Doctoral Lecture Recital: 2014-05-20 – Kathryn Jones, double bass
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- Jones: Lecture 0:27:13
- Prokofiev: Quintet, Op. 39, I. Moderato 0:05:26
- Prokofiev: Quintet, Op. 39, II. Andante energico 0:02:47
- Prokofiev: Quintet, Op. 39, III. Allegro sostenuto, ma con brio 0:02:44
- Prokofiev: Quintet, Op. 39, IV. Adagio pesante 0:03:22
- Prokofiev: Quintet, Op. 39, V. Allegro precipitato, ma non troppo presto 0:03:25
- Prokofiev: Quintet, Op. 39, VI. Andantino 0:04:33
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College of Music Program Book 2013-2014: Student Performances, Volume 2 (Book)
Student performances program book from the 2013-2014 school year at the University of North Texas College of Music.
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Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet (Thesis or Dissertation)
Until Serge Prokofiev’s 1924 ballet score Trapèze, the double bass occupied a background or at best a doubling role in almost all composers’ use of the instrument. Technical challenge was limited in these pieces, because composers did not see the instrument’s potential in a chamber music environment. As luthiers developed the instrument, the technical ability of players grew, and composers began writing more challenging music for the instrument. As one of the first major composers to see the double bass in a new light, Prokofiev wrote challenging music for the instrument. This paper illuminates the alluring pedagogical aspects of Prokofiev's Quintet in G Minor, Op. 39 and provides recommendations for accomplishing some difficult passages with ease.
Dissertation: https…
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Doctoral Lecture Recital: 2014-05-20 – Kathryn Jones, double bass, audio recording, May 20, 2014; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc983782/: accessed May 30, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.