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Silent Cacophony

Description: Recording of Matt Ingalls' Silent Cacophony. "Silent Cacophony" consists entirely of manipulated vocal sounds through Barry Vercoe "C Sound". Originally for 4 speakers, it was mixed to stereo with binaural filtering from Tom Erbe "SoundHack". The pre-recorded audio includes unprocessed coughing that with time slowly begins to become electronically manipulated until the sound begins to create harmonies and new interactions.
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Date: 1992
Duration: 7 minutes 10 seconds
Creator: Ingalls, Matt, 1970-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Radiocaravan

Description: Recording of Pekka Siren's Radiocaravan. This piece is based on international short wave news sending captured by Finnish radio in South Finland during the August '92 collapse of communistic Soviet regime. Documentary sounds are used to build a sounding planetarium radio composition which composes radio itself. Radio voices, noises and music are used as material and as an instrument for a new composition.
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Date: 1992/1993
Duration: 11 minutes 58 seconds
Creator: Siren, Pekka
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Memorias

Description: Recording of Ricardo Dal Farra's Memorias. This piece is for computer-generated sounds and tape. A succession of events, have given shape to these 'partial memories', which the title translates to memories. The NeXT computer made it possible to generate and transform the sound material in real time. Both frequency modulation and the physical modeling of plucked strings were used.
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Date: 1992
Duration: 5 minutes 48 seconds
Creator: Dal Farra, Ricardo, 1957-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Terra Infirma

Description: Recording of Richard Karpen's Terra Infirma. This piece is for computer realized sound and it is part of a cycle of works, which acts as a prelude when performed together. All of the sound materials were derived in some way from acoustic sources and most are hybrids in that they combine digitized sound samples with purely synthetic material using digital signal processing techniques developed by the composer.
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Date: 1992
Duration: 17 minutes 38 seconds
Creator: Karpen, Richard, 1957-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Epiphonies

Description: Recording of Gilles Racot's Epiphonies.
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Date: 1992
Duration: 21 minutes 06 seconds
Creator: Racot, Gilles, 1951-
Item Type: Refine your search to only Sound
Partner: UNT Music Library
open access

Computer Precision Effects on Long Term Tracking

Description: Intention of this paper is to explore the difference in the results of a symplectic model, of analytically proven stability, when it is executed on the computer with difference precision levels.
Date: January 1, 1992
Creator: Maletic, D. & Ruggiero, A. G.
Item Type: Refine your search to only Report
Partner: UNT Libraries Government Documents Department

Recollections n°1

Description: Recording of Tamas Ungvary's Recollections n°1. The tension is obvious during the introduction where sheer inner aggression pounds the listener by means of sonic noise bursts. During the subsequent piano sections the irritation remains, the unsettled rhythms, the apparent harmonicity becoming increasingly dissonant until the next burst. It was the quiet in the internal storm which never ends. Ungvary has created a moving piece. May he never reach Zen. The sound material was produced with UPIC s… more
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Date: 1992/1996
Duration: 14 minutes 19 seconds
Creator: Ungvary, Tamas, 1936-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Tierra Caliente

Description: Recording of Wlodzimierz Kotonski's Tierre Caliente. For this piece the recorded sonic material was put through a series of digital treatments. The material is based entirely on sounds from nature: whistling of the wind, chirping of crickets, croaking of frogs, the voices of birds, the voices of other living beings, including the thunder of falling stones and even a volcano erupting. The title Tierra Caliente (in Spanish "hot earth") is meant to evoke heat waves in tropical regions, and is the … more
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Date: 1992/1997
Duration: 12 minutes 51 seconds
Creator: Kotoński, Włodzimierz
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Beneath the forest floor

Description: Recording of Hildegard Westerkamp's Beneath the forest floor. For tape. Beneath the Forest Floor is composed from sounds recorded in old-growth forests on British Columbia's westcoast. It moves us through the visible forest, into its' shadow world, its' spirit; into that which effects our body, heart and mind when we experience forest.
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Date: 1992
Duration: 17 minutes 23 seconds
Creator: Westerkamp, Hildegard, 1946-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Donna che si copre le arecchie per proteggersi dal rumore del tuono

Description: Recording of Roberto Doati's Donna che si copre le arecchie per proteggersi dal rumore del tuono. This work is for flute sounds, synthetic sounds, and live electronics. This work is divided into three parts and uses many techniques: slaps, jet whistles, roaring, timbral trills, multiphonics, and tongue rams. The computer is use to modify the original sound, the flute is processed through stretching, compression, and pitch transposition.
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Date: 1992
Duration: 9 minutes 47 seconds
Creator: Doati, Roberto
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Latitudes emaranhadas (entangled latitudes)

Description: Recording of Rodrigo Cicchelli Velloso's Latitudes emaranhadas (entangled latitudes). For cello and electronics. This work uses electronically built sounds with both unprocessed and electronically manipulated sound to create dialogue to accompany the cello. The cello also uses contemporary technique and plays within many different ranges, styles, and volume.
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Date: 1992/1993
Duration: 14 minutes 27 seconds
Creator: Velloso, Rodrigo Cicchelli
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Canche Flexueuse

Description: Recording of Eric Cordier's Canche Flexueuse. This work uses similar sounds and explores the different ways these sound be altered with traditional electro-acoustic technique. There is also drastic crescendos and decrescendos in sound with musical density.
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Date: 1992
Duration: 13 minutes 39 seconds
Creator: Cordier, Eric
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Celtic circles - I

Description: Recording of Ryszard Szeremeta's Celtic Circles - 1. It is for string plucked instruments, piano, wind instruments, percussion, and electronics. This piece uses synthetic instruments which eventually unfold into a upbeat song with a synthesizer providing a melody and the percussion accompanying. The piece switches between rhythmic sections and still almost-legato sections.
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Date: 1992/1993
Duration: 31 minutes 25 seconds
Creator: Szeremeta, Ryszard
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Papier en cage

Description: Recording of Bernard Donzel-Gargand's Papier en cage. In relation to dance, photoelectric cells are installed in the choreographic space and allow the dancer to interpret sound events, to create his music in real time. SAMI (computerized musical assistance system) is used by linking MIDI of an eight-input intelligent Analog/Digital converter, and a user interface written in MAX. The sampled sounds ​​are transmitted via MIDI to a Macintosh, then after transformation to a sound generator.
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Date: 1992
Duration: 7 minutes 40 seconds
Creator: Donzel-Gargand, Bernard
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Naturalmente tua. Dance suite

Description: Recording of Luigi Ceccarelli's Naturalmente tua. Dance suite. This piece is for electronic and media. There are dancers and multi-screen video, accompanied with dynamic electronics. There are twelve movements: Luna, Alba, Mare 1, Uccelli, Stromi, Pesci 1, Pesci 2, Pesci 3, Pesci 4, Pesci 5, Mare 2, and Conchiglie.
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Date: 1992
Duration: 42 minutes 05 seconds
Creator: Ceccarelli, Luigi
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Chant de la terre lointaine

Description: Recording of Cyril Kestellikian's Chant de la terre lointaine. This work uses electronically created sounds, creating an evolving soundscape with the use of electro-acoustic technique.
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Date: 1992
Duration: 5 minutes 07 seconds
Creator: Kestellikian, Cyril
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Sondfile 1 - ...x

Description: Recording of Lothar Voigtländer's Sondfile 1 - ...X. The tape contains only the original sounds of the harp, which were stored as "sound files" in the computer. With the specific possibilities of digital sound processing, it was then cut, mixed, transposed, modulated in many ways and re-collaged. Corresponding to the playing characteristics of the harp, such as bisbigliando, glissando, with cymbal, with rubber mallet, plucked with fingernails, other timbaliques, etc.
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Date: 1992/1993
Duration: 14 minutes 07 seconds
Creator: Voigtländer, Lothar, 1943-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Deuce

Description: In recording of Evelyn Ficarra's Deuce. This piece was composed using an Akai S1000 sampler and an Atari 1040ST computer. "Deuce" takes its starting point frim one basic gesture: a sound that us reiterated with increasing speed. This gesture ultimately provides the structure of the entire piece.
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Date: 1992/1993
Duration: 10 minutes 14 seconds
Creator: Ficarra, Evelyn, 1962-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

The Other

Description: Recording of Richard Karpen's The Other. This work resembles the difference between reality and hallucination, and in regards to being a composer, hearing imaginary music from within. There are several excerpts from the second and fourth movements of Beethoven's Seventh Symphony and a short excerpt from his fourth. The excerpts have been manipulated using Csound or SNDWARP unit generator.
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Date: 1992
Duration: 26 minutes 26 seconds
Creator: Karpen, Richard, 1957-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Whitewash

Description: Recording of Paul Koonce's Whitewash. This work was created using the CMUSIC sound-synthesis language running on a NeXT computer. The source sounds for the work consist of two piano tones (one low, another high) and a contrasting granularly synthesized chord sound. The three sounds form the basis for development that uses successive granular processing to transform and fuse earlier sounds and gestures into incarnations of new character, depth and speed.
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Date: 1992
Duration: 9 minutes 13 seconds
Creator: Koonce, Paul C. (Paul Christian), 1956-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Crucifixion I

Description: Recording of Rudolf Ruzicka's Crucifixion I. The electroacoustic computer composition was inspired by Salvador Dali. The program used FORTRAN language on a PDP 11/34 computer. The output data and MIDI of the NOTATOR and LOGIC programs converted to music on the ATARI, MACINTOSH, and PC computers and realized on synthesizers. This piece is perceived as a meditative musical act.
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Date: 1992
Duration: 15 minutes 34 seconds
Creator: Ruzicka, Rudolf
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Lituus

Description: Recording of José Manuel López's Lituus. The making of this piece began with the recording of small sound samples: long held notes, the use of different mutes, and various playing modes. This first step allowed the composer to have the essential sound stage material to start processing previously digitally recorded samples. The use of a sampler, brass, computer, and midi allows for a polyphonic structure.
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Date: 1992
Duration: 11 minutes 10 seconds
Creator: López, José Manuel, 1956-
Item Type: Refine your search to only Sound
Partner: UNT Music Library

Time chants I. Los Angeles

Description: Recording of Bruce Mahin's Time chants I. Los Angeles. This work is written for Yamaha WX11 wind controller, Macintosh computer, videotape and synthesizers. Written in response to the events leading to and including the Los Angeles riots in the Spring of 1992. Many forces are heard, different hierarchical levels in the public community, violent outbursts, as well as meditative reflection which must accompany any such collective action. Striking chords in quick succession at the beginning of the… more
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Date: 1992
Duration: 8 minutes 06 seconds
Creator: Mahin, Bruce P.
Item Type: Refine your search to only Sound
Partner: UNT Music Library
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