Doctoral Recital: 2014-11-19 - Rachel Woolf, flute and piccolo

Doctoral Recital: 2014-11-19 - Rachel Woolf, flute and piccolo

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Vivaldi: Concerto in C Major, RV 443, I. Allegro 0:04:36
Vivaldi: Concerto in C Major, RV 443, II. Largo 0:04:43
Reinecke: Sonata, "Undine," Op. 167, I. Allegro 0:06:58
Reinecke: Sonata, "Undine," Op. 167, II. Allegro vivace 0:03:57
Reinecke: Sonata, "Undine," Op. 167, III. Andante tranquillo 0:04:15
Reinecke: Sonata, "Undine," Op. 167, IV. Finale (Allegro molto) 0:06:24
Rachmaninoff, arr. Reynolds: Oh, never sing to me again 0:05:03
Neset: Spring Dance 0:02:47
Hartsuch: Far Below 0:07:13
Hartsuch: Mach V 0:05:59

Description

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Woolf, Rachel, 1988- November 19, 2014.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 44 times. More information about this recording can be viewed below.

Performer

Woolf, Rachel, 1988- Flute and Piccolo

Arranger

Reynolds, Karen Oh, never sing to me again

Composers

Vivaldi, Antonio, 1678-1741 Concerto in C Major, RV 443, I. Allegro, II. Largo
Reinecke, Carl, 1824-1910 Sonata, "Undine"
Rachmaninoff, Sergei, 1873-1943 Oh, never sing to me again
Neset, Marius Spring Dance
Hartsuch, Mark Far Below
Hartsuch, Mark Mach V

Performers

Wang, Xiao (Pianist) Piano
Hartsuch, Mark Tenor Saxophone
Zaremba, Drew Piano
Luzecky, Mike Bass
Young, Matt Drumset

Publisher

University of North Texas. College of Music.
Place of Publication: Denton, Texas

Audiences

We've identified this sound as a primary source within our collections. Researchers, educators, and students may find this recording useful in their work.

Provided By

UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

Titles

Main Title: Doctoral Recital: 2014-11-19 - Rachel Woolf, flute and piccolo
Series Title: Doctoral Recitals

Degree Information

Level: Doctoral
Name: Doctor of Musical Arts
Discipline: Flute and Piccolo
Department: Music
Grantor: University of North Texas

Description

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Subjects

Library of Congress Genre/Form Terms

Library of Congress Medium of Performance Thesaurus

Item Type

Sound

Identifier

Unique identifying numbers for this recording in the Digital Library or other systems.

Accession or Local Control No: 11_19_14 Woolf DMA
Archival Resource Key: ark:/67531/metadc948608

Relationships

Program: https://digital.library.unt.edu/ark:/67531/metadc798482/m1/205/
Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works - ark:/67531/metadc1248444
Doctoral Recital: 2014-11-19 – Rachel Woolf, flute and piccolo - ark:/67531/metadc490019

Collections

This recording is part of the following collection of related materials.

College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

Relationship to this item: (Is Referenced By)

Program: https…

Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works (Thesis or Dissertation)

Born in 1927 in Bombay, Vanraj Bhatia is an Indian composer of music for concerts, film, television, opera, meditation, and commercial jingles. His musical style is unique, stemming from his training in both Western and North Indian classical, or Hindustani, music. Little is known about Vanraj Bhatia in the Western classical world, and in India he is recognized primarily as a composer of film music. This dissertation aims to bring awareness of Vanraj Bhatia's significance as a Western classical composer, focusing on uncovering the cross-cultural influences of his only solo flute piece, Night Music, composed in 1964. This research offers Western flutists a better understanding of Indian music, specifically Hindustani and Indian folk music traditions, often not fully understood since Indian music is an aural tradition, rarely transcribed and notated, and relies on a guru/shishya (teacher/student) relationship. Such an understanding will elucidate the compositional choices made in Night Music, allowing flutists to be more informed in their performance of it. Although the focus of this study is on Night Music, other repertoire from Bhatia's concert music and film music will also be examined to illuminate Bhatia's compositional style, which includes elements of Hindustani music, Indian folk music, and Western musical traditions. An exploration of some of Bhatia's other compositions written for Western musicians will give readers beyond the realm of flutists a better understanding of his distinctive, cross-cultural style and influences, and will introduce larger audiences to this exceptional and little-known composer.

Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works - ark:/67531/metadc1248444