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A Vent

Description: Recording of Jonty Harrison's A Vent for oboe and tape, performed by Robin Canter, oboe. It is more accurately described as a tape piece with oboe since the tape carries the greater part of the musical argument and is never merely a background for an oboe solo. The necessity of breathing permeates the work.
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Date: 1979
Duration: 19 minutes 30 seconds
Creator: Harrison, Jonty, 1952-
Partner: UNT Music Library

Stria

Description: Recording of John Chowning's Stria. The work uses the processes of computer synthesis to precisely control the spectral components - the partials - of sound. A non-tonal division of the frequency space is based on the golden ratio which is also used to determine relationships between inharmonic spectral components. Chowning received one of the Institute for Research and Coordination in Acoustics/Music's (IRCAM) first commissions to compose a piece for the first series of concerts of the Institu… more
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Date: 1977
Duration: 15 minutes 50 seconds
Creator: Chowning, John M.
Partner: UNT Music Library

Partial Distances

Description: Recording of James Dashow's Partial Distances. It is the last purely analog electronic work Dashow composed. There are a few sounds in this piece generated by computer but significantly transformed and altered by analog techniques of one kind or another, such as dynamic filtering, delay line processing, extreme velocity manipulations, etc. The piece was made by the old tape cut and splice method, mixing and re-mixing pairs of ReVoxes onto a third one, and avoiding tape hiss with the newly inven… more
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Date: 1978/1979
Duration: 16 minutes 09 seconds
Creator: Dashow, James, 1944-
Partner: UNT Music Library

Computer Fantasy

Description: Recording of John Rogers's Computer Fantasy. This work uses rotational arrays to determine the vertical pitch structures. It is unique in using “controlled random” melodic motion between array elements. The sonic surface of the piece is characterized by a great use of variable digital band pass filters.
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Date: 1974/1975
Duration: 6 minutes 54 seconds
Creator: Rogers, John
Partner: UNT Music Library

Chor der Steine

Description: Recording of John Melby's "Chor der Steine" ("Chorus of Stones"). It was composed on a commission in 1979 for the Twentieth Anniversary Celebration of the Experimental Music Studios at the University of Illinois at Urbana-Champaign and was first played at a concert there in the spring of that year. The work was produced on a large IBM mainframe computer, using the MUSIC 360 language for digital sound synthesis. "Chor der Steine" takes its name from the title of a poem by the Nobel Prize-winning… more
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Date: 1979
Duration: 10 minutes 20 seconds
Creator: Melby, John
Partner: UNT Music Library

Betsy

Description: Recording of Rick Banks's Betsy, which is based on a story created by the composer. The computer program by which the piece is created emits sounds that Banks calls "Betsy" and Betsy's labels describe herself. "Betsy Butterfield didn't like counting nifty numbers so instead she tried jumping galaxies and times but soon found it was some different kind of goddess than her that never knew the suns."
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Date: 1979
Duration: 7 minutes 12 seconds
Creator: Banks, Rick
Partner: UNT Music Library

Ange

Description: Recording of Jean Piché's Ange for tape or radio performance. It is a timbral work in which the main goal is the total acoustic mixing of natural and synthetic sound material. In addition to the synthetic sounds that are created through a digital synthesizer, four voices - two men, two women - are introduced in the final mix and are hardly distinguishable from the synthetic sounds.
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Date: 1979
Duration: 14 minutes 37 seconds
Creator: Piché, Jean
Partner: UNT Music Library

Ever-Livin' Rhythm

Description: Recording of Neil Rolnick's "Ever-Livin' Rhythm." All of the sound material comes from fragments of African music taken mostly from field recordings of music of the BaBenzele pygmies of Central Africa, which was then transcribed by Rolnick. The rhythmic drive of the piece is similar to the kind of infectious music which has come out of the African diaspora. The computer part was realized on a mainframe computer which would calculate the batch files, which is an aspect that endures in Rolnick's … more
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Date: 1977/1978
Duration: 8 minutes 56 seconds
Creator: Rolnick, Neil B.
Partner: UNT Music Library

Psalm 90.10

Description: Recording of Tamas Ungvary's Psalm 90.10.
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Date: 1978
Duration: 24 minutes 21 seconds
Creator: Ungvary, Tamas, 1936-
Partner: UNT Music Library

Wellenformen 1981

Description: Recording of Anestis Logothetis's "Wellenformen 1981" ("Waveforms 1981"). The piece was created from one recorded waveform which then was modified in various ways. It was realized in Stockholm at the IMPAC Computer Program Studio.
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Date: 1978
Duration: 13 minutes 21 seconds
Creator: Logothetis, Anestis
Partner: UNT Music Library

East Coker

Description: Recording of Xavier Maristany's East Coker.
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Date: 1979
Duration: 14 minutes 16 seconds
Creator: Maristany, Xavier
Partner: UNT Music Library

Time's imaginary eye

Description: Recording of Åke Parmerud's "Time's imaginary eye" for mezzo-soprano, tape and slide show controlled by computer. The mezzo-soprano part was composed from Swedish singer Kerstin Stahl. The piece was first performed at the Stockholm International Electronic Music Festival on September 3, 1979.
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Date: 1979
Duration: 20 minutes 08 seconds
Creator: Parmerud, Åke, 1953-
Partner: UNT Music Library

Kaléidoscope

Description: Recording of Hubert Howe's Kaléidoscope, for electronic tape.
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Date: 1975
Duration: 6 minutes 25 seconds
Creator: Howe, Hubert S., Jr., 1942-
Partner: UNT Music Library

Zoophonia

Description: Recording of Zoltán Pongrácz's Zoophonia for two channel tape. The sound material consists of thirty different animal sounds - including dolphin, fish for the Black Sea, monkey, dog, cat, frog, wild goose, and various birds - and from ten nature sounds - wind, water splashing, rain, thunder - which are electronically processed. The piece was commissioned by the Budapest Film Factory "MAFILM" and was realized in the studio of the Filmfabrik "Exaustud" in 1973.
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Date: 1973
Duration: 6 minutes 42 seconds
Creator: Pongrácz, Zoltán
Partner: UNT Music Library

Fusions

Description: Recording of Janez Matičič's Fusions. The work is made up of three pieces that are linked together by transient passages that slide between the pieces. Each part by itself presents its own form and matter. The search for equilibrium is brought out by the contrast between the sections.
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Date: 1979
Duration: 11 minutes 18 seconds
Creator: Matičič, Janez
Partner: UNT Music Library

Fantasy Quintet

Description: "Fantasy quintet" for piano and computer was composed in 1977-78 for pianist Dwight Peltzer, on a commission from the National Endowment for the Art. The work is cast in three movements, with cadenza-like material appearing in the middle of the first movement and near the end of the final movement. It was my intention from the beginning to compose a work that would allow the performer to play with some degree of freedom and in a vituoso style. Throughout most of the work computer is limited to … more
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Date: 1978
Duration: 59 minutes 32 seconds
Creator: Morrill, Dexter
Partner: UNT Music Library
open access

Computer Controlled Direct Air Sample Counting

Description: At Rocky Flats approximately 1000 effluent and process area air samples are collected daily. These samples are then transferred to a central facility and direct counted for gross alpha concentrations. These concentrations are determined by utilizing a 100 detector system with a mini-computer. The computer controls the count cycle and performs data manipulations. The results are stored on magnetic tape. This system is designed and programmed in such a manner that it can be operated by semi-skill… more
Date: November 30, 1975
Creator: Haynes, C. G.
Partner: UNT Libraries Government Documents Department

Spectacle pour un instant

Description: Recording of Octavian Nemescu's Spectacle pour un instant. For saxophone and tape. Condensed times and spaces which bear musically dense structures with no more audible phonic details or intervals between sounds, offering only a global configuration of the sonorous compression. In this case, seven independent pieces of music get the aspect of some fulgurations, seeming to represent segments of big amounts of acoustic energy. Energies of melodic profiles revealed by the music progress may be lib… more
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Date: 1974
Duration: 8 minutes 06 seconds
Creator: Nemescu, Octavian
Partner: UNT Music Library
open access

A Study to Develop a Curriculum Guide for Use in Teaching Numerically Controlled Drafting Courses

Description: The problem with which this study is concerned is that of developing a curriculum guide educators can use in planning and organizing a course of study involving computer drafting at the junior college and technical vocational school levels. This study is also concerned with the impact of computer drafting on the present drafting curriculum.
Date: December 1970
Creator: Driskell, Hollis E.
Partner: UNT Libraries

Dreamsong

Description: Recording of Michael McNabb's Dreamsong. It features a mixture of synthesized, digitally recorded and digitally processed sounds. These sound, along with the precision control of digital processing and mixing, result in an expressive sonic continuum ranging from unaltered real sounds to those that are totally imaginary. The melodic and harmonic structure provides the framework for continuous timbral and textural transformations. The work was done using digital synthesis, processing, and sound e… more
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Date: 1978
Duration: 9 minutes 19 seconds
Creator: McNabb, Michael
Partner: UNT Music Library

De onbesuijsde steenhoop

Description: Recording of Kees Van Prooijen's De onbesuijsde steenhoop. "De onbesuijsde steenhoop" was completed on March 30, 1977. The overall structure of the piece can be described as an introduction followed by variations on a theme. The introduction that occupies more than half of the work is composed in a free style, my first subject of interest being how the computer manufactures the sound and how this sound is perceived. The variations are the result of an analysis-synthesis process executed by the … more
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Date: 1977
Duration: 7 minutes 37 seconds
Creator: Van Prooijen, Kees
Partner: UNT Music Library

Her Quiet Witchery

Description: Recording of Michael Hinton's Her Quiet Witchery. "Her Quiet Witchery" was made at EMS in 1978, with financial support from Swedish Radio. The original material is computer-generated, using the composer's own music programming system INT6. This material has since been considerably reworked with analogue equipment.
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Date: 1978
Duration: 8 minutes 19 seconds
Creator: Hinton, Michael
Partner: UNT Music Library

Dedicate to you II

Description: Recording of Lars Gunnar Bodin's Dedicate to you II. A text is fragmented by the equipment of the electronic music studio and then processed to form a model of semi-subconscious communication. The voice fragments are then processed and manipulated with electronics to create the granular synthesis like sound.
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Date: 1978
Duration: 3 minutes 28 seconds
Creator: Bodin, Lars-Gunnar, 1935-
Partner: UNT Music Library

Images of the dream and death

Description: Recording of Ákos Rozman's Images of the dream and death. The intention of this piece is to musically portray good and evil. Rózmann worked with musical motives resembling sounds and phenomena in our environment that represent forces and feelings, composing according to traditional Western style (i.e. the dialectic form of the sonata or the repetition and change of the variation).
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Date: 1978
Duration: 1 hour 37 minutes 02 seconds
Creator: Rozman, Ákos
Partner: UNT Music Library
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