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Diverse Works

Description: The goal of the work was to infect traditional ideas of beauty and authority with late Twentieth-Century culture and to thereby create an artifact that would reflect the multiplicity of our culture. My work, to date, has dealt with single works of a consistent media combining two and three-dimensional elements. I proposed to add to the complexity of my stated goal through a more varied use of medium; audio, photography, lighting, paint on canvas, reprocessed found objects as well as materials w… more
Date: August 1994
Creator: Allen, Joseph Hugh
Partner: UNT Libraries
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Barriers and Connections, A Dichotomy

Description: I planned to explore the concept of the dichotomy of barriers and connections further. The works I planned to produce would incorporate a variety of printing techniques, drawing, and conceptual development. Each technique and method allowed for my perception to speak in a slightly different voice. The use of these multiple techniques would allow me to explore fully the complexity of barriers and connections in a manner more comprehensive than the one technique alone.
Date: August 1998
Creator: Wilson, Nichelle L.
Partner: UNT Libraries
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Representing the Observable Textural Patterns of Moving Water in Stone

Description: I plan to create a representation of the textures of four distinct states of moving water in three stone sculptures. These structured textural elements are intended to provide compelling visual stimuli that will enhance the viewers' understanding of the sculptures. The dynamic quality of rhythm inherent in the four observable patterns will be conceptually and physically captured on a stone surface.
Date: August 1997
Creator: Joplin, Jason
Partner: UNT Libraries
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Protrapment

Description: It was my intention to create pieces that seem to be both entrapping and protective at the same time. I hope that, as the viewer attempts to interpret each piece, there will be a shift back and forth from one to the other until both sides are accepted and a balance is found.
Date: August 1998
Creator: Herring, Mancel K.
Partner: UNT Libraries
open access

Translation of Personal Perceptions into Physical Space and Abstract Form

Description: In this investigation I use the term perception as Arthur Comb and Donald Snygg do when they state that perception is any differentiation the individual is capable of making in his personal field. Perception has to do with the organization one gives to his world. Behavior and learning are products of perceiving. Immanuel Kant said: "We see things not as they are but as we are." During this effort to organize my world I realized that I was concerned with myself as an experiencing individual. I f… more
Date: August 1980
Creator: Bagley, Frances Stevens
Partner: UNT Libraries
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Repeated Elements: Formal Possibilities for Abstract Expression of Rhythmic Life Patterns

Description: As my creative project, I decided to explore the possibilities for expression of rhythmic life-growth patterns in a variety of abstracted multiple forms. The work was planned to investigate the following questions: 1. What forms can be used to communicate the idea of repetitive, rhythmic or seasonal life or growth patterns? 2. What size/scale is effective in communicating the universal, infinite character of these patterns? 3. What formats or types of presentation are the most effective? 4. How… more
Date: August 1980
Creator: Bennett, Susan E.
Partner: UNT Libraries
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Contemplation Series

Description: My work dealt with the life within inanimate objects and what occurred when one placed apparently unrelated objects together in an arrangement. The arrangements had three interrelated elements: the objects, spacial relationships, and materials.
Date: August 1984
Creator: Blackwell, Pamela R.
Partner: UNT Libraries
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The Investigation of Molded Units for Assembled Sculptures

Description: The problem being dealt with concerns the investigation of the conceptual and expressive potential of mold-formed units in combination with other media and processes. The questions under consideration are as follows: 1. Do the concepts of pieces vary with the materials and process being used? How? 2. What alterations occur in the visual image as a result of the change in media and processes? 3. What mechanical and technical problems are involved in the mold-formed process?
Date: August 1980
Creator: Wood, Lynda Kay
Partner: UNT Libraries
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Low-Temperature Sodium Vapor Firing: A Study of Alternative Sources for Sodium

Description: As much as I like the effects of low-fire salting, I hesitate to use salt. The hydrochloric acid released into the environment during the salting process creates a dense fog that is not only toxic, but visually offensive as well. Therefore, the purpose of this study was to find a source of sodium that would achieve aesthetic results as equally exciting as the effects of salt.
Date: August 1987
Creator: Henderson, Matthew
Partner: UNT Libraries
open access

Exploring Visual Metaphors for Loss

Description: My concerns relate to the process of imagery development and the process of utilizing suitable materials to execute my work. These concerns are dictated by the themes in a particular piece and revolve around an acute sense of loss. These themes are frequently presented with humor.
Date: August 1989
Creator: Langhorne, Meg
Partner: UNT Libraries
open access

The Dynamics of Structure and Discord in the Beautiful

Description: The objective of my problem in lieu of thesis was to produce twenty hand-built porcelain objects which reflected this conception of beauty. To review the success of my project, I asked three questions to evaluate my work. 1. Was there significant structure to my works? 2. Was there significant discord within these structures? 3. Did the tension created through the interaction of these two elements of my work create beauty?
Date: August 1992
Creator: Merino, Anthony D.
Partner: UNT Libraries
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Nylon Monofilament Weaving: It Won't Hold Water

Description: The goal of this problem was to incorporate clear nylon monofilamnet in a series of weaves traditionally chosen for their absorbent virtues that in these cases would achieve interesting textural effects and light-reflective qualities in addition to varying degrees of transparency.
Date: August 1991
Creator: McKinzey, Joan C.
Partner: UNT Libraries
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Exploring the Distinction Between a Two-Dimensional and a Three-Dimensional Reality

Description: Two ways of apprehending reality were intimated; reality as a function of purely visual stimuli and reality as a substantial object. The problem was, therefore, an exploration of reality as a purely visual sense and reality as concrete form. In pursuing the project, I explored how each reality distinguished itself by separating each in the prior conception of the work and in the subsequent discussion.
Date: August 1983
Creator: Strickler, Kevin G.
Partner: UNT Libraries
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An Investigation of Large Scale in Painting

Description: As a painter, I have been working the past few years to develop a mature pictoral image and the concepts of space that were flexible enough for me to produce what I believed was a valid art statement. I have investigated several avenues for improving my work, i.e., acquiring certain technical painting skills, reading more to broaden my concepts and imagination, and visiting various art galleries and museums. During an earlier critique it was realized that the majority of my paintings were all … more
Date: August 1976
Creator: Coffee, Baxter L.
Partner: UNT Libraries
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A Personal Aesthetic Evolved From Nineteenth Century American Pottery

Description: In the history of ceramics my interest centers around times in particular cultures when ceramic containers were an essential part of life. I am most interested in functional pottery produced in nineteenth century North America between the years 1800-1870. This was a period in which some of the finest pots used for containing things were produced.
Date: August 1980
Creator: Rosier, Kenneth Vern
Partner: UNT Libraries
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An Investigation of the Relationship Between Scale, Form, and Technique in Welded Steel Sculpture

Description: The problem of this investigation was to determine if there was a relationship between scale, forma and technique in the making of welded steel sculpture, and to determine the best method(s) of working on three size categories and in two basic categories of form. The size categories were two to four feet, four to eight feet and over eight feet in any dimension with the other dimensions such that the sculpture enclosed a volume of space. The two categories of form were geometric or inorganic (fo… more
Date: August 1989
Creator: Daniel, Jess M.
Partner: UNT Libraries
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Personal and Universal Imagery: Prehistory and the Future

Description: I wished to explore ways to introduce my futuristic symbols in my work that have a relevant universality, support a primordial mysticism, and maintain a personal spirituality. This would be achieved by utilizing imagery with both contemporary and futuristic connotations. This type of imagery would require specific sculptural techniques more refined than was previously present in my work. The sculpture would consist of solitary, tensely postured, monumental figures composed according to a classi… more
Date: August 1994
Creator: Askew, Daniel
Partner: UNT Libraries
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The Effect of Paper Supports as Aesthetic Choices Made in the Oil Painting Process

Description: I believe that an artist needs a mechanism(s) built into his or her working method out of which the greatest number of options may arise. I suggested that, for me, painting on paper could be one such mechanism. I wanted to pursue paper as a viable surface on which to paint and discover to what extent it would influence my choices in the working process.
Date: August 1990
Creator: McSweeney, Arthur J.
Partner: UNT Libraries
open access

Fusion

Description: My proposed objective was to create eight illustrations using Fusion as a tool to communicate concepts. I posed the following questions for evaluation. 1. Can I create two-dimensional illustrations effectively when applying the knowledge and techniques I have studied? 2. In what way will the use of multiple techniques affect the concept?
Date: August 1990
Creator: Hodges, Harlowe
Partner: UNT Libraries
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The Combination of Objects in Box-Like Containers

Description: For my project, I chose to construct ten containers in which clay and non-traditional drawings were combined. The various materials used were ceramics, drawings on Plexiglas, wood, and other found materials. The questions to be answered by the completion of the ten pieces were the following: 1. What types of containers are most complimentary in combining ceramics and drawings? 2. What types of drawing media are most successful for combining drawings with ceramics? 3. What types of presentatio… more
Date: August 1978
Creator: Ellis, Lou
Partner: UNT Libraries
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An Investigation of the Packaging and Display of Jewelry as Image and Concept

Description: Just as packaging in its most mundane, pragmatic sense refers to the commercial and traditional aspects of jewelry, so also does display. In addition to being a mere vehicle for presentation, the idea of display creates an intriguing set of design and conceptual problems which seem to be a natural extension of my current and ongoing concerns.
Date: August 1991
Creator: Corbett, Patricia Reedy
Partner: UNT Libraries
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The Use of the Metaphor as Visual Poetry

Description: Up until this time I have made little effort to investigate the mental processes that I use in the development of these metaphors. I believe these processes are on the unconscious or semiconscious level, and I am interested in finding out how these processes work in the development of the metaphors. I believe these processes are on the unconscious or semiconscious level, and I am interested in finding out how these processes work in the development of the metaphors. I therefore decided on a c… more
Date: August 1978
Creator: Miller, Steven James
Partner: UNT Libraries
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