Doctoral Recital: 2013-04-25 - Eunsuk Oh, oboe

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Oh, Eun Suk April 25, 2013.

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  • Main Title: Doctoral Recital: 2013-04-25 - Eunsuk Oh, oboe
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Notes

Sonatine pour Hautbois et Piano transcribed by David Walter.

II. Allegretto only was performed of Sonate pour Hautbois avec accompaniment de Piano, Opus 166.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2012-2013: Student Performances, Volume 2 (Book)

College of Music Program Book 2012-2013: Student Performances, Volume 2

Student performances program book from the 2012-2013 school year at the University of North Texas College of Music.

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Program: https…

An Analytical Study of Isang Yun's "Oboe and Oboe D'amore Concerto": The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe (Thesis or Dissertation)

An Analytical Study of Isang Yun's "Oboe and Oboe D'amore Concerto": The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe

Isang Yun (1917-1995), one of the most important avant-garde German-Korean composers, is perhaps best known for his success at integrating Korean musical elements into traditional Western styles. His Concerto for Oboe, Oboe d'amore, and Orchestra incorporates many traditional Korean elements, and uses techniques such as Hauptton, Hauptklang, and Umspielung to blend these elements into a Western musical style. This study explores the elements of traditional Korean music and instruments present in Yun's score, examines his compositional techniques, and makes practical performance suggestions that allow performers to properly convey his intentions. This dissertation includes six chapters. The first chapter discusses the purpose and importance of the study. The second chapter reviews Isang Yun's biography and works, based on a published interview with Yun and a biography written by his wife of many years. The third chapter introduces the characteristics of traditional Korean woodwind instruments relevant to the work. The fourth chapter examines Yun's compositional techniques of Hauptton, Hauptklang, and Umspielung in the work and their relationship with the main-tone and Sigimsae techniques. The fifth chapter introduces and explores different types of Sigimsae in the work, with suggestions for quarter-tone performance techniques. The sixth and last chapter is a conclusion.

An Analytical Study of Isang Yun's "Oboe and Oboe D'amore Concerto": The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe - ark:/67531/metadc1707332

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Creation Date

  • April 25, 2013

Added to The UNT Digital Library

  • June 25, 2013, 12:21 p.m.

Description Last Updated

  • Nov. 16, 2022, 4:37 p.m.

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  • 33.210701, -97.150088

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Oh, Eun Suk. Doctoral Recital: 2013-04-25 - Eunsuk Oh, oboe, audio recording, April 25, 2013; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc172277/: accessed June 6, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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