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Factors Which Motivated Me to Produce as a Working Sculptor

Description: The purpose of this project is to provide a record, much like the ones left to us by Michelangelo and Leonardo da Vinci, of the personal influences which motivated the present artist to function productively as a sculptor for a period of one semester: from September 1, 1975 through December 12, 1975. The methods involved in charting such artistic transpirations consisted of two types: a written diary, daily recorded, which indicated the progress, regression, frustration, inspiration, and percep… more
Date: December 1977
Creator: Campbell, John T.
Partner: UNT Libraries
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A One-Person Exhibition: An Investigation of Problems in the Production, Selection, Presentation, and Installation

Description: In this creative project, I investigated the problems of producing, selecting, presenting, and installing a one-person exhibition. I executed a series of 31 drawings, paintings and prints from which 21 pieces for the exhibit were selected. From the body of work executed prior to and during my graduate study, 21 pieces were included based upon the relative quality of the imagery. There were no restrictions with regard to media or size. My goal in this project was to assemble and present a cohere… more
Date: December 1977
Creator: Hoge, Catherine Nell
Partner: UNT Libraries
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Three Procedures for Creatively Joining Paper and Fabric Surfaces in Painting

Description: During the last several years, my art work has evolved around a developing concept nurtured by a fascination with timeworn relics of the past centered itself around an emotional sensibility toward deteriorating fragmentary remnants of archaeological finds and relics of ancient art, predominately pottery shards and old textiles. I was intrigued and stimulated by the feeling of age and by the beauty of these worn and irregular shapes.
Date: May 1977
Creator: Crump, Carole Huddleston
Partner: UNT Libraries
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Gum-Bichromate Photographic Printing as Applicable to the Ceramic Process

Description: The questions answered by this investigation were as follows: 1. Will a clay surface accept multiple emulsions and multiple development processes with little or no loss of detail? 2. Can a gum-bichromate print be accomplished using a normal 35 millimeter negative in an enlarger? 3. What is the effect of different oxides and fluxes on the emulsion? and 4. What is the effect of firing on the experimental emulsions?
Date: August 1977
Creator: Glover, Tom F.
Partner: UNT Libraries
open access

Non-Heat Joining of Metals

Description: The concern in this project was the utilization of metal joining processes which used no heat in the construction of sculpture. The problem area was motivated by an attempt to avoid some of the inherent problems and limitations incurred when welding, brazing soldering are employed. Specifically, the following questions were considered: 1) Can the non-heat joining process be utilized as a design element? 2) Does non-heat joining allow the use of lighter (30-16) gauge metal? 3) Are distortion and… more
Date: August 1977
Creator: Donahue, John Joseph, Jr.
Partner: UNT Libraries
open access

Warp-Faced Weaving on an Architectural Scale

Description: The impetus for this project emerged in an effort to move beyond small scaled weavings executed in neutral hues to larger pieces with more color. All of my previous work had been technically oriented, lacking in direction, and limited to neutral hues which blended well together and were readily available. I determined that the project would involve answering two basic questions: (1) could i successfully push these panels to large scale, and (2) could several of these large panels be manipulated… more
Date: May 1977
Creator: Kirk, Dianne
Partner: UNT Libraries
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