This article discusses about the author’s identity related to the experience of being in the United States for one third of his life, and away from his native country, Japan. He uses photographic images as a tool for finding his identity. Those images are combined and painted with paraffin wax as finished pieces. The extra layer of wax on the photographic surface is treated as a metaphor for the fuzziness of memories and dreams, as well as a boundary, which lies between author’s two familiar spaces, the United States and Japan. His visual influences are shown to include photographer Henri …
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This article discusses about the author’s identity related to the experience of being in the United States for one third of his life, and away from his native country, Japan. He uses photographic images as a tool for finding his identity. Those images are combined and painted with paraffin wax as finished pieces. The extra layer of wax on the photographic surface is treated as a metaphor for the fuzziness of memories and dreams, as well as a boundary, which lies between author’s two familiar spaces, the United States and Japan. His visual influences are shown to include photographer Henri Cartier- Bresson, painter Giorgio de Chirico, and sculptor Alberto Giacometti.
This thesis is part of the following collection of related materials.
UNT Graduate Student Works
This collection houses graduate student works other than theses and dissertations. All materials have been previously accepted by a professional organization or approved by a faculty mentor. The collection includes, but is not limited to projects or problems in lieu of thesis, supplemental files associated with theses and dissertations, posters, recitals, presentations, articles, reviews, book chapters, exhibitions, and artwork. Some items in this collection are restricted to use by the UNT community.
