Doctoral Recital: 2005-04-04 – Aaron Rader, alto and tenor trombones
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- Brahms: Wie Melodien zieht es mir 0:02:23
- Brahms: Nachklang 0:01:24
- Brahms: Von ewiger Liebe 0:04:27
- Rachmaninoff: Elegie in E-flat minor, Morceaux de fantaisie, op. 3, no. 1 0:06:06
- Wagenseil: Concerto per Trombone - I. Adagio 0:05:29
- Wagenseil: Concerto per Trombone - II. Allegro assai 0:06:12
- Blacher: Divertimento for Trompete, Posune und Klavier - I. Allegro 0:01:07
- Blacher: Divertimento for Trompete, Posune und Klavier - II. Andantino 0:01:54
- Blacher: Divertimento for Trompete, Posune und Klavier - III. Presto 0:01:09
- Blacher: Divertimento for Trompete, Posune und Klavier - IV. Moderato 0:01:41
- Blacher: Divertimento for Trompete, Posune und Klavier - V. Allegretto 0:00:44
- Blacher: Divertimento for Trompete, Posune und Klavier - VI. Lento 0:01:47
- Blacher: Divertimento for Trompete, Posune und Klavier - VII. Presto 0:11:33
- Bozza: Ballade pour Trombone tenor et Piano 0:09:15
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College of Music program book 2004-2005 Student Performances Vol. 2 (Book)
Student performances program book from the 2004-2005 school year at the University of North Texas College of Music.
Program: https…
Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices (Thesis or Dissertation)
Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of significant predecessors. This study compares Á La Maniére de Debussy to the harmonic, melodic, and rhythmic practices of Claude Debussy (1862–1918), an innovative French composer and recognized figure of musical Impressionism. At present, there is limited scholarship on Defaye’s Á La Maniére de Debussy and its compositionally imitative nature. The first section of this document presents a survey of historical information, current literature, and methods of examination. The second section provides biographical information on composers Jean-Michel Defaye and Claude Debussy. The third section exhibits a compositional comparison of Á La Maniére de Debussy to Debussy’s use of harmony, melody, and rhythm. The final section draws a conclusion to the piece’s importance to the trombone solo repertoire and includes an interview with French trombonist Jacques Mauger who collaborated with Defaye on Á La Maniére de Debussy. Although this document is not a performance guide, an informed performance of Á La Maniére de Debussy requires a trombonist to understand Debussy’s unique treatment of harmony, melody, and rhythm.
Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices - ark:/67531/metadc103379
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Doctoral Recital: 2005-04-04 – Aaron Rader, alto and tenor trombones, audio recording, April 4, 2005; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc171929/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.