Match - Monody I & Polyphony IV

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Description

Recording of Nicolae Brînduș's Match - Monody I & Polyphony IV. It is a version dedicated to the Ensemble "Ars Nova" from Cluj Ð Romanian and based on collages of traditional folk dances from Romania's northern area of Maramures and ancestral laments from the regions of Banat and Oltenia. The final tape was re-positioned in the frame of the performers' controlled improvisation live which follows the same principles of composition. It became a sort of an ancestral memento to the momentary performing act. The music on the tape evolves from the natural sound of the folkloric sources, quoted as such, … continued below

Physical Description

1 sound recording (19 min., 45 sec.)

Creation Information

Brînduș, Nicolae 1981.

Context

This audio recording is part of the collection entitled: Mnemothèque Internationale des Arts Electroacoustiques and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. More information about this recording can be viewed below.

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UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

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  • Main Title: Match - Monody I & Polyphony IV
  • Series Title: MISAME

Description

Recording of Nicolae Brînduș's Match - Monody I & Polyphony IV. It is a version dedicated to the Ensemble "Ars Nova" from Cluj Ð Romanian and based on collages of traditional folk dances from Romania's northern area of Maramures and ancestral laments from the regions of Banat and Oltenia. The final tape was re-positioned in the frame of the performers' controlled improvisation live which follows the same principles of composition. It became a sort of an ancestral memento to the momentary performing act. The music on the tape evolves from the natural sound of the folkloric sources, quoted as such, to its multiple subsequent electronic transformations, coming back to the same folkloric quotes in their natural sound at the end. All the process of transformations represent the pulsing and not pulsing metric type of musical activity (tempo strie and tempo lisse so as described by Pierre Boulez).

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1 sound recording (19 min., 45 sec.)

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Mnemothèque Internationale des Arts Electroacoustiques

Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.

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  • 1981

Added to The UNT Digital Library

  • March 6, 2022, 10:50 p.m.

Description Last Updated

  • March 15, 2022, 9:25 a.m.

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Brînduș, Nicolae. Match - Monody I & Polyphony IV, audio recording, 1981; Bourges, France. (https://digital.library.unt.edu/ark:/67531/metadc1915621/: accessed May 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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