Doctoral Lecture Recital: 2016-02-12 – Alicia Wallace, soprano

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  1. Wallace: Lecture 0:59:41

Description

Doctoral lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (59 min., 41 sec.)

Creation Information

Wallace, Alicia February 12, 2016.

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  • Schreker, Franz, 1878-1934 Mutterlieder: 1. O Glocken, böse Glocken, Opus 5, No. 1; 2. Kennt ihr den Sturm; 3. Heute Nacht, als ich so bange; 5. Durch die Fenster zitternd sacht
  • Schreker, Franz, 1878-1934 Fünf Gesänge: 1. Ich frag' nach dir jedwede Morgensonne; 3. Die Dunkelheit sinkt schwer wie Blei; 4. Sie sind so schön, die milden, sonnenreichen
  • Schreker, Franz, 1878-1934 Vom ewigen Leben, Zwei Lyrische Gesänge: 1. Wurzeln und Halme sind dies nur

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  • Main Title: Doctoral Lecture Recital: 2016-02-12 – Alicia Wallace, soprano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Do You Know the Storm?: The Forgotten Lieder of Franz Schreker (1878-1934)

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Description

Doctoral lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (59 min., 41 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Do You Know the Storm?: The Forgotten Lieder of Franz Schreker (Thesis or Dissertation)

Do You Know the Storm?: The Forgotten Lieder of Franz Schreker

Franz Schreker (1878-1934) was a Jewish-Austrian composer of great success during the first decades of the twentieth century. Schreker’s reputation diminished after 1933 when Hitler came to power and, in 1938, his compositions were labeled Entartete Musik (“degenerate music”) by the Nazis in a public display in Düsseldorf. The Third Reich and post-war Germany saw Schreker as a decadent outcast, misunderstanding his unique style that combined elements of romanticism, expressionism, impressionism, symbolism, and atonality. This study of Schreker’s Lieder will pursue two goals. First, it will analyze the Mutterlieder (before 1898), the Fünf Gesänge (1909), and the first piece from Vom ewigen Leben (1923) stylistically. Schreker composed nearly four dozen Lieder, incorporating a wide range of styles and ideas. By studying and performing these songs written at various points in his career (including early songs, songs written after he met Schoenberg, and his last songs during the height of his fame), I hope to develop a clearer understanding of how Schreker synthesized the many cultural forces and artistic movements that seem to have influenced his compositional style. Second, this study will consider the sociopolitical circumstances that fueled the disintegration of his reputation. This disintegration occurred not just during the Third Reich, but also afterwards, notably in an often discussed essay by Theodor Adorno. Only in the last thirty years have scholarly voices critical of such rejections of Schreker emerged. My ultimate goal, then, is to join this reevaluation, studying and contextualizing this repertory to develop a new understanding of an oft-neglected chapter in the history of the German Lied.

Relationship to this item: (References)

Dissertation: ark:/67531/metadc849748

College of Music Program Book 2015-2016: Student Performances, Volume 1 (Book)

College of Music Program Book 2015-2016: Student Performances, Volume 1

Student performances program book from the 2015-2016 school year at the University of North Texas College of Music.

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Program: https…

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  • February 12, 2016

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Added to The UNT Digital Library

  • Feb. 26, 2020, 9:48 p.m.

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  • Sept. 30, 2022, 10:41 p.m.

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  • 33.210701, -97.150088

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Wallace, Alicia. Doctoral Lecture Recital: 2016-02-12 – Alicia Wallace, soprano, audio recording, February 12, 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1614849/: accessed June 6, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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