Related Field Recital: 2018-04-24 – Xing Rong, collaborative piano

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Related field recitals presented at the UNT College of Music Voertman Hall.

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1 recording (46 min., 56 sec.) : sd., col.

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Rong, Xing April 24, 2018.

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  • Main Title: Related Field Recital: 2018-04-24 – Xing Rong, collaborative piano
  • Series Title: Related Field Recitals

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Description

Related field recitals presented at the UNT College of Music Voertman Hall.

Physical Description

1 recording (46 min., 56 sec.) : sd., col.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2017-2018: Student Performances, Volume 2 (Book)

College of Music Program Book 2017-2018: Student Performances, Volume 2

Student performances program book from the 2017-2018 school year at the University of North Texas College of Music.

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Program: https…

A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano (Thesis or Dissertation)

A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano

In Chinese contemporary piano music, large-scale piano compositions featuring innovative polyphonic musical languages are rarely found. Chang-Lei Zhu's Ballade for Solo Piano represents his development of contrapuntal techniques passed on from J. S. Bach and Dmitri Shostakovich in their polyphonic works for solo keyboard or piano. This study focuses on an analysis of Zhu's Ballade as an idiosyncratic composition that makes a significant contribution to the Chinese contemporary piano music repertory. Comparative analysis is made of Zhu's Ballade and J.S. Bach's Well-Tempered Clavier Books 1 and 2, as well as Dmitri Shostakovich's 24 Preludes and Fugues for Solo Piano, Op. 87. Zhu, a living Chinese composer born in 1976, uniquely writes the twenty variations of his Ballade based on the opening theme, a single melody in ten subphrases. This research lays out the close relationship of the opening theme with twenty variations in the Ballade. This study also illustrates how Zhu is an innovative voice in Chinese contemporary piano music literature. This comparative study constitutes the first scholarly study of Zhu's Ballade. Chapter 1 is an introduction to my comparative study. In chapter 2, comparisons on selected excerpts are conducted between Zhu's Ballade and J.S. Bach's WTC, Books 1 and 2, as well as Dmitri Shostakovich's Op. 87. Taking into consideration the pedagogical function of the Ballade, this study includes how the work can be used in Zhu's Ballade in piano pedagogy as an addition in chapter 3.

A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano - ark:/67531/metadc1538807

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  • April 24, 2018

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  • June 8, 2018, 6:12 a.m.

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  • March 26, 2023, 11:01 p.m.

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  • 33.210701, -97.150088

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Rong, Xing. Related Field Recital: 2018-04-24 – Xing Rong, collaborative piano, video, April 24, 2018; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1157674/: accessed May 23, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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