WPA/Federal Music Project in the United States: Music Education and Music Teacher Education 1935-1943

One of 26 items in the series: Proceedings of the Sixth International Symposium on the Sociology of Music Education available on this site.

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Presented at the Sixth International Symposium on the Sociology of Music Education. This paper focuses on the teacher education components of the Works Project Administration Federal Music Project.

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21 p.

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Tuohey, Terese July 2009.

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This paper is part of the collection entitled: International Symposium on the Sociology of Music Education (ISSME) and was provided by the UNT College of Music to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 740 times, with 9 in the last month. More information about this paper can be viewed below.

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Presented at the Sixth International Symposium on the Sociology of Music Education. This paper focuses on the teacher education components of the Works Project Administration Federal Music Project.

Physical Description

21 p.

Notes

Abstract: During the Great Depression of the 1930s in the United States, the federal government tried
several avenues to lift the heavy unemployment within the country. One of these was the
Works Project Administration (WPA), 1935-1943. Artists and musicians were particularly
hard hit during this period. In an unprecedented effort not to loose the talents of the country’s
artists, President Franklin D. Roosevelt established a section of the WPA called Federal
Project One. This focused exclusively on the arts and encompassed separate Federal Projects
for Theater, Music, the Visual Arts, and Writers. Within the Federal Music Project (FMP)
were sections for instrumental and vocal performing groups, music copyists and binders, and
music teaching. During this period, many unemployed private music teachers were retrained
to become music teachers in the rural schools of America. This research paper focuses on the
teacher education components of the FMP. Since the project was run similarly in many
states, one state may serve as an exemplar for all, in this case the state of Michigan. Included
are primary source information about the rural school needs assessment for the state, teacher
training workshops, and the interrelationship between the teacher education section and the
other music sections of the WPA. Although it never came to fruition, the WPA/FMP was
perhaps the greatest attempt in the United States to provide federal support for the arts. The
music teacher education component was a vital component.

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  • International Symposium on the Sociology of Music Education, July 5-9, 2009. Limerick, Ireland.

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  • Publication Title: Proceedings of the Sixth International Symposium on the Sociology of Music Education

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International Symposium on the Sociology of Music Education (ISSME)

This biennial symposium draws together music education academics from around the world to discuss issues, practices, and perspectives focusing on connecting music learning and other music experiences with the lives, values, identities, and communities of those involved. Included in the collection are papers from the symposium.

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  • July 2009

Added to The UNT Digital Library

  • Nov. 28, 2018, 5:21 p.m.

Description Last Updated

  • Feb. 13, 2019, 3:33 p.m.

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Tuohey, Terese. WPA/Federal Music Project in the United States: Music Education and Music Teacher Education 1935-1943, paper, July 2009; Dublin, Ireland. (https://digital.library.unt.edu/ark:/67531/metadc1390604/: accessed May 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT College of Music.

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