Doctoral Recital: 2015-04-02 - Meng-Jung Tsai, soprano
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- Schubert: Der Hirt auf dem Felsen, D. 965 0:11:20
- Debussy: Quatre chansons de jeunesse: 1. Pantomime 0:02:39
- Debussy: Quatre chansons de jeunesse: 2. Claire de lune 0:03:10
- Debussy: Quatre chansons de jeunesse: 3. Pierrot 0:01:57
- Debussy: Quatre chansons de jeunesse: 4. Apparition 0:03:38
- Obradors: Canciones clásicas españolas: 1. La mi sola, Laureola 0:02:40
- Obradors: Canciones clásicas españolas: 2. Al amor 0:01:12
- Obradors: Canciones clásicas españolas: 3. ¿Corazón, porque pasáis? 0:01:37
- Obradors: Canciones clásicas españolas: 4. Del majo celeso 0:02:29
- Obradors: Canciones clásicas españolas: 5. Con amores, la mi madre 0:01:38
- Obradors: Canciones clásicas españolas: 6. Del cabello más sutil (Dos cantares populares) 0:02:26
- Obradors: Canciones clásicas españolas: 7. Chiquitita la Novia (Coplas de Curro Dulce) 0:02:60
- Britten: Cabaret Songs: 1. Tell me the truth about love 0:05:39
- Britten: Cabaret Songs: 2. Funeral blues 0:02:39
- Britten: Cabaret Songs: 3. Johnny 0:04:47
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Così fan tutte? A Study of Character Development through Key Characteristics in the Prima Donna and Soubrette Roles from Four of W.A. Mozart's Late Italian Operas (Thesis or Dissertation)
This dissertation investigates how W. A. Mozart applies the concept of key characteristics—the affective properties of each tonality—as discussed by three of his contemporaries, Johann Mattheson, C.F.D. Schubart and G.J. Vogler, to four soubrette and four prima donna characters from four of his late Italian operas: La Contessa and Susanna in Le nozze di Figaro; Donna Anna and Zerlina in Don Giovanni; Fiordiligi and Despina in Così fan tutte; Vitellia and Servilia in La clemenza di Tito. The analytical method of this dissertation provides a hermeneutical tool to search for meanings in Mozart's music. The application compares the libretto text and its corresponding tonal center with the description of key characteristics on a micro level, to reveal significant dramatic and practical implications from Mozart's key usage in his operas.
Così fan tutte? A Study of Character Development through Key Characteristics in the Prima Donna and Soubrette Roles from Four of W.A. Mozart's Late Italian Operas - ark:/67531/metadc1707355
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Doctoral Recital: 2015-04-02 - Meng-Jung Tsai, soprano, audio recording, April 2, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1075231/: accessed June 6, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.