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Wagner's Das Liebesverbot

Description: Wagner's second opera Das Liebesverbot, composed in 1835 and first performed in Magdeburg in 1836, could be termed Wagner's "Italian" opera. It represents Wagner's attitudes and feelings at the time of its composition. During this period in Wagner's life the composer had become particularly enchanted with Italian music and also with the Italian way of sensuous and carefree living. At the same time his disillusionment with German conservatism and pedantry also had an influence on the compositio… more
Date: May 1973
Creator: Behne, Danna
Partner: UNT Libraries
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The Program Symphonies of Joseph Joachim Raff

Description: Joseph Joachim Raff, a nineteenth-century composer of Swiss-German descent, emerged during the 1870's as one of the leading composers of the symphony and was heralded by his peers as the successor to the symphonic tradition of Schumann. Of the eleven symphonies published between 186U and 1883, nine are program symphonies. Hired as an amanuensis by Liszt during the latter part of 181+9, Raff became involved in the New Weimar School surrounding Liszt, but disenchantment with their dogmas and a ne… more
Date: May 1982
Creator: Bevier, Carol S. (Carol Sue)
Partner: UNT Libraries
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English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture

Description: Seventeenth-century England witnessed profound historical, theological, and musical changes. A king was overthrown and executed; religion was practiced fervently and disputed hotly; and English musicians fell under the influence of the Italian stile nuovo. Many devotional songs were printed, among them those which reveal influences of this style. These English-texted sacred songs for one to three solo voices with continuo--not based upon a previously- composed hymn or psalm tune—are emphasized… more
Date: May 1986
Creator: Treacy, Susan
Partner: UNT Libraries
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The Choral-Orchestral Works of Hector Berlioz

Description: In this study the choral-orchestral compositions produced by Hector Berlioz are examined in detail for characteristics of musical form, textual setting, and methods of scoring for chorus and orchestra. Reasons for the preponderance of the choral-orchestral medium in Berlioz' output are examined in two introductory chapters. The initial chapter concerns Berlioz' personal experiences as an observer, conductor, and critic of choral music, while the second is devoted to Parisian customs in regard t… more
Date: May 1978
Creator: Alexander, Metche Franke
Partner: UNT Libraries
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"Santa Eulalia M. Md. 7": a Critical Edition and Study of Sacred Part Music from Colonial Northwestern Guatemala

Description: Santa Eulalia M. Md. 7, dated January 20, 1600, is part of the San Miguel Acatán Repertory, which originated in the northwestern highlands of Guatemala and is presently owned by the Lilly Library of Indiana University. The manuscript contains thirty-four four-part songs and dances, two thirds of which are villancicos for Christmas, Easter, the Eucharist, and the feasts of All Saints and St. Michael. The remaining third consists of Latin biblical texts in either fabordón or contrapuntal settings… more
Date: May 1981
Creator: Baird, Sheila Raney
Partner: UNT Libraries
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The String Quartets of Franz Berwald

Description: This thesis is concerned with the historical context and evaluation of the string quartets of Franz Berwald. It will establish the environment within which Berwald composed these quartets, and show the results of his efforts. The material for this investigation was gathered from musical scores and literature about music. Chapter I gives an introduction to the thesis and a short biographical sketch of Berwald. Chapter II surveys the string quartet in the first half of the nineteenth century, cit… more
Date: May 1977
Creator: Coffman, Randall Edson
Partner: UNT Libraries
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Johann Friedrich Reichardt and His Liederspiel "Liebe und Treue"

Description: The purpose of this investigation is to examine Reichardt's reasons for his development of the genre Liederspiel. A brief biographical sketch of Reichardt reveals an innovative character who was responsible for several developments within the history of music. The Liederspiel was particularly affected by the French vaudeville. However, an investigation into the character of each shows that they are really quite different. A translation of an article by Reichardt from the Allgemeine Musikalische… more
Date: May 1979
Creator: Peacock, Daniel F.
Partner: UNT Libraries
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Édouard Batiste's Symphonie militaire (1845): edition and commentary

Description: Symphonie Militaire is a three movement work for twelve solo wind instruments composed by Edouard Batiste (1820-1876), a professor at the Paris Conservatoire and organist. The composition is scored for flute, two oboes, two B-flat clarinets, two bassoons, E-flat trumpet with valves, two F horns with valves, trombone, and B-flat ophicleide. In this edition, which was prepared from the original manuscript, the trumpet part is transposed to B-flat and a tuba has been substituted for the ophicleide… more
Date: May 1976
Creator: Smialek, William
Partner: UNT Libraries
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Zweyer Gleich-Gesinnten Freunde Tugend- und Schertz-Lieder by Johann Jacob Löwe and Julius Johann Weiland

Description: The purpose of this thesis was to make available for performance and study an edition of the twenty-two secular songs published in this collection by Johann Jacob Löwe and Julius Johann Weiland in 1657. The thesis contains twenty-two secular songs for one, two, or three voices with continuo accompaniment and ritornellos for one or two violins, and/or viola, as well as translations of Lowe's preface and dedication and a poem to Lower and Weiland by Heinrich Schaffer. The work contains three chap… more
Date: May 1978
Creator: Clayton, Nancy Jean
Partner: UNT Libraries
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Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925

Description: Alan Berg's two musical settings of Theodor Storm's poem"Schliesse mir die Augen beide" have received little in the way of scholarly analytical attention. The three major chapters of this thesis deal with the two settings on three different levels. Chapter II surveys the political and cultural milieu in which Berg functioned as a young composer of Lieder in the years 1900-1910. Chapter III examines the special quality of lyricism which is often attributed to Berg and his works. Chapter IV provi… more
Date: May 1986
Creator: Ray, Karen, 1951-
Partner: UNT Libraries
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The Lady of the Lake: a Reconstructed Piano-Vocal Score, with Commentary on the Historical Background

Description: The document consists of a commentary on the historical background of the work and an edition of the restored score. The commentary treats its relationship to the ballad opera, sources and alternate settings of the music and libretto, a history of the development of "Hail to the Chief," biographical sketches of the primary composers, and a section on early productions in England and America. The commentary includes a history of the English and American premieres, lengths of the first-runs, and … more
Date: May 1979
Creator: Knox, Robert E., Jr.
Partner: UNT Libraries
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Johann Anton Kobrich's Wohlgeübter Organist

Description: Johann Anton Kobrich (1714-1791) was the priest and organist of the parish church of Landsberg am Lech in upper Bavaria from 1730 until his death. A prolific composer, Kobrich wrote several works for organ, including the Wohlgeubter Organist (1762), a three-part collection of preludes, fugues, and toccatas. The major portion of this thesis consists of an edition of twenty-six selected pieces from the original fifty-eight in this collection. Also included are a bibliography of Kobrich, a discuss… more
Date: May 1982
Creator: Carnes, Nancy Warlick
Partner: UNT Libraries
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The Prodromus Musicalis of Sébastian de Brossard

Description: Sebastien de Brossard (1655-1730) was a French priest, a zealous collector and historian, a musician of merit, and the author of one of the first dictionaries of musical terminology, the Dictionnaire de musigue of 1703. Largely self-taught in music, Brossard studied theology and philosophy at Caen. He was appointed curate at Strasbourg A in 1687 and maitre de musique in 1689. In 1698 he was made grand chapelain and mattre de musique at Meaux, where he remained until his death. His complete work… more
Date: May 1973
Creator: Bolton, Thomas W. (Thomas Wayne)
Partner: UNT Libraries
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Clavichord Traits in Selected Late Eighteenth-Century Keyboard Pieces

Description: Several late eighteenth-century keyboard composers indicated that some of their works were written specifically for the clavichord, as opposed to the harpsichord or pianoforte. This demand was indicated by a composer's commentary, remarks made by a contemporary, or by Bebung and Tragen der Tone indications in the music. The thesis examines selected works of C.P.E. Bach, Johann Eckard, Nathanael Gruner, Johann Hassler, Christian Neefe, F.S. Sander, and Daniel Tt*rk, and discusses elements of the… more
Date: May 1983
Creator: Clark, Alice Ham
Partner: UNT Libraries
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