Doctoral Recital: 2014-01-31 - Hentus Van Rooyen, organ

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Van Rooyen, Hentus January 31, 2014.

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  • Main Title: Doctoral Recital: 2014-01-31 - Hentus Van Rooyen, organ
  • Series Title: Doctoral Recitals

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Description

Recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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College of Music Program Book 2013-2014: Student Performances, Volume 1 (Book)

College of Music Program Book 2013-2014: Student Performances, Volume 1

Student performances program book from the 2013-2014 school year at the University of North Texas College of Music.

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Program: https…

The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists (Thesis or Dissertation)

The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists

This dissertation provides comprehensive performance perspectives for the interpretation of the published keyboard toccatas by Michelangelo Rossi (ca.1602-1656) in his collection, Toccate e Correnti d'Intavolatura d'Organo e Cimbalo (c. 1634). This document consults the following sources on keyboard practice in the early-Baroque period: Girolamo Diruta's Il Transilvano Dialogo Sopra Il Vero Modo Di Sonar Organi, & Istromenti da penna (1593); Adriano Banchieri's Conclusioni nel Suono dell'Organo (1609); Costanzo Antegnati's L'Arte Organica (1608); and the prefaces to Girolamo Frescobaldi's publications Toccate e Partite d'Intavolature di Cembalo, Libro Primo (first version 1615; second version 1615, 1616, 1628; and third version 1637), and Fiori Musicali (1635). These sources provide information on most aspects of keyboard—and specifically organ—playing in the decades leading up to, and at the time of, the initial publication of Rossi's toccatas: including the toccata as genre, Italian organs from the late-Renaissance/early-Baroque, registration, tempo, pedaling, fingering, articulation, and ornamentation. In addition to the performance perspectives, this dissertation also provides a new modern edition of the ten toccatas by Michelangelo Rossi. This edition is based on the 1657 Bologna facsimile. The goal of this edition is two-fold. First to present an accurate text of the facsimile and second to adjust certain beam-groupings, spacing on the staves, and the use of accidentals in a more modern sense.

The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists - ark:/67531/metadc1609112

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  • January 31, 2014

Added to The UNT Digital Library

  • June 11, 2016, 1:43 p.m.

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  • Nov. 22, 2022, 8:44 a.m.

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  • 33.206333, -97.155065

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Van Rooyen, Hentus. Doctoral Recital: 2014-01-31 - Hentus Van Rooyen, organ, audio recording, January 31, 2014; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc848742/: accessed June 6, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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