A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form

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The third volume of A.B. Marx's theory treatise Die Lehre von der musikalischen Komposition is discussed. His definitions of rondo and sonata formal types are demonstrated in the first chapter in addition to the manner of their derivation through a developmental process originating in the Liedform. Musical examples chosen by Marx are examined in chapter two. These examples, taken from Mozart's and Beethoven's piano works, are evaluated in relation to Marx's definitions of the various types of form. The third chapter is concerned with the progression from microstructure to macrostructure and the functional interrelation of the parts to the whole. … continued below

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vii, 113 leaves : music

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Lang, Adelheid K. July 1993.

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  • Lang, Adelheid K.

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The third volume of A.B. Marx's theory treatise Die Lehre von der musikalischen Komposition is discussed. His definitions of rondo and sonata formal types are demonstrated in the first chapter in addition to the manner of their derivation through a developmental process originating in the Liedform. Musical examples chosen by Marx are examined in chapter two. These examples, taken from Mozart's and Beethoven's piano works, are evaluated in relation to Marx's definitions of the various types of form. The third chapter is concerned with the progression from microstructure to macrostructure and the functional interrelation of the parts to the whole. In addition, Marx's opinion on musical form is compared with perspectives of philosophers from his time period and the immediate past.

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vii, 113 leaves : music

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  • July 1993

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  • March 9, 2015, 8:15 a.m.

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Lang, Adelheid K. A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form, thesis, July 1993; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc500789/: accessed May 26, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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