Works of art on AR by artist Christine Drake-Thomas as part of a 2022 MFA exhibition, entitled "The Third-Party Pop-Up Shop" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 13th to 16th, 2022. See also: https://newart.city/show/third-party-pop-up-shop
The UNT College of Visual Arts and Design fosters creative futures for its diverse student population and the region through rigorous arts-based education, arts- and client-based studio practice, scholarship, and research. One of the most comprehensive visual arts schools in the nation, the college includes many nationally and regionally ranked programs.
Works of art on AR by artist Christine Drake-Thomas as part of a 2022 MFA exhibition, entitled "The Third-Party Pop-Up Shop" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 13th to 16th, 2022. See also: https://newart.city/show/third-party-pop-up-shop
This work is part of the following collection of related materials.
UNT Graduate Student Works
This collection houses graduate student works other than theses and dissertations. All materials have been previously accepted by a professional organization or approved by a faculty mentor. The collection includes, but is not limited to projects or problems in lieu of thesis, supplemental files associated with theses and dissertations, posters, recitals, presentations, articles, reviews, book chapters, exhibitions, and artwork. Some items in this collection are restricted to use by the UNT community.
Surveillance capitalism is pervasive within our everyday lives: turning every movement, emotion, or thought into a commodity to be turned into an ad for us. As our meta-data is bought and sold to third-parties, we are coerced into buying products from targeted ads. This system of behavioral manipulation combines human psychology and emotion analytics to make us nodes within an accurate capitalist network. My work scrutinizes current economic structures through videos, installations, AR and digitally printed garments. In my practice, I satirize data collection, extraction, and commodification through an accumulation of my own user information from large tech companies– including Meta, Google, and Apple. This data is used to digitally produce patterns and create a collection of garments. Through this production of clothing, my work visually represents the symbiotic relationship between consumer capitalism and surveillance capitalism.