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The Incorporation of Silkscreen Techniques in the Decoration of Raku-Fired Ceramics

Description: The questions answered by this investigation are as follows: 1. Which silkscreens and stencils will work in screening flat and three-dimensional objects? 2. Which mediums and coloring agents will survive a glaze firing to produce an acceptable image? 3. How can the image be modified by screening during the different stages of a ceramic piece (wet, green, bisque, glazed)? 4. What glazes and glaze applications will be compatible? 5. Generally, what is the relationship between the image and the ob… more
Date: May 1978
Creator: Allen, James Franklin
Partner: UNT Libraries
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Translation of Personal Perceptions into Physical Space and Abstract Form

Description: In this investigation I use the term perception as Arthur Comb and Donald Snygg do when they state that perception is any differentiation the individual is capable of making in his personal field. Perception has to do with the organization one gives to his world. Behavior and learning are products of perceiving. Immanuel Kant said: "We see things not as they are but as we are." During this effort to organize my world I realized that I was concerned with myself as an experiencing individual. I f… more
Date: August 1980
Creator: Bagley, Frances Stevens
Partner: UNT Libraries
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An Investigation of the Use of a Torch with Ceramic Materials

Description: This report documents the changes in my work as a ceramic artist over a two-year period, imposed upon, and inspired by, the use of a propane torch on the surface of the clay vessel. The purpose of this study is two-fold: (1) to provide information about this particular tool for methods of survace decoration; (2) to provide information about a subjective thought process directed by properties in this particular tool.
Date: December 1983
Creator: Bradley, David L.
Partner: UNT Libraries
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Repeated Elements: Formal Possibilities for Abstract Expression of Rhythmic Life Patterns

Description: As my creative project, I decided to explore the possibilities for expression of rhythmic life-growth patterns in a variety of abstracted multiple forms. The work was planned to investigate the following questions: 1. What forms can be used to communicate the idea of repetitive, rhythmic or seasonal life or growth patterns? 2. What size/scale is effective in communicating the universal, infinite character of these patterns? 3. What formats or types of presentation are the most effective? 4. How… more
Date: August 1980
Creator: Bennett, Susan E.
Partner: UNT Libraries
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Investigation of Zinc, Magnesium, and Aluminum as Etching Surfaces

Description: The introduction to printmaking in most universities and college directs students to learn the basic techniques of intaglio using zinc. This continues throughout one's academic career, with little emphasis placed on experimentation with other metals. During my undergraduate and graduate studies I etched with zinc. I had wanted to use aluminium and magnesium in order to explore the similar and dissimilar qualities of the three.
Date: May 1978
Creator: Stark, John E., Jr.
Partner: UNT Libraries
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An Investigation of Some Intaglio Processes Through Bookmaking

Description: In pursuit of the project, I sought to address the following concerns: 1. Which intaglio processes, or their combination, proved to be the most useful in production of the book? 2. In establishing a concept for the book, what problems were encountered? 3. What is the visual relationship between the printed images, the book, and its container?
Date: May 1982
Creator: Manning, Patricia R.
Partner: UNT Libraries
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Contemplation Series

Description: My work dealt with the life within inanimate objects and what occurred when one placed apparently unrelated objects together in an arrangement. The arrangements had three interrelated elements: the objects, spacial relationships, and materials.
Date: August 1984
Creator: Blackwell, Pamela R.
Partner: UNT Libraries
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The Investigation of the Symbolism of the Feline Image in my Work

Description: Feline images have been an element in much of my work since 1981. These cat images were usually included in self-portraits. As my work progressed, the feline images increased in importance until 1985, when I abandoned the self-portraits almost entirely and began working predominantly with the cats. Although the feline image has been an important aspect of my work for several years, I never attempted to discover what these images symbolized or meant. I rarely thought consciously about the conten… more
Date: May 1986
Creator: Kenyon, Gloria L.
Partner: UNT Libraries
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Printmaking and Painting in Combination with Other Media

Description: The purpose of this study was to give information on watercolor painting in combination with printmaking and secondary media. The objectives of the creative problem were stated in two parts. The first dealt with the exploration into kinds of secondary media which affect the printed surfaces and the watercolors, and the second dealt with the investigation into the kinds of secondary media that can be effectively integrated with the collograph and the monoprint.
Date: December 1979
Creator: Gregory, Ellna Kay
Partner: UNT Libraries
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The Artist's Book as an Alternative to the Gallery Installation

Description: I examined and evaluated three sets of gallery installations and related handmade books. The following questions were considered foremost: 1) Visually, how different from and how similar to the gallery installations are the books? 2) What verbal elements are adapted from the installations to the books? 3) How does the difference in format (that is, the books) alter or affect the content and meaning of the installations?
Date: May 1981
Creator: Bush, M. Rowena
Partner: UNT Libraries
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Interpretive Drawing: Self-Portraits

Description: The objectives of the creative problem may be stated in two parts. First, the utilization of the self-portrait theme in order to explore a variety of drawing techniques, media combinations, and surface manipulations; and second, the maintenance of a sketchbook-diary which accompanies the study as supportive data. The sketchbook entries include not only pertinent visual material but also verbal commentary. The sketchbook-diary is sequential and denotes the various stages of development as well a… more
Date: December 1973
Creator: Taylor, Sandra L.
Partner: UNT Libraries
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Non-Traditional Painting Techniques: The Effect of Their Use on the Imagery of My Work

Description: The purpose of this project was to investigate the use of non-traditional painting techniques on the images of my work. The following questions were specifically considered. 1. When and why in the process do decisions occur concerning the following: A. Subject or idea or motivation? B. Materials? C. Shaping? D. Color? E. Texture or embellishment? 2. Does the motivation change at any point in the process? 3. With the emergence of the final form is there an awareness of content (or intrinsic mean… more
Date: December 1980
Creator: Manning, Mildred
Partner: UNT Libraries
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The Investigation of Molded Units for Assembled Sculptures

Description: The problem being dealt with concerns the investigation of the conceptual and expressive potential of mold-formed units in combination with other media and processes. The questions under consideration are as follows: 1. Do the concepts of pieces vary with the materials and process being used? How? 2. What alterations occur in the visual image as a result of the change in media and processes? 3. What mechanical and technical problems are involved in the mold-formed process?
Date: August 1980
Creator: Wood, Lynda Kay
Partner: UNT Libraries
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Low-Temperature Sodium Vapor Firing: A Study of Alternative Sources for Sodium

Description: As much as I like the effects of low-fire salting, I hesitate to use salt. The hydrochloric acid released into the environment during the salting process creates a dense fog that is not only toxic, but visually offensive as well. Therefore, the purpose of this study was to find a source of sodium that would achieve aesthetic results as equally exciting as the effects of salt.
Date: August 1987
Creator: Henderson, Matthew
Partner: UNT Libraries
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Factors Which Motivated Me to Produce as a Working Sculptor

Description: The purpose of this project is to provide a record, much like the ones left to us by Michelangelo and Leonardo da Vinci, of the personal influences which motivated the present artist to function productively as a sculptor for a period of one semester: from September 1, 1975 through December 12, 1975. The methods involved in charting such artistic transpirations consisted of two types: a written diary, daily recorded, which indicated the progress, regression, frustration, inspiration, and percep… more
Date: December 1977
Creator: Campbell, John T.
Partner: UNT Libraries
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An Investigation of the Sculptural Possibilities of Warp Distortion and Manipulation Through Warp Weighting

Description: The purpose of this project is to investigate the sculptural possibilities of warp distortion and manipulation through the utilization of the weighted-warp process. A secondary purpose is to explore the technique of warp weighting beyond a single fabric layer. It is projected that a weighted layer can be combined with one which is tensioned evenly and tied onto the floor loom (loom tensioned). In this manner, the loom-tensioned layer remains stable. The weighted layer is free to move through th… more
Date: December 1978
Creator: Shields, Janis
Partner: UNT Libraries
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Analysis of Imagery Concerning Body and Landscape

Description: The primary purpose of this study was to investigate how imagery evolved in my work, in dealing with the relationship between body and landscape and the relationship between image and abstraction. Five paintings were created for the investigation of the evolution in my imagery. A journal of notes was kept concerning each piece while in progress and immediately following its completion. The analyzing method was a visual analysis of the structure and content, as well as the process through which … more
Date: May 1985
Creator: Juergens, Sharon
Partner: UNT Libraries
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The Combination of Sewing Techniques, Manufactured Fabric, Paper, Paint, as a Creative Process

Description: My problem was to investigate some of the possibilities which have arisen through my previous work by producing twelve fabric pieces and eight paper pieces. Specifically, the following questions were to be examined: 1. Are there traditional designs or techniques in quilts of the past that can be utilized in my own work? 2. Are the primary colors (red, yellow, blue) in manufactured unaltered fabric more effective than painted or altered fabric? 3. Is there a correlation between the color and ima… more
Date: May 1978
Creator: Outlaw, Marilyn Jeanne
Partner: UNT Libraries
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Examination of Personal Aesthetics as Reflected in My Work

Description: In order to arrive at a more consistent and clear personal understanding of the nature of art, I examined the ideas about art and aesthetics which were reflected in my works of the past several months. Some of the specific questions i asked in my investigation of the works were: 1. What are my thoughts on the role of content and form in my visual art? 2. What are my thoughts on the role of the viewer in visual art? 3. What are my thoughts on the role of permanence in visual art? 4. What are my … more
Date: December 1986
Creator: Kennedy, James Michael
Partner: UNT Libraries
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My Lazy Mind Needs a Dumb Structure to Lean On

Description: The purpose of this study was to examine the difference between language and the use of visual imagery to represent experiences and ideas. It focused on the following questions: 1. Can the meaning of a painting be ascertained by analyzing the referents of the images and their relationships to one another? 2. How does the purely formal part of the painting function in the creation of meaning? 3. What is the difference in the meaning created by language and visual imagery when they were used to r… more
Date: May 1986
Creator: Henderson, Micheal H.
Partner: UNT Libraries
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Indian Patriots: A Study Through Portraiture

Description: In the fall of 1972 I was required to read Dee Brown's "Bury My Heart At Wounded Knee" as an "atmosphere setter" for a seminar on artists of the westward expansion in the United States. When I first started making drawings of some of the Indian leaders, I had no idea of doing a series. I also had no idea that Indians and more especially those of the West, would be consuming so much of my time and thoughts for such a long period. In the beginning the drawings were prompted by a fascination with … more
Date: May 1976
Creator: Cundall, Edwinia Tillinghast
Partner: UNT Libraries
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Exploring the Distinction Between a Two-Dimensional and a Three-Dimensional Reality

Description: Two ways of apprehending reality were intimated; reality as a function of purely visual stimuli and reality as a substantial object. The problem was, therefore, an exploration of reality as a purely visual sense and reality as concrete form. In pursuing the project, I explored how each reality distinguished itself by separating each in the prior conception of the work and in the subsequent discussion.
Date: August 1983
Creator: Strickler, Kevin G.
Partner: UNT Libraries
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An Investigation of Large Scale in Painting

Description: As a painter, I have been working the past few years to develop a mature pictoral image and the concepts of space that were flexible enough for me to produce what I believed was a valid art statement. I have investigated several avenues for improving my work, i.e., acquiring certain technical painting skills, reading more to broaden my concepts and imagination, and visiting various art galleries and museums. During an earlier critique it was realized that the majority of my paintings were all … more
Date: August 1976
Creator: Coffee, Baxter L.
Partner: UNT Libraries
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The Use of Blacksmithing Techniques in the Construction of Outdoor Sculpture

Description: The purpose of this problem was to investigate the advantages and limitations in the use of blacksmithing techniques combined with the construction techniques of arc welding and the use of power tools to construct large outdoor sculpture. Specific questions will be asked to determine the suitability of this method of working. The questions are: 1. Can blacksmithing techniques be used in the construction of large outdoor sculpture? a. what specific techniques are appropriate? b. Will some techni… more
Date: May 1979
Creator: Zinck, Henry G.
Partner: UNT Libraries
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