Doctoral Lecture Recital: 1990-04-16 – Judy Sharon Lively, piano

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (51 min., 56 sec.)

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Lively, Judy Sharon April 16, 1990.

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  • Liszt, Franz, 1811-1886 Années de Pèlerinage. Troisième Année. I. Angelus! Priere aux Anges Gardiens; II. Aux Cyprès de la Villa dEste Threnodie II; Sursum corda

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  • Main Title: Doctoral Lecture Recital: 1990-04-16 – Judy Sharon Lively, piano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Extra-Musical Associations in Selected Pieces From Années De Pèlerinage--Troisième Année, by Franz Liszt

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Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (51 min., 56 sec.)

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College of Music Recordings

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Related Items

College of Music program book 1989-1990 Vol. 1 (Book)

College of Music program book 1989-1990 Vol. 1

Fall/Spring performances program book from the 1989-1990 school year at the University of North Texas College of Music.

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Extra-Musical Associations in Selected Pieces From Années de Pélerinage, Troisième Année, by Franz Liszt: A Lecture Recital, Together with Three Recitals of Selected Works of D. Scarlatti, F.J. Haydn, L.v. Beethoven, F. Schubert, F. Chopin, J. Brahms, R. Schumann, and Others (Thesis or Dissertation)

Extra-Musical Associations in Selected Pieces From Années de Pélerinage, Troisième Année, by Franz Liszt: A Lecture Recital, Together with Three Recitals of Selected Works of D. Scarlatti, F.J. Haydn, L.v. Beethoven, F. Schubert, F. Chopin, J. Brahms, R. Schumann, and Others

Volumes one and two of Annees de Pelerinage contain travel impressions. The pieces in volume three serve as a means of expressing a religious pilgrimage. The religiousmeaning is implied by the titles and by letters Liszt wrote concerning specific pieces. For the pieces to have programmatic significance, the music must support the verbal clues. This dissertation maintains that selected pieces in Annees de Pelerinage III are programmatic and that Liszt provided musical clues that have not been discovered or, if noticed, have not been analyzed in detail. Also, the dissertation explores similarities between selected pieces of Annees de Pelerinage III and other programmatic or texted works by Liszt sharing the same subject. The findings reinforce the premise that Liszt deliberately intended to express certain extra-musical ideas within the music itself. The paper briefly analyzes the musical reasons for labeling Annees de Pelerinaae III a cycle. Different sources call these pieces cyclic, citing the shared common religious theme as the reason. This dissertation discusses musical reasons that reinforce the idea of a cycle. Chapter II discusses Liszt's views on program music. Chapter III identifies common themes in Liszt's programmatic works and discusses the symbolic significance of thematic transformation. Chapter IV suggests an approach to analyzing program music. Chapter V discusses Liszt's musical narrative and his use of common rhetorical devices. Chapter VI analyzes extra-musical associations in selected pieces from the Annees de Pelerinaae—Troisieme Annee. Five pieces have been selected for analysis—Anaelus1. Aux Cypres de la Villa d'Este I and II, Marche funebre. and Sursum corda.

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  • April 16, 1990

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  • Feb. 4, 2018, 4:18 p.m.

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  • Feb. 22, 2024, 11:20 a.m.

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Lively, Judy Sharon. Doctoral Lecture Recital: 1990-04-16 – Judy Sharon Lively, piano, audio recording, April 16, 1990; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1074960/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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