Doctoral Recitals: 2012-08-07 - David Stanley, countertenor
Jump to Track:
- Voglio a terra, Marco Attilio Regolo 0:03:33
- Me felice, Tigrane 0:08:18
- Quella tiranna, Griselda 0:03:39
- Felice io me n�andr�, Orfeo ed Euridice 0:09:16
- De la Tosca armata tromba, Costanza e fortezza 0:03:01
- Fossi pur d�amor gi� morto, Pulcheria 0:05:41
- Resta o cara, Il Trionfo di Clelia 0:08:05
- Ah, se morir di pena, Il Ruggiero 0:08:03
- Gia dagli occhi il velo � tolto, from Mitridate re di Ponto, K. 87 0:07:58
- Venga pur, minacci e frema, from Mitridate re di Ponto, K. 87 0:08:02
Creation Information
Context
Contact Us
Titles
Degree Information
Subjects
Related Items
College of Music Program Book 2011-2012: Student Performances, Volume 3 (Book)
Student performances program book from the 2011-2012 school year at the University of North Texas College of Music.
A Countertenor Aria Collection Continuum for Studio Training and Performance (Thesis or Dissertation)
An assessment of the standard voice instructor or performer collection of printed music would likely reveal numerous operatic repertoire volumes in anthology format appropriated to the primary four voice categories. However, thorough investigation divulges little in comparable printed material accessible to the countertenor. This scarcity of systemized collections is especially evident in the territory of comprehensive countertenor operatic repertoire. This project fills that present void by creating a compilation of sixteen countertenor arias drawn from various styles and historical periods for suggested application in studio instruction and performance. Perhaps, a more meaningful project intent is the presentation of a beneficial graded literature continuum resource for the studio teacher who instructs a countertenor in various stages of vocal development. For this purpose, each of the 16 arias is categorized into four difficulty levels based on considerations of range, tessitura, coloratura demands, rhythm, sustained phrase length, tonality, melodic considerations/overall musical difficulty, accompaniment support, and ornamentation requirements. The project also addresses common issues of pedagogy and ornamentation for voice teacher consideration when instructing a developing countertenor.
A Countertenor Aria Collection Continuum for Studio Training and Performance - ark:/67531/metadc1248503
Coordinates
Map Information
-
Precise coordinates.
-
Place Name coordinates. (May be approximate.)
Precise coordinates.
Place Name coordinates. (May be approximate.)
Mapped Locations
Doctoral Recitals: 2012-08-07 - David Stanley, countertenor, audio recording, August 7, 2012; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc171587/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.