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Art Education and the Energy Dynamics of Creativity

Description: The energy dynamics of creativity are the metaphysical foundations upon which the theory of holistic aesthetics was built. Traditional inquiry into creativity has been concerned with the isolated issues of either the process, technique, product, creator, or environment in which creation occurs. The aesthetics presented herein provide the art educator with an alternate approach and attitude. The absolute presupposition from which the theory develops states that "there is naught but energy, for … more
Date: December 1978
Creator: Horn, Carin E.
Partner: UNT Libraries
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The Incorporation of Silkscreen Techniques in the Decoration of Raku-Fired Ceramics

Description: The questions answered by this investigation are as follows: 1. Which silkscreens and stencils will work in screening flat and three-dimensional objects? 2. Which mediums and coloring agents will survive a glaze firing to produce an acceptable image? 3. How can the image be modified by screening during the different stages of a ceramic piece (wet, green, bisque, glazed)? 4. What glazes and glaze applications will be compatible? 5. Generally, what is the relationship between the image and the ob… more
Date: May 1978
Creator: Allen, James Franklin
Partner: UNT Libraries
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Investigation of Zinc, Magnesium, and Aluminum as Etching Surfaces

Description: The introduction to printmaking in most universities and college directs students to learn the basic techniques of intaglio using zinc. This continues throughout one's academic career, with little emphasis placed on experimentation with other metals. During my undergraduate and graduate studies I etched with zinc. I had wanted to use aluminium and magnesium in order to explore the similar and dissimilar qualities of the three.
Date: May 1978
Creator: Stark, John E., Jr.
Partner: UNT Libraries
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An Investigation of the Sculptural Possibilities of Warp Distortion and Manipulation Through Warp Weighting

Description: The purpose of this project is to investigate the sculptural possibilities of warp distortion and manipulation through the utilization of the weighted-warp process. A secondary purpose is to explore the technique of warp weighting beyond a single fabric layer. It is projected that a weighted layer can be combined with one which is tensioned evenly and tied onto the floor loom (loom tensioned). In this manner, the loom-tensioned layer remains stable. The weighted layer is free to move through th… more
Date: December 1978
Creator: Shields, Janis
Partner: UNT Libraries
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The Combination of Sewing Techniques, Manufactured Fabric, Paper, Paint, as a Creative Process

Description: My problem was to investigate some of the possibilities which have arisen through my previous work by producing twelve fabric pieces and eight paper pieces. Specifically, the following questions were to be examined: 1. Are there traditional designs or techniques in quilts of the past that can be utilized in my own work? 2. Are the primary colors (red, yellow, blue) in manufactured unaltered fabric more effective than painted or altered fabric? 3. Is there a correlation between the color and ima… more
Date: May 1978
Creator: Outlaw, Marilyn Jeanne
Partner: UNT Libraries
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The Combination of Objects in Box-Like Containers

Description: For my project, I chose to construct ten containers in which clay and non-traditional drawings were combined. The various materials used were ceramics, drawings on Plexiglas, wood, and other found materials. The questions to be answered by the completion of the ten pieces were the following: 1. What types of containers are most complimentary in combining ceramics and drawings? 2. What types of drawing media are most successful for combining drawings with ceramics? 3. What types of presentatio… more
Date: August 1978
Creator: Ellis, Lou
Partner: UNT Libraries
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The Use of the Metaphor as Visual Poetry

Description: Up until this time I have made little effort to investigate the mental processes that I use in the development of these metaphors. I believe these processes are on the unconscious or semiconscious level, and I am interested in finding out how these processes work in the development of the metaphors. I believe these processes are on the unconscious or semiconscious level, and I am interested in finding out how these processes work in the development of the metaphors. I therefore decided on a c… more
Date: August 1978
Creator: Miller, Steven James
Partner: UNT Libraries
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Combining Clay and Light Into Sculptural Forms

Description: This problem concerns the feasibility of combining the elements of light and clay in a sculptural concept of design. The study has determined various procedures of combining the sculptural ceramic forms for the internal inplant of light sources. Specific questions posed were 1. Can the surface decoration be enhanced by external and internal lighting? 2. How does each surface quality, raku, and low-fire salt glaze differ with the interplay of light? 3. In what way may two surface qualities be ap… more
Date: August 1978
Creator: Munoz, Gilberto, Jr.
Partner: UNT Libraries
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A Series of Self-Portraits Made In Jewelry Form

Description: The problem consisted of creating a series of jewelry pieces in metal which embody the concept of a self-portrait. Each piece in the series has a physical outside and an inside area in its structure which together form a conceptual self-portrait. Each piece was partly preplanned in detail and partly spontaneously executed. The spontaneously executed parts of the individual pieces serve to include the presence of the subconscious self-image. The series when viewed as a whole or as individual par… more
Date: December 1978
Creator: Jones, Deborah Jan
Partner: UNT Libraries
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The Use of Horizontal, Vertical, and Contour Lamination to the Sculptural Form

Description: The purpose of this problem was to investigate the advantages and possible limitations of horizontal, vertical, and contour laminating to the sculptural form. Specific questions were set forth to help determine the different aspects of these types of lamination. The specific questions for which answers were sought are as follow. 1. How complex a design can be executed by the laminating process? 2. How close to the design will the initial lamination be? 3. What are the best methods of lamination… more
Date: August 1978
Creator: Holsch, Robert
Partner: UNT Libraries
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A Humanist Outlook for the Contemporary Artist

Description: The problem being considered in this paper is the alienation of the general viewer from contemporary art. Modern art has become less understandable than ever before to the non-art audience because it has, in many cases, ceased to deal with human-oriented subject matter, and has become detached from life. This paper examines ways in which modern art might be made more accessible to the world through the artists' use of emotion, intuition, intelligence, and other Humanistic elements as content fo… more
Date: May 1978
Creator: Humphries, Judith Garrett
Partner: UNT Libraries
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An Analysis of Space and an Investigation Into the Nature of the Block-Out Process in My Current Work

Description: The purpose of the creative project was to investigate the relationship of figure to ground in a series of paintings in order to better understand how I perceive the space in my work and to analyze the block-out process. Questions regarding the figure/ground relationship are as follow: 1. What is figure, what is ground and what is ambiguous as I see it? 2. What effects do overlapping, shape size, color and value have upon the figure/ground relationship? The portion of the investigation concerni… more
Date: May 1978
Creator: Werner, Lois Wetzel
Partner: UNT Libraries
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A Catalog of Miniature Case and Seating Furniture Categorized as Being of the Second Size Which are Owned by Five Museums and Historical Societies of Texas and Louisiana

Description: The miniature furniture cataloged is considered to be of the second size, i.e., miniatures which could have been used as traveler's samples, cabinetmaker's models, or toys. The entries are selected from collections of Louisiana and Texas museums and historical societies. They were located through use of a questionnaire sent to the institutions listed in the Official Museum Directory as having furniture and decorative arts collections. Responses showed five institutions owning miniatures of the … more
Date: August 1978
Creator: Parsons, Robert Alan
Partner: UNT Libraries
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Cast-Iron Facades in Texas

Description: In this limited survey, nineteenth-century cast-iron facades in Texas were recorded and compared to iron-fronted buildings in New York City. It was found that generally, the still existing buildings in Texas cities and towns were similar to those in New York in style but differed to the extent to which the cast-iron elements were used. It appears that nineteenth-century builders in Texas knew of New York trends in cast-iron but had definite regional preferences.
Date: December 1978
Creator: Giritz, Cheryl A.
Partner: UNT Libraries
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The Development and Testing of an Instrument to Evaluate Aesthetic Judgments

Description: This study was concerned with the development and testing of an instrument to measure levels of aesthetic judgement making. The review of evaluation methods for aesthetic judgement resulted in a two-part instrument. The review of related literature demonstrated that the majority of instruments for aesthetic judgment employed a naive to sophisticated judgment comparison to determine levels of aesthetic sensitivity. The inadequacy of a score reporting only the degree of agreement between the subj… more
Date: December 1978
Creator: Brumbach, Mary Alice
Partner: UNT Libraries
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