Doctoral Recital: 2012-06-16 – Kathryn Jones, double bass
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Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet (Thesis or Dissertation)
Until Serge Prokofiev’s 1924 ballet score Trapèze, the double bass occupied a background or at best a doubling role in almost all composers’ use of the instrument. Technical challenge was limited in these pieces, because composers did not see the instrument’s potential in a chamber music environment. As luthiers developed the instrument, the technical ability of players grew, and composers began writing more challenging music for the instrument. As one of the first major composers to see the double bass in a new light, Prokofiev wrote challenging music for the instrument. This paper illuminates the alluring pedagogical aspects of Prokofiev's Quintet in G Minor, Op. 39 and provides recommendations for accomplishing some difficult passages with ease.
Dissertation: Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet, ark:/67531/metadc699907
Doctoral Recital: 2012-06-16 - Kathryn (Kate) Jones, double bass (Sound)
Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
Audio: ark:/67531/metadc171562
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Doctoral Recital: 2012-06-16 – Kathryn Jones, double bass, video, June 16, 2012; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc271755/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.