Search Results

Advanced search parameters have been applied.
open access

The Use of Jazz in Opera

Description: Methods of incorporating jazz in opera range from using simple blue notes and fox-trot rhythms, to utilizing jazz instruments, to employing elaborate passages of improvisation. Current definitions of "jazz opera" do not consider variations in the genre, which, because of their evolving nature and the varied background of their composers, are diverse. This study attempts to collectively discuss these third-stream works. Jazz rhythms and harmonies first appeared in the 1920s in the works of Gersh… more
Date: December 1995
Creator: Ottervik, Jennifer
Partner: UNT Libraries
open access

The Virtuoso Clarinet: Arrangements from Nineteenth-Century Italian Opera, A Lecture Recital, Together with Three Recitals of Selected Works of B. Bartók, J. Brahms, E. Carter, B. Crusell, M. Clyne, C. Debussy, P. Hindemith, R. Schumann, G. Tartini, R. Vaughan Williams, and C. Whittenberg

Description: The lecture recital was given on July 25, 1977. Transcriptions and arrangements for clarinet and piano of nineteenth-century Italian opera were popular during the virtuoso wind era and are representative of an important phase in the history of clarinet playing. Arias of Rossini and Verdi and a fantasia based on Rigoletto were performed during the lecture recital. In addition to the lecture recital, three other public recitals were performed, including solo compositions for clarinet and chamber … more
Date: December 1977
Creator: Petersen, John William
Partner: UNT Libraries
open access

Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera

Description: This paper explores various technologies available to the modern composer and utilized in recent modern opera, providing creative approaches to producing aural, visual, and theatrical performance environments. It also explores my own use of digital technology in Transient Delete. Transient Delete is a digital miniature-opera that explores different aspects of a community of post-human cyborgs. The story follows Iméra, a newly converted cyborg as she acclimates herself to this new cybernetic exi… more
Date: May 2016
Creator: Shirey, Benjamin, 1985-
Partner: UNT Libraries
open access

The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others

Description: In an appendix section, three notable arias have been transcribed for two clarinets, voice, and piano. A further evaluation of Classical period opera orchestration will aid modern performers and musicologists in their understanding of what clarinets and clarinetists were able and expected to do.
Date: December 1997
Creator: Thrasher, Michael, 1972-
Partner: UNT Libraries
open access

Johann Friedrich Reichardt and His Liederspiel "Liebe und Treue"

Description: The purpose of this investigation is to examine Reichardt's reasons for his development of the genre Liederspiel. A brief biographical sketch of Reichardt reveals an innovative character who was responsible for several developments within the history of music. The Liederspiel was particularly affected by the French vaudeville. However, an investigation into the character of each shows that they are really quite different. A translation of an article by Reichardt from the Allgemeine Musikalische… more
Date: May 1979
Creator: Peacock, Daniel F.
Partner: UNT Libraries

Plays of Tennessee Williams as opera: An analysis of the elements of Williams's dramatic style in Lee Hoiby's Summer and Smoke and André Previn's A Streetcar Named Desire.

Description: There are two major, well-known operas based on plays of Tennessee Williams. He refused many times throughout his life to give permission for his play, A Streetcar Named Desire, to be set as an opera. It was not until the 1960s that he granted permission for Lee Hoiby to choose any of his plays as a basis for a new opera. Hoiby chose Summer and Smoke, a play which was written at approximately the same time as Streetcar. Lanford Wilson created the libretto for the opera which was given its pre… more
Access: Restricted to the UNT Community Members at a UNT Libraries Location.
Date: December 2003
Creator: Lee, Kenneth Oneal
Partner: UNT Libraries
open access

Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero

Description: Premiering at the twilight of the gauchesco era and the dawn of Argentine musical Modernism, El matrero (1929) by Felipe Boero (1884-1958) remains underexplored in terms of its social milieu and artistic heritage. Instantly hailed as a masterpiece, the work retains a place in the local repertory, though it has never been performed internationally. The opera draws on myths of the gaucho and takes further inspiration from the energized intellectual environment surrounding the one-hundred-year ann… more
Date: August 2016
Creator: Sauceda, Jonathan
Partner: UNT Libraries
open access

Mahler's Tristan, A Documentary Study of Reception

Description: Conductors are oftern associated with a specific body of work in their repertoy. Gustav Mahler's conducting repertory contained some major Wagnerian works, including Tristan und Isolde. Mahler's first performance of Tristan took place during his tenure at the Stadttheater in Hamburg (1891-1897). It remained an integral part of his repertory through his tenure at the Vienna Hofoper (1897-1907), and was one of eight works he conducted at New York's Metropolitan Opera (1907-1910). This study inclu… more
Date: August 1994
Creator: Stauffer, Kristen K.
Partner: UNT Libraries
open access

The Stage Works of Franz Schubert with an Analysis of Fierrabras

Description: Performances of Fitrabras and the other Schubert operas have been very rare. Parts of Fierrabras were given in concert form in Vienna in 1853 and again in 1858. The first stage production was in Karlsruhe, February 9, 1897, but the music was revised for that performance by 0. Neitzel and the text by F. Mottl. The text was translated into French for a production in Brussels in 1926. A concert version was also heard in London in 1938. None of these performances, with the possible exception of the… more
Date: August 1968
Creator: Corse, Sandra
Partner: UNT Libraries

Ensemble: 1996-02-07 - Chamber & Symphony Orchestras

Description: UNT Chamber Orchestra and Symphony Orchestra (Winners of the UNT Concerto Competition; Student Conductors) concert presented at the UNT College of Music Concert Hall.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: February 7, 1996
Duration: 1 hour 27 minutes 26 seconds
Creator: University of North Texas. Chamber Orchestra.
Partner: UNT Music Library
Back to Top of Screen