A Cordes Perdues

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Description

Recording of Francis Dhomont's A Cordes Perdues. This work was premiered on August 11, 1977 at the Festival de Saint Remy de Provence by the double bass player Henri Texier; it is, in fact, at the origin of a mixed music. Inspired by Henri Texier's album, Amir, it borrows materials, groups and objects from this record and sets out to return to a electroacoustic reflection. During the concert Texier improvised on the band which he had only acquainted me with a few hours before: reception and / or incentive ranges for the instrumentalist; three-dimensional play between disk, tape and live; … continued below

Physical Description

1 sound recording (16 min., 1 sec.)

Creation Information

Dhomont, Francis, 1926- 1977.

Context

This audio recording is part of the collection entitled: Mnemothèque Internationale des Arts Electroacoustiques and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. More information about this recording can be viewed below.

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UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

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  • Main Title: A Cordes Perdues
  • Series Title: MISAME

Description

Recording of Francis Dhomont's A Cordes Perdues. This work was premiered on August 11, 1977 at the Festival de Saint Remy de Provence by the double bass player Henri Texier; it is, in fact, at the origin of a mixed music. Inspired by Henri Texier's album, Amir, it borrows materials, groups and objects from this record and sets out to return to a electroacoustic reflection. During the concert Texier improvised on the band which he had only acquainted me with a few hours before: reception and / or incentive ranges for the instrumentalist; three-dimensional play between disk, tape and live; confrontation of a fixed form and a moving course. Apart from the borrowings from the record or the quotations, all the sound materials come from the treatment of a few piano strings. The long final sequence, announced at the start, is obtained by the coincidence of chains, themselves the result of gestural work inside the piano. This version is specially composed for tape only.

Physical Description

1 sound recording (16 min., 1 sec.)

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Mnemothèque Internationale des Arts Electroacoustiques

Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.

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Creation Date

  • 1977

Added to The UNT Digital Library

  • May 27, 2021, 11:03 a.m.

Description Last Updated

  • June 17, 2021, 11:15 a.m.

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Dhomont, Francis, 1926-. A Cordes Perdues, audio recording, 1977; Bourges, France. (https://digital.library.unt.edu/ark:/67531/metadc1808555/: accessed June 1, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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