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Description
Cornelia said to me, "Oh! this sound, I keep it - But it's mine! - Yes, but every time I hear a sound that I like, I put it aside for my collection, and I call these sounds my jewels ". I saw then in UPIC only a machine to draw or to geometrize the music. Cornelia, by her words, led me into a different mode. Imagining a very simple score, cutting into his living flesh and extracting a complex wave that could provide subtle timbres and dynamics, became a children's game surprised to manipulate in his fingers the "jewels …
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Cornelia said to me, "Oh! this sound, I keep it - But it's mine! - Yes, but every time I hear a sound that I like, I put it aside for my collection, and I call these sounds my jewels ". I saw then in UPIC only a machine to draw or to geometrize the music. Cornelia, by her words, led me into a different mode. Imagining a very simple score, cutting into his living flesh and extracting a complex wave that could provide subtle timbres and dynamics, became a children's game surprised to manipulate in his fingers the "jewels of Cornellia". Excerpt from Imaginary Memories "by J.E. Marie
This recording is part of the following collection of related materials.
Mnemothèque Internationale des Arts Electroacoustiques
Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.