Rosaces 4

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Description

Recording of Jonty Harrison's Rosaces 4 for four amplified voices, stereo fixed medium and four-channel tape. For the tourist, Notre Dame de Chartres may be just one more 'sight' amongst the gothic cathedrals of northern France, only notable perhaps for having more of its original medieval glass than most of the others. But why are the three rosaces (rose windows) at the Chartres considered by experts to be amongst the hour greatest ever produced? Why is the building 46°54' off the normal west-east orientation for a medieval church? Why are there no sculptures and no graves within the building? And … continued below

Physical Description

1 sound recording (14 min., 45 sec.)

Creation Information

Harrison, Jonty, 1952- 1982.

Context

This audio recording is part of the collection entitled: Mnemothèque Internationale des Arts Electroacoustiques and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. More information about this recording can be viewed below.

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UNT Music Library

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  • Main Title: Rosaces 4
  • Series Title: MISAME

Description

Recording of Jonty Harrison's Rosaces 4 for four amplified voices, stereo fixed medium and four-channel tape. For the tourist, Notre Dame de Chartres may be just one more 'sight' amongst the gothic cathedrals of northern France, only notable perhaps for having more of its original medieval glass than most of the others. But why are the three rosaces (rose windows) at the Chartres considered by experts to be amongst the hour greatest ever produced? Why is the building 46°54' off the normal west-east orientation for a medieval church? Why are there no sculptures and no graves within the building? And how was a relatively small community able to erect, in only twenty-six years and with no interruptions, a cathedral with the widest known gothic vault, when work on cathedrals in wealthier cities was interrupted for lack of funds? Could it be that the outward beauty and perfection of the building are the result of something else, something hidden.....? Rosaces 4 was commissioned by Elms Concerts with funds made available by the Arts Council of Great Britain. The stereo and four-channel tapes were made in the Electro-acoustic Music Studio, University of Birmingham.

Physical Description

1 sound recording (14 min., 45 sec.)

Notes

Includes sound material furnished by: Amanda Cadman, Simon Daisley, Rosemary Donovan, Tony Eastwood, Charmian Harvey, Vic Hoyland, Julie Inglis, Fiona Le Tissier, Dave Liffen, Sue Parry, Stuart Riley, Gregory Rose, Pete Stollery, Katy Walker.

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Mnemothèque Internationale des Arts Electroacoustiques

Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.

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Creation Date

  • 1982

Added to The UNT Digital Library

  • Jan. 23, 2018, 7:43 a.m.

Description Last Updated

  • May 1, 2020, 8:16 p.m.

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Harrison, Jonty, 1952-. Rosaces 4, audio recording, 1982; Bourges, France. (https://digital.library.unt.edu/ark:/67531/metadc1062646/: accessed June 5, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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