Doctoral Lecture Recital: 2016-04-14 – Éva Polgár, piano

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (46 min., 44 sec.)

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Polgár, Éva, 1983- April 14, 2016.

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  • Main Title: Doctoral Lecture Recital: 2016-04-14 – Éva Polgár, piano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility

Degree Information

Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (46 min., 44 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility (Thesis or Dissertation)

Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility

In the case of Concerto for Orchestra, Béla Bartók transcribed one of his most emblematic orchestral compositions to his own solo instrument, the piano. This transcription's primary function was to suffice for ballet rehearsal accompaniment for the choreography to be introduced alongside a performance of the orchestral work. György Sándor, Bartók's pupil and pianist, prepared the original manuscript for publication. Logan Skelton, pianist-composer, used this published edition as a point of departure for his own piano arrangement of the same work. György Sándor took an editorial approach to the score and followed the manuscript as literally as possible. On the other hand, Logan Skelton treated the same musical material daringly, striving for technical simplicity and a richer orchestral sound. The purpose of this study is to examine and identify the contrasting treatments pertaining to playability, text, and texture in the Bartók-Sándor edition and Skelton arrangement of the two movements, Elegia and Finale, of the Concerto for Orchestra piano arrangement.György Sándor took an editorial approach to the score and followed the manuscript as literally as possible. On the other hand, Logan Skelton treated the same musical material daringly, striving for technical simplicity and a richer orchestral sound. The purpose of this study is to examine and identify the contrasting treatments pertaining to playability, text, and texture in the Bartók-Sándor edition and Skelton arrangement of the two movements, Elegia and Finale, of the Concerto for Orchestra piano arrangement.

Relationship to this item: (References)

Dissertation: ark:/67531/metadc862794

College of Music Program Book 2015-2016: Student Performances, Volume 2 (Book)

College of Music Program Book 2015-2016: Student Performances, Volume 2

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

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Program: https…

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  • April 14, 2016

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Added to The UNT Digital Library

  • Feb. 26, 2020, 9:48 p.m.

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  • Sept. 21, 2022, 10 p.m.

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  • 33.210701, -97.150088

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Polgár, Éva, 1983-. Doctoral Lecture Recital: 2016-04-14 – Éva Polgár, piano, audio recording, April 14, 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1614837/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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