As always the old dilemma: does the music follow the words or does it pursue a concomitant and independent discourse?
Here, the text is a source among others (like the timbre of the voice, the alchemical transformations of the sound ...).
Source of images, meaning, and especially space: interior space of sensations, emotional calls, silences behind the words and still real, external space, perceived in the text.
The music responds, as soon as the recording of the voice, by a set of different spaces.
Polyphonic piece, polytimbrale, whose meaning is to be found by the writing of space and timbre and architecture by relationships evolving from discontinuous to continuous, from mass to line, from near to far, from matter to vibration, from obscure to clear, from profusion to nudity.
Each piece is organized as a fractal of the set around the horizontal axis (left / right space) of the central piece and develops, through one or more of these trajectories, a series of variations around the same theme: l space / words, space / stamp. The Sound Space.
Materials: studio 123 Ina-Grm (Paris) and studio "Paradox" of the RTBF (Brussels)
Sound recording and mixing: Studio "Métamorphoses d'orphée" from Musiques et Recherches (Ohain)
RTBF order for 1988 Gilson Award