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The Chansonnier Biblioteca Casanatense 2856: its History, Purpose, and Music

Description: The chansonnier held by the Biblioteca Casanatense in Rome, designated Codex 2856 (0. V. 208), is a handsome volume containing 123 polyphonic compositions in the style of the Franco-Flemish School, circa 1450 to 1400. Although no text beyond the incipit is found in the manuscript, the value of the source is enhanced by the names of the composers of 106 of the compositions. Volume one focuses on the manuscript, giving a physical description of the manuscript, recounting the history of the manusc… more
Date: August 1970
Creator: Wolff, Arthur S.
Partner: UNT Libraries
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The Life and Music of Jacques-Christophe Naudot

Description: Favorable judgment of a work of art, or of a man, usually means that the work of art, or a record of the man, will be preserved for future generations to judge for themselves. An unfavorable judgment may result in a richly deserved obscurity or an irreplaceable loss, unless favorable circumstances combine to preserve the evidence for a more perspicacious generation. One can be forgiven if he distrusts history's judgment; mistakes which have been corrected are legion (the case of J. S. Bach come… more
Date: June 1970
Creator: Underwood, T. Jervis (Troy Jervis), 1932-
Partner: UNT Libraries
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Evolution of the Role of the Solo Trombone in the Nineteenth and Twentieth Centuries: A Lecture Recital Together with Three Recitals of Selected Works of Frescobaldi, White, Druckman, Jones, Blaecher, Ott, and Others

Description: The evolution of the role of the trombone as a solo instrument in the nineteenth and twentieth centuries can be traced most effectively through four schools of playing, with the music of today's avant-garde being a logical historical culmination of these four schools. It will be demons t rated that the avant-garde's use of the solo trombone has merely continued the evolutionary process started in the early nineteenth century. The contribution of the early nineteenth-century virtuosi was the es… more
Date: May 1974
Creator: Hinterbichler, Karl George
Partner: UNT Libraries
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Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka

Description: After considering Petrouchka's historical and compositional background and the orchestral revision of 1947, this thesis analyzes the composition, dealing specifically with formal, harmonic, and melodic aspects. The study's most important discovery is of a common formal design for all the scenes and the piece as a whole, where the outer thirds of ternary structures are equal in length. The thesis also examines Stravinsky's transcriptional procedures, cataloging and contrasting them with those of… more
Date: May 1979
Creator: Hallquist, Robert N.
Partner: UNT Libraries
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Melismata: Musical Phansies Fitting the Court, Citie and Countrey Humours. Edition and Commentary

Description: Thomas Ravenscroft, the English composer, editor, and arranger, is known for his participation in the St. Paul's Boys' Choir, as instructor of music at Christ's Hospital School, and as a prodigy. His best-known publications are a setting of the psalter, The Whole Booke of Psalmes, and the treatise, A Brief Discourse,which is an effort to revive mensural notation. Ravenscroft's works contain many examples of popular Elizabethan music which he edited and arranged. Part II of this thesis consists … more
Date: December 1978
Creator: Roberts, Michael L.
Partner: UNT Libraries
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The Influence of Hindemith's Harmonic Theories on Das Marienleben, op. 27

Description: This study attempts to show the relationship of Hindemith's harmonic theories and practice in the revision of Das Marienleben, op. 27. The study is based on Hindemith's The Craft of Musical Composition, commentaries on Hindemith's application of his theories, and analyses of Das Marienleben. Chapter One concerns Hindemith's contribution as a theorist, including a synopsis of his harmonic theories, and his application of the theories in his compositions. Chapter Two concerns Das Marienleben itse… more
Date: August 1978
Creator: Kubitza, Jana L.
Partner: UNT Libraries
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Pianistic Problems in the Fifth Sonata of Scriabin

Description: This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.
Date: August 1972
Creator: Smith, Jennie
Partner: UNT Libraries
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Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A

Description: This paper highlights aspects of unity in Ludwig van Beethoven's Piano Sonata Op. 81A. Jannis M. Peterson provides historical background to the work, identifies the problem of unity, and analyzes the piece.
Date: August 1973
Creator: Peterson, Jannis M.
Partner: UNT Libraries
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The Stylistic Predecessors of Maurice Ravel’s Valses Nobles Et Sentimentales

Description: This paper explores the history and creation of Maurice Ravel's Valses nobles et sentimentales and its predecessors. Walter M. Coldewey explores the waltz and its expression through Maurice Ravel's work, as well as the works that influenced him.
Date: August 1977
Creator: Coldewey, Walter M.
Partner: UNT Libraries
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The Influence of the Commedia Dell’ Arte on Opera Buffa

Description: This paper explores the connection between the Commedia dell'arte and the opera buffa genre and asserts that performers should be aware of this connection. John Arden Hopkin explores the history of the Commedia dell'arte and the rise of opera buffa.
Date: August 1974
Creator: Hopkin, John Arden
Partner: UNT Libraries
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The Four Chopin Ballades: A Guide to Performance and Interpretation

Description: This paper discusses the origin of literary and musical ballads and focuses on analysis and interpretation of the four Chopin ballades. Jill Beth Street also discusses how to perform these ballades based off of this interpretation.
Date: December 1971
Creator: Street, Jill Beth
Partner: UNT Libraries
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Analysis for Performance of the Song Cycle Songs of Travel, by Ralph Vaughan Williams

Description: This paper analyzes Ralph Vaughan Williams' Songs of Travel and asserts that the songs are a song cycle rather than just a collection of songs set to to the poetry of Robert Louis Stevenson. Richard Porter Cole performs a musical and poetic analysis of the songs and makes suggestions to aid performers of the piece.
Date: May 1977
Creator: Cole, Richard Porter
Partner: UNT Libraries
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An Analysis for Performance of Les Nuits d’été by Hector Berlioz, Opus 7

Description: This paper analyzes Hector Berlioz's song cycle Les Nuits d’été, Opus 7, for the purpose of performance. Along with musical analysis, Anna Ruth Stone also provides background about the poet Théophile Gautier and describes the appeal of the Berlioz's song cycle.
Date: August 1979
Creator: Stone, Anna Ruth
Partner: UNT Libraries
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Elements of Surrealism in La Courte Paille by Francis Poulenc

Description: This paper explores the influence of French surrealism in the composition of La Courte Paille by Francis Poulenc. Martha Ann Pampell discusses the history of the surrealist movement, Poulenc's style, and provides an analysis of the piece.
Date: December 1976
Creator: Pampell, Martha Ann
Partner: UNT Libraries
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Schumann’s Solo Settings of Poems by Robert Burns

Description: This paper explores nine German art songs composed by Robert Alexander Schumann, songs that were solo settings of the poems of Robert Burns. Paula Shaneyfelt Spencer provides historical background to this detailed analysis of the songs.
Date: August 1978
Creator: Spencer, Paula Shaneyfelt
Partner: UNT Libraries
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J. S. Bach Cantata No. 52: An Analysis for Performance

Description: This paper analyzes Johann Sebastian Bach's Cantata No. 52, Falsche Welt, dir trau' ich nicht. Janette Cook Williams presents findings on the evolution of the sacred solo cantata and examines the style of Bach's work.
Date: May 1975
Creator: Williams, Janette Cook
Partner: UNT Libraries
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The Baritone Title Roles in the Operas of Verdi

Description: This paper discusses the nature and significance of the baritone title roles in the operas of Giuseppe Verdi. These operas include Nabucco, Macbeth, Rigoletto, Simon Boccanegra, and Falstaff. Jewel William Hobbins explore the evolution of vocal roles and asserts that Verdi highly prized dramatic skill in his performers.
Date: December 1977
Creator: Hobbins, Jewel William
Partner: UNT Libraries
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Analysis of the Soprano Arias in the Oratorios of Joseph Haydn

Description: This paper analyzes the soprano arias in three of Franz Joseph Haydn's oratorios, which are Il Ritorno di Tobia, Die Schöpfung, and Die Jahrezeiten. Deborah Thomas analyzes Haydn's oratorio style and attests that development is reflected in the soprano arias.
Date: December 1977
Creator: Thomas, Deborah
Partner: UNT Libraries
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French Mélodie: The Solo Songs of Henri Duparc

Description: This paper explores the French mélodies written by Henri Duparc and includes a historical background of both Duparc and the mélodie as a type of song. Carol Tagg explores the roots of the mélodie and how influences of the Romantic movement are reflected in Duparc's work.
Date: December 1978
Creator: Tagg, Carol
Partner: UNT Libraries
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Six Mélodies Populaires Grecques, by Maurice Ravel

Description: This paper provides an analysis of Maurice Ravel's song cycle Cinq mélodies populaires grecques and "Tripatos." Pamela D. Hamblin discusses Ravel's musical style of composition and investigates the background and the individuality of the songs.
Date: August 1979
Creator: Hamblin, Pamela D.
Partner: UNT Libraries
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An Investigation of the Acoustical Properties of the Trumpet Mouthpiece

Description: The purpose of this study was to present a comprehensive analysis of the acoustical properties of the trumpet mouthpiece. The first section will be concerned with the individual parts of the mouthpiece and their interrelationship. The second portion of the study will be the physical analysis of three commonly used trumpet mouthpieces. For this study, five examples of each size have been selected. The third section will present a tonal analysis of the selected mouthpieces. These investigative pr… more
Date: August 1970
Creator: Lanese, Robert M. (Robert Martin)
Partner: UNT Libraries
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An Analysis of Johann Nepomuk Hummel's Concerto for Trumpet

Description: During the first half of the twentieth century the trumpet has gained its position as a solo instrument, even surpassing its esteemed position in the High Baroque Era. With the combined efforts of performers like Herbert L. Clark, Ernest S. Williams, and Joseph Arban, and the efforts of the French school of trumpet playing, notably those of Raymond Sabarich, the trumpet has risen from a mere accompanying instrument of the Classical Period and early Romantic Era to its present place as an expres… more
Date: June 1970
Creator: Hopper, Barry R. (Barry Robert)
Partner: UNT Libraries
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An Annotated Translation of the British Museum, Additional 4918: Traité De La Musique Moderne, Avec Quelques Remarques Sur La Musique Ancienne Par A.D.V. (1702)

Description: The British Museum, Additional Manuscript 4918, provides an interesting insight into the sociology as well as the music of the Baroque period. This treatise was written by an unknown "music-lover," who was not a musician by profession. All that is definitely known about his identity are the initials A.D.V. that appear on the title page. The manuscript is dated 1702. In method and design this work represents the transitional character of the seventeenth and eighteenth centuries. Because the auth… more
Date: June 1970
Creator: Donworth, Koma Sue
Partner: UNT Libraries
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