Doctoral Lecture Recital: 2008-02-04 – Kristin M. Polk, oboe

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (41 min., 50 sec.)

Creation Information

Polk, Kristin M. February 4, 2008.

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  • Main Title: Doctoral Lecture Recital: 2008-02-04 – Kristin M. Polk, oboe
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (41 min., 50 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music program book 2007-2008 Student Performances Vol. 2 (Book)

College of Music program book 2007-2008 Student Performances Vol. 2

Student performances program book from the 2007-2008 school year at the University of North Texas College of Music.

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Program: https…

An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957) (Thesis or Dissertation)

An Analysis of Form and Tonality in Arnold Cooke's Sonata for Oboe and Piano (1957)

Arnold Cooke composed many works for oboe including two sonatas, a concerto and several pieces for chamber ensembles; however, his works are rarely performed. Through the analysis of form and tonality in his first oboe sonata, Cooke's musical style and influences become apparent. His musical style was primarily influenced by his teacher, Paul Hindemith, and can be characterized by traditional forms with the contemporary use of quartal harmonies and a variety of tertian sonorities. Cooke wrote music that is accessible for performers and audience members, and one way he achieved this accessibility is through the repetition of melodic ideas. In addition to exact melodic repetition, he also unified his works through fugue-like passages and sequences. Although he lived during a time of experimentation by many composers, Cooke maintained conservative elements in his music that he learned through his studies at Cambridge and through his studies with Hindemith. His first oboe sonata is tonal although he varied modes and used chromatic harmonies throughout. Cooke's clear writing and unique sound in his Sonata for Oboe and Piano (1957) provide oboists a solo piece for the repertoire that demonstrates a modern approach to the traditional style of composition.

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Dissertation: https…

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  • February 4, 2008

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Added to The UNT Digital Library

  • Nov. 23, 2011, 9:02 a.m.

Description Last Updated

  • Feb. 22, 2024, 3:19 p.m.

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Total Uses: 79

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  • 33.210701, -97.150088

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Polk, Kristin M. Doctoral Lecture Recital: 2008-02-04 – Kristin M. Polk, oboe, audio recording, February 4, 2008; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc67400/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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