open access

Between Seeing and Knowing

Description: I intended to create a body of work using a variety of media and a combination of imagery that is both subjective and objective in regards to representation. I incorporated into the work, words and phrases which are not related to the imagery. This has allowed the work to be variously interpreted. I wanted certain elements of the work to appear simultaneously very old and very new.
Date: December 1991
Creator: Middleton, Michael D.
Partner: UNT Libraries
open access

Black and White Pottery: Developing a Vocabulary of Patterns and Motifs Based on Neolithic Precedents

Description: The purpose of this study was to develop a vocabulary of patterns and motifs based on Persian and Mesopotamian styles. Then, using the characteristics mentioned above, to create a body of work, approximately twenty pieces, using that vocabulary.
Date: May 1986
Creator: Brigman, David Henry
Partner: UNT Libraries
open access

Building a Personal History With Layered Symbolic Images

Description: Since I was a young child, I have had a deep interest in all facets of the cultures of early humans and more modern primitive peoples-- in particular, their art and their mythology. It was my proposal, therefore, to combine these interests with the styles of my earlier works by using images drawn from the various aspects of my ancestry in several pieces of work in which the layering of those images-- similar to the layers of my heritage-- was used. My choices were limited to a set number of ima… more
Date: August 1990
Creator: Blair, Teresa A.
Partner: UNT Libraries
open access

Clothing Derived From Lepidoptera Forms

Description: Each design attempted to fulfill three requirements. The design should be effective as displayed in an exhibition; it should retain its sculptural effect when worn; and it should convey a feeling of envelopment for the wearer. In addition to these requirements, the seven pieces were designed and constructed with four problems in mind. First, how did changes in media or technique effect each garment in terms of surface embellishment, drapability, et cetera? Second, how did the scale of a garment… more
Date: May 1983
Creator: Byron, Janet L.
Partner: UNT Libraries
open access

Collaborative Art

Description: Our problem was to produce art in a collaborative manner. Due to the nature of our problem, we proposed to explore specific aspects of collaborative art and answer these questions: 1. in what ways is the co-artist's input beneficial? 2. How are the artist's skills broadened by working with a fellow artist? 3. What is involved in developing a professional working relationship between male and female artist? 4. What understanding of differences in working styles is acquired? 5. What are the diffe… more
Date: May 1979
Creator: Bernhardt, Catherine A.
Partner: UNT Libraries
open access

The Combination of Objects in Box-Like Containers

Description: For my project, I chose to construct ten containers in which clay and non-traditional drawings were combined. The various materials used were ceramics, drawings on Plexiglas, wood, and other found materials. The questions to be answered by the completion of the ten pieces were the following: 1. What types of containers are most complimentary in combining ceramics and drawings? 2. What types of drawing media are most successful for combining drawings with ceramics? 3. What types of presentatio… more
Date: August 1978
Creator: Ellis, Lou
Partner: UNT Libraries
open access

The Combination of Sewing Techniques, Manufactured Fabric, Paper, Paint, as a Creative Process

Description: My problem was to investigate some of the possibilities which have arisen through my previous work by producing twelve fabric pieces and eight paper pieces. Specifically, the following questions were to be examined: 1. Are there traditional designs or techniques in quilts of the past that can be utilized in my own work? 2. Are the primary colors (red, yellow, blue) in manufactured unaltered fabric more effective than painted or altered fabric? 3. Is there a correlation between the color and ima… more
Date: May 1978
Creator: Outlaw, Marilyn Jeanne
Partner: UNT Libraries
Back to Top of Screen