Though Gide's homosexuality is well-documented, the theme of homosexuality plays a relatively minor role as it affects women in the récit. L'Immoraliste and Geneviève are the only ones in which the theme appears. Therefore, the reader will find little discussion of this subject per se in this work. This study will include only the récit, the art form which has come to be associated with Andre Gide. The récits include: L'Immoraliste (1902), La Porte étroite (1909), Isabelle (1911), La Symphonie pastorale (1919), L'Ecole des femmes (1929), Robert (1929), Geneviève (1936), and Thésée (1946).
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Though Gide's homosexuality is well-documented, the theme of homosexuality plays a relatively minor role as it affects women in the récit. L'Immoraliste and Geneviève are the only ones in which the theme appears. Therefore, the reader will find little discussion of this subject per se in this work. This study will include only the récit, the art form which has come to be associated with Andre Gide. The récits include: L'Immoraliste (1902), La Porte étroite (1909), Isabelle (1911), La Symphonie pastorale (1919), L'Ecole des femmes (1929), Robert (1929), Geneviève (1936), and Thésée (1946).
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UNT Theses and Dissertations
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