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in creator/contributor: "Quinault, Philippe, 1635-1688"  
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Amadis, tragedie en musique

Description: Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success. On the title page for this opera, there is a lithograph… more
Date: 1684
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
open access

Isis, tragedie en musique

Description: Libretto of the opera "Isis," by Philippe Quinolt. The music of the opera was composed by Jean-Baptiste Lully's and premiered on January 5, 1677 at St. Germain-en-Laye. The libretto is a loose adaptation of one of the episodes in Ovid's Metamorphoses. The plot resembles that of Lully's previous opera, Atys. It is set in pastoral and divine realms. In the opera, Jupiter courts the nymph Io, and jealous Juno imprisons her under the hundred watchful eyes of Argus. The god Mercury helps Io … more
Date: 1677
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
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Le triomphe de l'amour

Description: Libretto of the ballet "Le triomphe de l'amour" written by Philippe Quinault in collaboration with Isaac de Benserade. It is divided in two parts. The first, contais the prologue and the ballet entrances (i.e., entrées); the second part contains flattering comments and instructions directed to the noble people participating in the ballet. Each of the entrées that comprise "Le Triomphe de l'Amour" reveal aspects of love triumphant. The theater represents a magnificently ornate place wher… more
Date: 1681
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
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Phaeton

Description: Libretto of the opera "Phaeton," by Philippe Quinolt. The plot is based on an episode in Ovid's Metamorphoses. In the plot, Phaethon, son of Climène and Soleil [the Sun], is filled with excessive ambition and pride. He abandons his beloved, Théone, and requests to the King of Egypt the hand of his daughter Libie. Climène, who after consulting the sea god Proteus knows of the demise that her son's avarice will bring upon himself, tries in vain to discourage his ambition for the throne of Egypt a… more
Date: 1683
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
open access

Proserpine

Description: Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assume… more
Date: 1680
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
open access

Roland

Description: Libretto of the opera "Roland" by Philippe Quinault; he based the plot of Roland on medieval legends of chivalry, setting episodes from Ludovico Ariosto's epic poem "Orlando furioso." Roland centers on the conflict between duty and love and the intervention of goddesses. This copy includes includes handwritten annotations of performers' names, and a frontispiece engraving undersigned by Jean Dolivar (i.e., Juan Dolivar) that illustrates one of the scenes from the opera. Jean-Baptiste Lully co… more
Date: 1685
Creator: Quinault, Philippe, 1635-1688
Partner: UNT Music Library
open access

Le triomphe de l'amour : ballet : dansé devant Sa Maiesté a S. Germain en Laie. Psyché : tragedie en musique : representée par l'Academie Royale de Musique.

Description: A single volume containing two libretti for which the music (not present) was composed by Jean-Baptiste Lully. This small publication was sold as an aid to viewers of the works, so that they could follow along with the libretti during the performance.
Date: 1680~
Creator: Quinault, Philippe, 1635-1688; Benserade, Isaac de, 1613-1691 & Corneille, Thomas, 1625-1709
Partner: UNT Libraries Special Collections
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